Prague National Gallery Entrance Hall Mateo Arquitectura
2013-05-27 01:00
架构师提供的文本描述。在布拉格城堡的场地上,在目前被重新用作国家美术馆的各种宫殿中,简短的是设计一座小建筑,为博物馆建筑群提供一个入口。
Text description provided by the architects. In the grounds of Prague Castle, among various palaces currently reused to house the National Gallery, the brief was to design a small building that provides an entrance to the museum complex.
两个平行的表面组织了过去是一个空旷的空间而没有把它压下来:一个形成了地板,另一个形成了屋顶。地面作为地球的表层出现,巧妙地折叠起来,以适应水平上的微小差异,并方便进入邻近的建筑物。它很难,但它也保存了它的一些有机性质,在植物,土壤和水中物化。
Two parallel surfaces organize what used to be an empty space without weighing it down: one forms the floor, the other the roof. The floor emerges as a surface layer of the earth, folding subtly over itself to adapt to minor differences in level and ease access to the neighbouring buildings. It is hard but it also conserves some of its organic nature, materialized in plants, earth and water.
屋顶,把我们和天空隔开的边界,是一个连续的薄片,不完全接触周围的建筑物,产生巨大的天窗,并产生一个神秘的相互作用的反射。一种有机层,上面铺着砾石,标志着一个秘密花园的界限。
The roof, the boundary that separates us from the sky, is a continuous sheet that does not quite touch the buildings around it, producing great skylights and generating an enigmatic interplay of reflections. An organic layer, topped with gravel, that marks the bounds of a secret garden.
内部空间是开放的,灵活的,多重的和复杂的,以及光填充。它的垂直界限是现有的外观,它们唯一的构造性表现在地面的地形上。其余的是光,反射和对话,几乎没有接触,在屋顶和墙壁之间。
The inner space is open, flexible, multiple and complex, as well as light filled. Its vertical limits are the existing façades, their only tectonicity expressed in the topography of the ground. The rest is light, reflections, and the dialogue, almost without touching, between roof and walls.
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