安道尔是位于比利牛斯山脉的一个小公国，在经历了几个世纪的牧区困倦之后，直到最近才成为一个商业旅游胜地，面临着人口激增和经济繁荣，几乎没有其他这样的国家能够希望在好与坏的同时兼顾。

Andorra, a small principality located in th Pyrenees, has only recently become renown as a commercial tourist attraction after centuries of pastoral sleepiness, facing a population explosion and economic boom few other such countries can hope to equalize both for the good and the bad.

 Courtesy of Ricardo Bofill

里卡多·博菲尔(Ricardo Bofill)

1972年，在一个受欢迎的假日的晚上，古罗马式庇护所着火了，被玷污了。这座建筑群被留在了一片漆黑的废墟中，只有在祭坛和夜空钟楼上跳跃的原始建筑才能幸存下来。

On the evening of a popular holiday in 1972 the ancient Romanesque Sanctuary caught fire and was destriyed. The building complex were left in blackened ruins, survived only by the original apse and vaulting over the altar and laterday belltower.

 Courtesy of Ricardo Bofill

里卡多·博菲尔(Ricardo Bofill)

重建圣殿的任务不能沦为考古学的劳动，不能简单地将倒下的石头归还原处，也不能忽视当地建筑特征和景观的强烈影响。决定在理论上继续走罗马式意象的历史道路，同时在实践中应用现代建筑技术和设计，也是基于这样一种愿景，即该项目必须超越其方案，作为一种对抗计划外领土固有的环境退化的结构，并提出一种因其过去而在安道尔建造的方法。

The task of rebuilding the Sancturay could not be reduced to an archeological labor, simply returning the fallen stones to their original position; nor could the strong influence of the local architectural character and landscape be ignored. The decision to continue along the historical path of Romanesque imagery in theory while applying modern building techniques and designs in practice was also based on the vision that the project had to go further than its program, acting as a counter structure to the environmental degradation inherent in unplanned territories and proposing a way of building in Andorra resulting from its past.

 Courtesy of Ricardo Bofill

里卡多·博菲尔(Ricardo Bofill)

这个项目的两个主要元素是高架桥和保护区，尽管这条线上的其他元素也同样具有象征意义，比如(从东到西)凹形圆形竞技场、巨大的台阶、道路上的桥梁、攀岩塔、拱顶拱门、山脊、凸起的神殿、喷泉、雕刻的柱廊和穿过森林的骑行。保护区现在与其所有的附属物一起建造，显示出一个清晰的迹象，即在山谷上未完成的拱门中有一个明显的计划延续的迹象，等待着与未来的桥连接起来。

The two major elements of this project are the viaduct bridge and the Sanctuary, although other elements on the line are as symbolically important such as (from East to West) the concave amphitheater, the giant steps, the bridge over the road, the climbing towers, the vaulting arches, the esplanade, the convex theate, the gushing fountain, the sculpted colonnade and the ride through the forest. The Sanctuary is now built with all its dependencies, manifesting a clear hint of projected continuation in the unfinished arches poised over the valley waiting to connect up with the future bridge.

 Courtesy of Ricardo Bofill

里卡多·博菲尔(Ricardo Bofill)

灵感来源于原始的罗马人，通过对平方根和圆圈的使用，包括加泰罗尼亚-穆德贾尔的影射。

Inspiration grew from the original Romanesque sources through to the Albertian and Palladian neopythagorean use of square roots and circles, including the additions of certain Catalan-Mudejar insinuations.

 Courtesy of Ricardo Bofill

里卡多·博菲尔(Ricardo Bofill)

项目图纸通过一个基于符号数字的和声方案以及现场和程序的基本测量关系，将计划、部分和外观联系在一起。建筑物外面有意识地延续着罗曼塞式的建筑，这是一种被神秘的植被包裹着的黑山的形式，最明显的是它所在的一个小村庄的一部分，它捕捉到了安道尔其他寺庙的建筑哲学，但非常清楚它的不同规模。

The project drawings relate plan, section, and façade through a harmonic scheme based on symbolic numerology and the relationship of basic measurement on the site and of the program. Outside the building consciously a Romanesue continuation, a form belonguing to the black mountain wrapped in mythical vegetation, most evidently a part of a small hamlet in which it rests, capturing the architectural philosophy of such other Andorran temples, but very much aware of its different scale.

 Courtesy of Ricardo Bofill

里卡多·博菲尔(Ricardo Bofill)

保护区的整个环境都是在一个单独的和后期的项目中设计的，现在已经完成了。设计涉及所有铺面、人行道、栏杆、台阶、坡道、停车场等。所有的景观设计都需要重新种植周围的乡村。最后，改造和现代化旧的和废弃的建筑物在该地区将用作支持依赖。

The entire surroundings of the Sanctuary were designed in a separate and late project and have now been finished. The design involved all paved surfaces, walkways, balustrades, steps, ramps, parking, etc. all landscaping involving the re-planting of the surrounding countryside. Finally the remodelling and modernization of the old and derelict buildings in the area to be used as support dependencies.