© David Cabrera

(David Cabrera)

Miralles和Pinos将墓地的诗意概念化，让游客开始理解和接受生命的循环，将其作为过去、现在和未来之间的纽带。嵌入加泰罗尼亚山，伊瓜拉达公墓是一个土方工程，融入景观，仿佛它是一个自然的方面的土地。墓地被设计成一个层次分明的景观，作为一个连续和流畅的过程展开到景观中。

Miralles and Pinos conceptualized the poetic ideas of a cemetery for the visitors to begin to understand and accept the cycle of life as a link between the past, present, and future. Embedded in the Catalonian hills, the Igualada Cemetery is an earthwork that blends into the landscape as if it were a natural aspect of the land. The cemetery was designed as a tiered landscape that unfolds into the landscape as one continuous and fluid progression.

 © David Cabrera

(David Cabrera)

主墓葬区是墓园中被石堡墙和类似陵墓的墓地包围的一个较低出土部分的一部分，这阻碍了游客对周围环境的洞察力，而在这个区域，天空是中央墓地以外唯一可见的实体。与第一层不同的是，公墓的第二层有更传统的墓地，这些墓地是分开展开的，而不是下面类似陵墓的墓地。

The main burial area is part of a lowered excavated part of the cemetery that is surrounded by gabion walls and the mausoleum-like burial plots, which obstructs the visitor’s vision from the surrounding context secluding them in an area where the sky is the only visible entity outside of the central burial area.  Unlike the first tier, the second tier of the cemetery has more traditional burial plots that are separated and spread out rather than the mausoleum-like burial plots below. 

 Plan and Sections

图则及分段

此外，在第二层，有一座教堂和修道院仍未完工；然而，无论如何，这些未完成的方面在空间上并不缺乏，而是缺乏定义和细节。然而，缺乏信息，也没有详细说明空间开放和空洞的总体感受，以保留独处和宁静的体验。

Also, on the second level, there is a chapel and monastery that remain unfinished; however, the unfinished aspects are not lacking, by any means, spatially rather they are void of definition and detail.  Yet, the lack of information and detailing compliments the overall sensations of the project where the spaces are open and void to retain the experiences of solitude and serenity.

 © David Cabrera

(David Cabrera)

当你进入墓地时，你会遇到一套十根钢杆，它们是通往墓地的两扇门-它们被比作加略山的十字架。从正门开始，有一条通往主墓地的进场蜿蜒的通道；这条小路两旁都是混凝土的“洛库利”陵墓墓地，环绕着凹陷的空间，从一层向一层过渡。风之路被概念化为生命之河，从加泰罗尼亚山脉广阔的开阔地带流向地平线下挖掘的隐秘的纪念性空间。通过墓地的流通依附于一条生命之河。更多的游行效果，而不是把重点放在墓地的组织上，而是经验。

As one enters the site, one confronts a set of cor-ten steel poles that double as gates to the cemetery – the poles are likened to the crosses at Calvary.  From the main entrance, there is a processional winding pathway that descends into the main burial area; the pathway is lined with concrete “loculi” – mausoleum burial plots – that wrap around the depressed space as a transition from tier to tier.  The windy path is conceptualized as the river of life that moves from a wide open expanse in the Catalonian hills to a secluded memorial space excavated below the horizon.  The circulation through the cemetery adheres to a more processional effect that focuses less on the organization of the burial plots, but rather the experience.

 © David Cabrera

(David Cabrera)

伊瓜拉达公墓的材料把这个项目无缝地重新融入了景观中。米拉尔斯在这个项目中使用了水泥、石头和木材等泥土材料。石灰石墙，破旧的混凝土，而嵌在石地景观中的木铁路，让人联想起周围山体的崎岖、崎岖。材料的朴实色调，将建筑变成了一种自然的审美，创造了墓地早已成为遗址一部分的外观。

The materials of the Igualada cemetery tie the project seamlessly back into the landscape.  Miralles employed earthy materials of concrete, stone, and wood into the project.  The gabion walls, the worn/aged concrete, and the wooden railroad ties embedded in the stone groundscape evoke the hard and rough landscape of the surrounding hills.  The earthy tones of the materials transform the architecture into a natural aesthetic creating the appearance that cemetery has long been part of the site.

 © David Cabrera

(David Cabrera)

从某种意义上说，伊瓜拉达公墓是一种有机建筑，它作为加泰罗尼亚山的延伸，融入了自然景观，它和参观它的人们一样，也是景观的一部分。即使是米拉尔斯在2000年突然去世后，也被埋葬在伊瓜拉达公墓，从某种意义上说，它完成了奇迹生命的循环：过去、现在和未来-所有这些都依附于伊瓜拉达公墓。

The Igualada Cemetery is in a sense an organic architecture that integrates into the natural landscape as an extension of the Catalonian hills.  It is just as much a part of the landscape as the people that visit it. Even Miralles after his sudden death in 2000 is buried at the Igualada Cemetery, which in a sense completes the cycle of Miralles life: past, present, and future all clinging onto the Igualada Cemetery.

 © David Cabrera

(David Cabrera)

建筑师Enric Miralles，Estudio Carme Pinos Armisetos Responsáveis Enric Miralles，Carme Pinós项目年1994照片Flickr Frans Drewniak(CC by-SA)，David Cabrera

Architects Enric Miralles, Estudio Carme Pinos Arquitetos Responsáveis Enric Miralles, Carme Pinós Project Year 1994 Photographs Flickr Frans Drewniak (CC BY-SA), David Cabrera