架构师提供的文本描述。主岭的房子坐落在维多利亚的莫宁顿半岛的一个固定的工作葡萄园内。简介是一个舒适的四卧室家庭住宅，与葡萄藤有视觉连接，并提供了一个适合接待来访我们客户的酒厂的国际客人的区域。

Text description provided by the architects. The Main Ridge house sits within an established working vineyard located on Victoria’s Mornington Peninsula. The brief was for a comfortable 4 bedroom family home with a visual connection to the vines and which provided an area suitable for entertaining the international guests who visit our clients’ winery.

 © Derek Swalwell

德瑞克·斯沃韦尔

我们是“城市建筑师”，习惯于在现有的建筑形式和规划规则的约束下工作，在剩余的城市空间中创造建筑。我们认为我们的工作是有背景的，是对城市“发现”条件的一种建筑反应。在这种情况下，房子的上下文是抽象的；没有地点没有明确的“英雄”观点来定位建筑物。最好的北方太阳朝向远离藤蔓，而在西方，一种现有的人工切割把房子和藤蔓分开，东方的景色被一个巨大的、视觉上“凌乱”的草莓农场所占据。然而，有一系列可爱的，尽管是温和的方面：在北边，树木下面的景色充满了斑驳的光和对远处事物的承诺；在南边，有一条绵延的草坡，尽头是藤蔓；建筑保留了对这些现存景观的记忆，并将它们作为一个有序的装置-从外部与新建筑的形式和位置，以及内部空间的方向。接近的时候，房子被两堵20米长的经过风化的“科雷顿”钢墙遮住了。当穿过墙壁之间的空隙时-让人想起原来的剪裁-房子和场地就显露出来了。

We are ‘urban architects’, used to working with the constraints of existing built form and planning regulations and creating architecture in residual urban space. We consider our work to be contextual, an architectural response to the urban ‘found’ conditions. In this case the context for the house was abstract; the no site had no clear ‘hero’ views with which to orientate the building. The best northern solar orientation faces away from the vines, while to the west an existing artificial cutting separated the house site from the vines and the view to the east was dominated by a large and visually ‘messy’ strawberry farm. However there were a series of lovely, albeit modest aspects: to the north a view beneath trees full of dappled light and a promise of what lies beyond; to the south a gentle rolling grassy slope terminating at the vines; The architecture retains the memory of these existing landscape vistas and uses them as an ordering device – externally with the form and placement of the new building and internally with the orientation of the inside spaces. On approach the house is hidden by two 20 metre long angled weathered ‘Coreten’ steel walls. On entering through a gap between the walls – reminiscent of the original cutting - the house and site reveal themselves.

 © Shannon McGrath

C.Shannon McGrath

这座住宅由亭台楼阁组成，四周是一个隐蔽的、朝北的庭院的三面。庭院设计最大限度地利用北光照射室内，并在家中创造区域：一个是为更多的私人家庭生活，另一个也可以满足客人的娱乐。一个雕刻的石灰胶合板天花板提供了一个横向丝带连接公共和私人领域的主展馆，并贡献了视觉的“戏剧”，但仍保持舒适的住宅规模。一个豆荚状的木材“鼓”标志着公共和私人领域之间的枢纽点，并隐藏了管家的储藏室，通往酒窖的楼梯，以及滑动的门来划分空间。

The residence is comprised of pavilions enclosing three sides of a sheltered, north facing courtyard. The courtyard design maximises northern light to the interior and creates zones within the home: one for more private family living and another that can also cater for entertaining guests. A sculptured limed plywood ceiling provides a horizontal ribbon linking the public and private areas of the main pavilion, and contributes visual ‘drama’ while still maintaining a comfortable residential scale. A pod-like timber ‘drum’ marks the pivot point between the public and private realms and hides a butler’s pantry, the staircase to the wine cellar, and sliding doors to zone the spaces.

 © Shannon McGrath

C.Shannon McGrath

在项目开始时，我们的客户并没有对他们的网站的属性印象太深，也不喜欢看到草莓农场的景色。住宅的设计改变了我们的客户对周围环境的看法，精心挑选和“框架”的小插曲，以鼓励居民暂停，并欣赏景观设置的特殊特点，有更多的“深度”，而不仅仅是强烈的图形行葡萄藤。

At the start of the project our clients were not overly impressed with the attributes of their site and were not fond of the view to the strawberry farm. The design of the residence has changed our clients’ perception of their environs by carefully selecting and 'framing' vignettes so that the inhabitants are encouraged to pause, and appreciate the special characteristics of a landscape setting that has more 'depth' than just the strong graphic rows of grapevines.

 Ground Floor Plan