Plushscape是一个身临其境的装置，它也是实验短片观众的休息室座位。通常情况下，画廊和博物馆会建造黑匣子环境，在这种环境中，单频道的视频装置试图在电影的食疗空间中使观众的形象消失。在这里，观众可以自由选择如何将自己的身体依偎在这个柔软、富饶的景观中，无论他们是俯卧懒散，还是挺直而警觉。

Plushscape is an immersive installation which also functions as lounge seating for viewers of experimental short films. Typically, galleries and museums construct black-box environments where single-channel video installations seek to disembody the viewer within the diegetic space of the film. Here, viewers can freely choose how their bodies will be nestled into this soft, plushy landscape, whether they are prostrate and languid, or upright and alert.

 Courtesy of Seoul Museum of Art + ALLTHATISSOLID

首尔艺术博物馆提供

使用发现的材料bujikpo，一种柔软的合成纤维和毡布，通常被用作建筑工地的防尘屏障，不会为临时展览产生任何废物。这种普通和低眉毛织物可以很容易地返回到产品流后，安装结束。每一个织物螺栓(1.8×12米)，然后卷起，编织，和生锈，创造填充玩具样的景观诱人的身体互动。

Using the found material bujikpo, a soft synthetic and felted fabric which is typically used as dust barriers on construction sites, no waste is created for the temporary exhibition. This common and low-brow fabric can easily be returned back to the product stream after the close of the installation. Each bolt of fabric (1.8 x 12 meters) is then tucked, woven, and ruched creating stuffed toy-like landscapes enticing bodily interaction. 

 Courtesy of Seoul Museum of Art + ALLTHATISSOLID

首尔艺术博物馆提供

织物的一个关键和不可预见的影响是它的材料能力，吸声吸收周围的噪音和提高电影的音频。该装置还借鉴了一些技术，从传统的Shibori，在领带染色之前，织物是几何操纵与缝纫和捆绑模式。通过这些方法，Plushscape积累了体积，纹理和雕塑的繁荣，同时有趣地展开整个画廊。

One crucial and unforeseen effect of the fabric is its material ability to acoustically absorb ambient noise and enhance the films’ audio. The installation also borrows some techniques from traditional Shibori where, prior to tie-dyeing, the fabric is geometrically manipulated with stitching and binding patterns. With these methods, Plushscape accumulates volume, texture, and sculptural exuberance while playfully unraveling throughout the gallery.

 Courtesy of Seoul Museum of Art + ALLTHATISSOLID

首尔艺术博物馆提供

安装设计包括节点，由螺栓创建的布吉坡，这些螺栓被编织成软的座椅袋，然后连接到一个刚性框架。这些海绵巢可以在不同的位置下垂，也可以作为画廊内垂直尖顶的特征。从这些山峰，普卢什景观溶解成平面节拍场，由反射流线，充电开放的画廊空间，一种替代传统的被动剧场皮尤座位。在这个新的景观中，座位、雕塑和身体都在转向和旋转，以诱导一个新的社会激活的观看空间。

The installation design consists of nodal points created from bolts of bujikpo that are woven into soft seating pouches and then attached to a rigid frame. These spongy nests allow for group lounging in a variety of positions and also serve as vertically peaked features within the gallery. From these peaks, Plushscape dissolves into a planimetricfield articulated by reflective streamlines that charge the open gallery space, an alternative to traditionally passive theater pew-seating. In this new landscape, seating, sculpture, and bodies all swerve and twirl about inducing a new socially activated viewing space.

欲了解更多有关展览的信息，请访问这里。

For more information on the exhibition, please visit here.