架构师提供的文本描述。房屋的结构框架包括预制、叠层和胶合板。从外面看，它是有点粗糙和未平面，但从内部，它是光滑，柔软和温暖。毫无疑问，把它用作森林边的房子的建筑材料。仅仅一周(！)从向制造商发送数字数据到现场完成结构组装之间的传递。在完成工厂图纸制作后，花了两天的时间，元件在一天内交付，房子在另外两天内组装完毕。这是一份快速、干净、直截了当的工作，充满了兴奋的气息(见电影“森林中的卡车起重机”)。

Text description provided by the architects. The structural framework of the House comprises prefabricated, laminated and glued timber panels. From the outside it is a little bit rough and unplaned but from the inside it is smooth, soft and warm. There was no question about using this as a construction material for the House by the edge of the Woods. A mere week (!) passed between sending the digital data to the manufacturer and the completion of structural assembly on site. After finalising the factory drawings manufacturing took two days, the elements were delivered in one day and the House was assembled in another two days. It was a quick, clean and straightforward job, spiced with some excitement (see the film: The Truck Crane in the Woods).

 © Zsolt Batár

(Zsolt Batár)

房子里的气候和芳香条件远远超出了我们的预期(新鲜的木头闻起来就像天堂一样)。这是一个活生生的，呼吸的结构，在任何意义上，它被家庭占据和居住在任何时间。冬天，他们用炉子和壁炉把它加热，用附近树林里的木头加热。夏天，他们用凉爽的晚风从树林里吹出来，早晨，他们醒来听到可爱的鸟鸣。

The climatic and aromatic conditions inside the house far exceed all our expectations (fresh wood smells just heavenly). This is a living, breathing structure in every sense of the word and it was occupied and populated by the Family in no time at all. At winter they heat it with a stove and a fireplace using wood coming from the nearby Woods, in the summer they air it with the cool evening air descending from the Woods, and in the morning they wake up to lovely birdsong.

 © Zsolt Batár

(Zsolt Batár)

即使在第一幅草图里，房子也是黑色的。最终，高地的最终材料是由生活和财政限制所决定的。我们选择了最简单的，抗紫外线的外墙膜，这是防水从外面，但蒸汽打开从内部。就在冬天的时候，“被子大衣”完成了，然后在夏天固定在木板上-这不是为了使它更美观，而是为了延长它的寿命。第二层(黑色木板？)如果命运(或技术必要性…)可在以后应用遗嘱。

The House was black even in the first sketches. The final material of the elevations was, in the end, determined by Life and financial constraints. We opted for the simplest, UV-resistant façade membrane available which is water-proof from the outside but vapour-open from the inside. Just in time for the winter the “quilted down coat” was completed, then fixed to the timber panels with boards in the summer – not to make it aesthetically more appealing but to improve its longevity. A second layer (of black wooden panels?) may be applied later on if Fate (or Technical Necessity…) wills it.

 © Zsolt Batár

(Zsolt Batár)

众议院和它的新房客伍兹一直在交谈。到目前为止，同居已经变成了一段稳固的婚姻，他们在一起度过的日子、几个月和几年都由摄影师每天在每一季记录下来。他有时会制作一些像样的、预先设定好的照片，但他从不害羞地玩狗仔队，在半夜或路灯下捕捉他们。尽管如此，在Batár的照片中，就像GregoryCrewdsons的照片一样，甚至人工/公共照明也起着重要的作用。主题，即众议院和伍兹慢慢获得了缪斯的地位，现在成为摄影艺术的灵感。这一系列的图片讲述了亲密，理解，个性和形式，作为独立的创作，一个真正的里程碑在艺术家的职业生涯。

The House is in a constant conversation with its new cotenant, the Woods. Cohabitation has by now turned into a solid marriage and their days, months and years spent together are recorded by the Photographer on a daily basis in every season. He sometimes composes decent, pre-set pictures but is never shy to play the paparazzo and catch them in the middle of the night or under the streetlights. That said, in Batár’s pictures, similarly to those of Gregory Crewdsons’, even artificial / public lighting plays an important role. The theme, i.e. the House and the Woods have slowly acquired the status of Muse and now serve as an inspiration of photographic art. The series of pictures tell about intimacy, understanding and personality and form, as independent creations, a genuine milestone in the artist’s career.

 First Floor Plan

一层平面图