© Jordi Bernardo

乔迪·贝尔纳多

一个神秘的废墟现在市中心，在一条大运河旁边，几百年来，这条运河一直在碾磨谷物，后来为整个人口提供了电力。我们建议将其恢复为一个具有教学特色的博物馆，包括在一个新的文化中心内。该项目有五个关键概念：

A mythical ruin is now in the center of town, next to a large canal, which for centuries milled grain and later generated electricity for the entire population. We propose its recovery as a museum with a didactic character, included within a new cultural center. The project is developed in five key concepts:

 © Jordi Bernardo

乔迪·贝尔纳多

1.磨坊空间的身份。

1. The identity of the mill space.

2.第二卷中文化中心位置的紧凑性，位于情节的南侧。

2. The compactness with the location of the Cultural Center in a second volume located on the south side of the plot.

 © Jordi Bernardo

乔迪·贝尔纳多

3.该抽象体积具有最小的可视尺度参考元素，解决了尺度问题，并在阿拉贡广场上获得了公共建筑的存在，尽管居住环境较高。

3. The abstract volume with the minimal visible scale reference elements, to address the problem of scale and obtain a presence of the public building on the Plaza de Aragon, despite the taller residential surroundings.

4.外面的空间作为文化中心的一部分，磨坊与广场之间的面积被视为一个大的室外房间，一个公园。

4. The outside space as part of the cultural center, the area between the volume of the mill and the Plaza is treated as a large outdoor room, a parterre.

 © Jordi Bernardo

乔迪·贝尔纳多

5.建筑的物质特征及其环境，它接受缺陷和时间的推移。新卷指的是当地的传统建筑和磨坊本身，有着斑驳的混凝土元素，以及传统石墙和灰泥墙的建设性演变。因此，质量感占主导地位。它的混凝土饰面结构，由芦苇制成的模板，是一种典型的运河材料，随着白天的变化而产生振动和颜色变化。

5. The material character of the building and its environment, which accepts imperfections and the passage of time. The new volume refers to the local traditional architecture and the mill itself, with ochre stained concrete elements, and the constructive evolution of the traditional stone and mortar walls. Therefore, the sense of mass predominates. Its concrete finish texture, constructed with formwork made of reeds, a typical material of the canals, generates a vibration and chromatic variation with the changes in daylight.

Architects Alday Jover Arquitectura y Paisaje

Location Utebo, Zaragoza, Spain

Category Cultural Center

Technical Architect Luis M. Gutiérrez, Eva Brugal

Area 2850.0 m2

Project Year 2004

Photography Jordi Bernardo