© Rob ´t Hart

罗伯·哈特

这个窗口是基于Rietveld景观早期安装的“空置的NL”的“负面空间”，这是荷兰提交的2010年威尼斯建筑双年展的意见书。在威尼斯的GerritRietveld设计的展馆中的安装显示出，从17世纪到21世纪，荷兰有1万座废弃的公共建筑的巨大潜力。

The window is based on the ‘negative spaces’ of Rietveld Landscape’s earlier installation ‘Vacant NL,’ which was the Dutch submission for the Venice Architecture Biennale in 2010. The installation in the Gerrit Rietveld-designed pavilion in Venice showed the enormous potential of 10,000 disused public buildings in the Netherlands from the seventeenth to the twenty-first centuries.

 © Rob ´t Hart

罗伯·哈特

Rietveld景观的作品非常符合Centraal博物馆的目标，即在艺术、设计和建筑的交汇处获得作品。Rietveld景观是一个年轻的工作室，以杰出的方式代表了这个十字路口的新发展。博物馆馆长埃德温·雅各布斯(EdwinJacobs)形容他们为“空间干预领域的天才，在任何现有的建筑或理论讨论中都没有同等的天赋。他们在形象上是真正的新思想家。“

Rietveld Landscape’s work fits in well with the Centraal Museum’s aim to acquire work at the intersection of art, design and architecture. Rietveld Landscape is a young studio that represents in an outstanding way the new developments at this intersection. Museum Director Edwin Jacobs described them as “the talents in field of spatial interventions, without equivalent in any existing architectural or theoretical discourse. They are real new-thinkers in images.”

 © Rob ´t Hart

罗伯·哈特

通过在蒙德里安基金的支持下，Rietveld景观公司收购了这一设施，Centraal博物馆实现了在“尼德兰收藏品”中增加“空置的民族解放力量”的雄心。

Through the acquisition of this installation by Rietveld Landscape, with support from the Mondriaan Fund, the Centraal Museum has realized its ambition of adding ‘Vacant NL’ to the ‘Collectie Nederland’.

有关安装的更多信息，请访问这里。

For more information on the installation, please visit here.