架构师提供的文本描述。沼泽是一条延伸在山谷中的河流。这就是我们设想的在岸上提升的房子，它的生命延伸到了这个地方的边缘。这个项目的起源是他们的居民的生活。我们有可能直接满足他们的爱好，加深他们的欲望，挖掘他们的记忆，当它出现的时候，业主们曾经在附近有一所小房子，他们已经经历了他们想要保留的不同的居住方式，因此了解这种生活方式是至关重要的。

Text description provided by the architects. A swamp is a river that stretchts in the valley. That’s how we conceived the house that would lift on its shore, as a life extended into the margins of the place. The origin of the project was the life of their inhabitants. We got the possibility to meet first hand their hobbies, deepen their desires and dig in their memories, as it turn up, the owners used to have a small house near the place, in which they already experienced different ways of dwelling that they wanted to keep; it was therefore crucial to know this way of life.

 Elevations

想象一下，一个极端暴露在湖面上并不是一个很容易辩护的论点，与它在海洋中发生的情况相反，这里的天气不需要任何特殊的保护，因此所选择的位置和矗立的高度，只依赖于属地原则。因此，建筑的范围向景观开放，试图画出所有的可能性。我们拒绝正面的看法，我们研究了使这些景色更加丰富的前景，每个房间都声称有一个框架，一个山的缩影，一个远缘…的景致。这座建筑是从外表中抽象化出来的，根据每个房间的活动来想象，与生活的世界和谐相处。

Imagine an extreme exposure to the lake wasn’t an argument easy to defend, contrary to what it happens with the sea, here the weather didn’t required any special protection, thus the choosen location and the height in which stands, only rely on principles of territoriality. Thereby building open in range to the landscape, trying to draw all it’s possibilities. Refusing the front view we studied the prospects that would give greater richness to these views, each room claimed a framing, a foreshortening of the mountains, a view of the far edge… The architecture was drawing itself from the looks, imagining in accordance with the activities in each room, in harmony with the world of life.

 © Miguel de Guzmán

米格尔·德古兹曼

考虑到地势陡峭，我们知道房子的形象不应该通过通常的设计来设计，因此，我们根据屋顶-立面的构图，从通道上感知到的外部形象，迫使我们在两者中使用相同的材料，同时又不忽略交叉口的组成；在面向湖面的视野中，我们最大限度地发挥了木的虚假天花板作为房屋形象的独特元素的表现力。

Given the steep slope of the plot, we understood that the image of the house should not be composed through the usual designs, consequently, we worked on the external image perceived from the access, according to a roof-façade composition, forcing us to use the same material in both of them, without neglecting the composition of the intersection; and in the view towards the lake, we maximize the expressive force of the false ceilings of Wood as distinctive elements of the image of the house.

 © Miguel de Guzmán

米格尔·德古兹曼