Gota de Plata Auditorium Theatre Migdal Arquitectos

2013-06-11 01:00
 © Werner Huthmacher
C.Werner Huthmache
架构师提供的文本描述。在墨西哥的帕丘卡市,希达尔戈市,我们制定了一个新的城市发展计划,其中包括一个名为“银区”的城市的一部分,其中包括各种住宅、商业和服务项目。Ejido协会、政府机构和私人开发商合作,使这一文化和服务综合体得以实现。
Text description provided by the architects. In the city of Pachuca, Hidalgo, in Mexico, we generated a new urban development program consisting of various residential, commercial and service programs within a section of the city known as “Silver Zone” 1. Ejido societies, government agencies, and private developers partnered to make possible the realization of this Cultural and Service Complex.
在这个项目中,产生了一个25公顷的文化公园的想法,称为“本古里安文化和娱乐公园”。
Within this project, arises the idea of generating a 25 hectare Cultural Park, called “Ben Gurion Cultural and Recreational Park”.
 © Paul Czitrom
(C)保罗·捷克特罗姆
这个公园有一个巨大的壁画广场,面积80x100米,由伊达尔戈艺术家拜伦·加韦斯创作,作为一个创作轴。这个广场是用小瓷砖制成的,占地面积32000平方米,有各种不同的颜色。广场周围有几个空间:当代艺术博物馆、Audiorama、雕塑公园、中央图书馆、会议中心、科学和技术博物馆、五星级酒店,以及完成这套活动的Gota de Plata礼堂剧院。
This park has a large mural square, 80x100 meters, created by Hidalgo artist Byron Galvez, as a compositional axis. This square, made with small tile pieces, covers an area of 32000 square meters full of different colors. Around this square there are several spaces: Contemporary Art Museum, Audiorama, Sculpture Park, Central State Library, Convention Center, Museum of Science and Technology, 5 star hotel, and finishing the set, Gota de Plata Auditorium Theatre.
 © Paul Czitrom
(C)保罗·捷克特罗姆
Gota de Plata礼堂剧院项目由Migdal ArquArchtos的建筑师Jaime Varon、亚伯拉罕·梅塔和Alex Metta设计,是这个大型乐团的主要元素之一;它位于文化公园的南端,鉴于其在建筑群中的位置,它充当了这一伟大的“色彩之海”的视觉顶点。因此,产生了通过反射玻璃屋顶反射壁画广场的想法,在地面上方25米,两端悬垂40米。
The project for Gota de Plata Auditorium Theatre, designed by the architects Jaime Varon, Abraham Metta and Alex Metta from Migdal Arquitectos, is one of the main elements of this large ensemble; it is situated at the south end of the Culture Park and given its position within the complex, it acts as The Visual Culmination of this great “sea of colors”. Hence arises the idea of reflecting the mural square through a reflective glass roof, set 25 meters above the ground and with a 40 meter overhang on both ends.
这座建筑建在一个石台上,那里的主要目标之一是首先观察壁画。它的幕布,或背景,代表了一个石头元素,容纳舞台和后台。
This building is set on a stone podium, where one of the main objectives is to be the first point to observe the mural. Its curtain, or background, is represented by a stone element that houses the stage and backstage.
 © Werner Huthmacher
C.Werner Huthmache
礼堂剧院的信封是银色和黑色的,以纪念帕丘卡市的银区,而在里面,它以棕色和强烈的红色来表达,代表着这个项目的核心,一个活的项目,一个对古老大剧院的纪念。
The envelope of the Auditorium Theatre is silver and black, in honor of the Silver Zone in the city of Pachuca, while inside, it is expressed in browns and intense reds representing the heart of the project, a living project, a remembrance of the great theaters of old.
楼梯和坡道是保持人员流动的纽带。礼堂是从连接广场和礼堂的外部楼梯进入的,并通过一个宽口进入,它是位于大楼一侧的主要入口,尽头是一个大型大厅或门厅,作为一个会议场所,也是一个可以看到大壁画广场的空间。由于大厅通过大的、全透明的玻璃和细长的银钉实现了很高的透明度,广场的空间成为礼堂本身的一部分,创造了一个视觉上连续的空间。
Stairways and ramps act as connectors to keep the flow of people constant. The Auditorium is entered from an exterior staircase that connects the square with the auditorium, and through a wide mouth that serves as the main entrance located at the side of the building, that ends in a large lobby or foyer which serves as a meeting place and as a space from which to see the great mural square. Thanks to the high transparency achieved in the foyer through large, fully transparent glass and slender silver studs, the space of the square becomes part of the auditorium itself, creating a visually continuous space.
 © Paul Czitrom
(C)保罗·捷克特罗姆
同样,礼堂剧院在一楼有一个阳台和一个外部露台,一个有足够尺寸的舞台,可供任何形式的演出、后台、更衣室、管弦乐队、阳台、公园和停车场使用。它还拥有礼堂剧院正常运作所需的设备。
Likewise, the Auditorium Theatre has a balcony on the first floor and an exterior terrace, a stage with the adequate dimensions for any kind of show, backstage, dressing rooms, orchestra pit, balcony, parterre and parking lot. It also has the equipment required for the proper functioning of the Auditorium Theatre.
这个礼堂是在11个月内建造的。施工系统主要以预制混凝土和钢件为基础,缩短了施工所需时间。我们使用了大约1500吨钢,其中包括40米长的悬臂钢筋,以及各种混凝土预制构件,如柱、梁、楼梯、板和墙。
The construction of this Auditorium took place in 11 months. The construction system was mostly based on precast concrete and steel pieces that shortened the time required to complete the work. We used about 1500 tons of steel, among which were steel reinforcements more than 40 meters long in cantilever, in addition to various concrete precast elements such as columns, beams, stairs, slabs and walls.
 © Werner Huthmacher
C.Werner Huthmache
当局曾就演奏厅剧院所需的改编及特色进行详细研究。声学建筑设计是根据各种研究进行的,这些研究允许正确地定义房间内的角度和天花板,以便从房间的任何一点或角落都能听到人的声音或吉他的声音,直到交响乐团的声音和完美的音响效果。这些研究是在波士顿麻省理工学院的一个名为CAT-ActiceV8-0A的计算机程序中进行的。
Detailed studies were conducted on adaptations and features required for the Auditorium Theatre. The acoustic architecture design was performed according to various studies that allowed the correct definition of angles and ceiling within the room, so that the voice of a person or the sound of a guitar up to a symphonic orchestra could be heard with perfect acoustics from any point or corner of the room. These studies were performed with a computer program called CATT – Acoustic V8-0a, at MIT in Boston.
考虑到礼堂剧院的北向,可以将屋顶上的反射元素定向,而不会给行人或车辆带来任何恼人的阳光。大屋顶反射,并以不断变化的形式重新解释壁画广场的颜色和纹理。
Given the north orientation of the Auditorium Theatre, it was possible to orient the reflective elements on the roof without causing any annoying sun glare for pedestrians or vehicles. The large roof reflects, and somehow reinterprets in ever changing form, the colors and textures of the mural square.
 
[1]为纪念这一地区的白银开采而得名。
1 Name given in honor to the silver exploitation in this area.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Migdal Arquitectos
Location Pachuca, Hgo., Mexico
Category Institutional Buildings
Project Year 2005
Photography Paul Czitrom, Werner Huthmacher
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