2012年，空间集团完成了由建筑师Ove Ekman和Einar Smith设计的一座19世纪后期工业建筑的翻修工程。这一地区沿阿克斯河，历史上被称为纽约(纽约)，因为它的爆炸性发展，在1858年。今天，这一地区反映了向以艺术、建筑和设计为重点的地区的转变。

In 2012, Space Group completed the refurbishment of a late nineteenth century industrial building designed by architects Ove Ekman and Einar Smith. This area along the Akers River was historically referred to as NY York (New York) due to its explosive development in 1858. Today the area reflects a transformation towards a district focused on art, architecture and design. 

 © Ivan Brodey

伊万·布罗迪

信号媒介

Signal Mediahus

信号媒体位于奥斯陆的阿克尔河旁边。原来的工业建筑有着丰富的历史用途，从纺织业到写字楼和活动。部分建筑在20世纪80年代被烧毁。该项目在保存历史的同时，在旧的外壳中插入了一个全新的体系结构。这两者是相关的，但两者在架构上都有明确的定义。

Signal Mediahus sits next to the Aker River in Oslo. The original industrial building has a rich history of uses, from textile industry to offices and events. Part of the building burned down in the 1980s. The project inserts a completely new architecture inside the shell of the old while preserving the historic. The two correlates while both being clearly architecturally defined.

 © Ivan Brodey

伊万·布罗迪

Signal Mediahus在一个大玻璃屋檐下接待了几家电影制作公司。该计划是围绕一个主要的空隙，从玻璃屋顶的光线进入建筑物的深部。这个节目也是围绕着光线的可用性来组织的：地下室的电影院，底层的编辑室，工作室和办公室，以及楼上的办公室，更多的阳光穿透了大楼。不同的项目得到不同的材料处理。

The Signal Mediahus hosts several film production companies under one large glass roof. The program is organized around a main void that brings light from a glass roof into the deep section of the building. The program is also organized around the availability of light: cinema rooms in the basement, edition rooms, studios and offices in the ground floor and offices on the upper floors, where more daylight penetrates the building. Different programs receive different material treatments. 

 © Space Group

空间组

地下室的空间是围绕着一个巨大的黑匣子组织的，里面有电影院。在底层，两个木制的木盒容纳工作室和编辑室，同时在现有的立面与盒子之间的空隙中产生公共空间。这些盒子也用作中庭的吸声剂。上层尽可能开放和透明，在不同租户之间建立混乱的视觉联系，鼓励交流与合作。

The space in the basement is organized around a big black box that contains the cinemas. On the ground floor, two wooden cladded boxes hosts the studios and edition rooms, while generating common spaces in the gap between the existing façade and the boxes. The boxes also serve as acoustic absorbent for the Atrium. The upper floors are as open and transparent as possible, creating promiscuous visual connection between different tenants, encouraging exchange and collaboration.

 © Vegard Kleven

维加德·克莱文

建筑的生命围绕着普通的中庭：休息室、会议空间、咖啡馆、垂直花园和离心循环。流通的目的是最大化用户之间的互动和体验的空间。

The life of the building is around the common atrium: a lounge, meeting spaces, café, a vertical garden and a centrifugal circulation. The circulation is designed to maximize the interaction between the users and the experience of the space.

 © Ivan Brodey

伊万·布罗迪

这座建筑被设计成一个很大的开放空间，在平面和区域上都是如此。这一建筑解决方案可有效利用能源和通风，减少消耗，尽量减少对通风技术设施的需求，这些设施很难融入历史建筑。

The building is designed in both plan and section as one large open space. This architectural solution allows for an efficient use of the energy and ventilation, reducing consumption and minimizing the need for ventilation technical installations that can prove difficult to integrate into historical buildings. 

 © Vegard Kleven

维加德·克莱文

我们的目标是揭示艺术话语可以产生而不是代表的空间。经过多年的开发，空间再次可见，材料更加突出，并引入了一个新的元素，一个巨大的楼梯，巨大的木板(道格拉斯杉木)。楼梯充当礼堂，在OCA办公室和项目空间之间进行过渡。楼梯在三个区域组织空间，在房间里提供一个演讲和放映的房间，一个阅览室和挪威艺术家图书馆以及周围的展览空间。该项目包括OCA行政部门的办公室、OCA住宅项目的艺术家工作室和450平方米的项目空间。

Our goal was to reveal the space where a discourse on art could be generated rather than represented. After years of exploitation, the space is again visible, the materials accentuated, and one new element is introduced, a large stair of massive wooden planks (Douglas fir). The stair acts as an auditorium and makes the transition between the OCA offices and the project space. The stair organizes the space in 3 zones, providing a room in the room for lectures and screenings, a reading room and Library of Norwegian Artist as well as the surrounding exhibition space. The project includes offices for the OCA administration, artist studios for OCA’s residence program and a 450m2 project space. 

 © Vegard Kleven

维加德·克莱文

Kindergarten 

Kindergarten 

作为Nedregate 5-7项目的一部分，空间小组为“纽约Kulturbarnehage”(纽约文化幼儿园)进行了设计。这个空间是为孩子们的探索和使用而建的。刻度是在一系列压缩和开放的空间中故意操纵的。大而开放的房间创造了一个框架，在这个框架中，水平和垂直线的变化，为小团体和秘密游戏创造了亲密的房间，这些只有儿童才能使用，并且适合儿童使用。幼儿园有四个基地，围绕着一个巨大的楼梯，供音乐聚会、戏剧、电影、舞蹈和戏剧之用。房间后面有一堵大的弧形墙，里面有所有的技术设备。它是用不锈钢做的，扭曲了观众的形象，就像游乐场上的镜子一样。

As part of a the Nedregate 5-7 project, Space Group made the design for the “NY York Kulturbarnehage” (New York Culture Kindergarten). The space is built for children’s exploration and use. The scale is deliberately manipulated in a sequence of compressed and open spaces. The big, open room creates a frame where as variations in horizontal and vertical lines, creates intimate rooms for small groups and secret play, which are only available to and dimensioned for children. The kindergarten has four bases organized around a giant staircase for musical gatherings, theater, film, dance and play. In the back of the room lies a big curved wall that contains all technical installations. It’s made out of stainless steel and distorts the viewer’s image, just like the fun mirrors at the fun fair.