Taichung City Cultural Center Competition Entry BAT (Bilbao Architecture Team)

2013-06-23 01:00
 Courtesy of BAT (Bilbao Architecture Team)
BAT(毕尔巴鄂建筑团队)
台湾,海洋之地,山脉之地,在自然力量的作用下,形成了令人惊叹的形态和景观。海浪,潮汐,海岸,草原,山脉,山脊。海人,陆地人,强壮,顽强,不知疲倦。台湾人民。
Taiwan, land of sea, land of mountains, where amazing forms and landscape have been formed by the action of natural forces. Waves, tides, coast, prairies, mountains, mountain ridges.Sea people, land people, strong, tenacious, tireless. People of Taiwan.
 Courtesy of BAT (Bilbao Architecture Team)
BAT(毕尔巴鄂建筑团队)
从“台中门户公园”的角度看,土地是如何上升的,如何形成波浪状,显示出形成台湾岛的构造板块的褶皱。它给我们留下了台湾美丽的山景,包括他们著名的茶园。“台中门户公园”与新的“城市文化中心”结合在一起,形成了独特的景观,给出了统一的项目现场答案。“台中门户公园”设计的路径,几乎以一种自然的方式向我们展示了通往新的“城市文化中心”的道路。公园与竞争目的之间的直接和明确的关系是通过使用开放和明确的流量来管理的。
The view from “Taichung Gateway Park” shows how land raises, configuring wavy shapes, showing the folds of the tectonic plates that shaped the island of Taiwan. It brings to our memory the wonderful mountain landscapes in Taiwan, including their famous tea fields. “Taichung Gateway Park” and the new “City Cultural Center” put together into a unique landscape, giving a united answer to the project site. The paths that define the design of “Taichung Gateway Park” show us, in almost a natural way, the access to the new “City Cultural Center”. A direct and clear relationship between the park and the competition purpose is managed by the use of open and clear flows.
 Courtesy of BAT (Bilbao Architecture Team)
BAT(毕尔巴鄂建筑团队)
公园大道2号的景色完全不同。从公园里生长出来的蜿蜒的身体开始打开,画出让我们想起大海的形状。海浪冲入岸边,海风拂过我们的脸庞。这座建筑以一种开放和渗透的方式向城市展示自己,寻找与之紧密的关系。
The view from Park Avenue 2 is completely different. The winding bodies that grow from the park start to open, and finish drawing us shapes that remind us of the sea. Images of the waves breaking into the shore, and sea breeze stroking our faces. The building shows itself this way, facing the city in an open and permeable way, looking for an intense relationship with it.
 Courtesy of BAT (Bilbao Architecture Team)
BAT(毕尔巴鄂建筑团队)
建筑物的正规化是通过连接大深度层合木梁来实现的。它们每个设置一米,并与横向连接器连接。除了结构功能外,这些连接器还用来承载一些建筑系统。根据内部要求,安装不同的屋顶覆盖物。屋顶表面大部分被绿色地毯覆盖,但我们也发现玻璃表面可以为室内空间、太阳能电池板或木质铺面提供光线。
The formalization of the building is managed by the concatenation of a structure of great depth laminated wood beams. They are disposed each one meter and joined with lateral connectors. Apart from the structural duty, these connectors are used to carry some of the building systems.  Different roof coverings are disposed depending on the interior requirements. Most of the roof surface is covered by a green carpet, but we also find glass surfaces for providing light to the interior spaces, solar panels or wooden paved areas.
 Courtesy of BAT (Bilbao Architecture Team)
BAT(毕尔巴鄂建筑团队)
由于研究了肋骨的形状和截面,大部分能量和可持续性要求都在肋骨的深度进行管理。所提供的不同的空气室、门和排放系统,除了电脑化的管理之外,还将使热、照明和声控制成为世界范围内的绿色建筑参考。
Most of the energetic and sustainability requirements are managed in the depth of the ribs, thanks to their studied shape and section. The different air chambers, doors and discharge systems provided, in addition to a computerized management will allow the thermal, lighting and acoustic control, becoming the building a worldwide green building reference.
 Courtesy of BAT (Bilbao Architecture Team)
BAT(毕尔巴鄂建筑团队)
一个大的会议空间或广场已被提议连接台中网关公园和公园大道2号。它是由两个大厅组成的,一个是公园的,另一个是大街的。公园里的绿色小径被引入了这个空间,当它到达大道时,它就会黯然失色,在那里它能获得更多的城市景观。这两座建筑物的入口就是在这里放置的。
A big meeting space or plaza has been proposed to connect Taichung Gateway Park and Park Avenue 2. It’s configured as the union of two great halls, one from the park and the other one from the avenue. The green path coming from the park is introduced into this space, and it shades as it reaches the avenue, where it earns a more urban aspect. It is here where the entries of the two buildings are placed.
 Courtesy of BAT (Bilbao Architecture Team)
BAT(毕尔巴鄂建筑团队)
从这个广场上可以看到博物馆的巨大玻璃立面。这款玻璃外墙采用了最新的幕墙技术,具有不同的清晰度和紫外线防护水平。通过使用内部投影仪,游戏的清晰度,光和阴影,试图提供效果,我们可以找到在中国的阴影。晚上,门面可以为我们提供不同的图片,可以为里面的事件做广告。
The Museum From this plaza, it is possible to contemplate the great glass façade behind which the museum is placed. This glass façade, built using the latest technologies in curtain walls, has different clarity and U.V. protection levels. By using internal projectors, games with clarity, light and shadow try to provide effects we could find in Chinese shadows. At night, the façade could offer us different images that could advertise the events inside.
 Courtesy of BAT (Bilbao Architecture Team)
BAT(毕尔巴鄂建筑团队)
该建筑旨在展示自己的文化圣殿,内部空间经过精心设计,以达到它。博物馆大厅,三层高的大厅,以惊人的视觉欢迎游客.参观者可以在这里找到博物馆的商店,博物馆的接待和通往教育和研究空间的楼梯。
The building aims to show itself as a Culture Temple, and internal spaces have been carefully designed in order to get to it. The museum hall, great triple-height hall, welcomes the visitor with a great shocking vision. The visitor will find here the museum shop, the museum reception and the stairs that go up to the Education and Research spaces. 
 
博物馆的不同楼层被组织成水平的软板子.它们的极限既没有触及外观,也没有触及肋骨结构,在它们之间留下了空旷的空间,给建筑提供了适合博物馆的丰富空间。
The different floors of the museum are organized into horizontal soft-shaped slabs. Their limits don`t touch neither the façade nor the rib-structure, leaving between them empty spaces that give the building the spatial richness befitting a museum. 
 diagram 01
diagram 01
图书馆-未来的图书馆,注定要成为台湾最重要的图书馆之一,它是围绕着大礼堂组织起来的。这个大厅是为参观者提供人文素养的角色。因此,我们设想了一种连接所有楼层的真空。
The Library The future library, destined to become one of the most important in Taiwan, is organized around the great hall. This hall is to provide the visitor the role of literacy for humanity. Thus there has been conceived a vacuum that connects all floors. 
建筑师BAT(毕尔巴鄂建筑队)地点:台中、台湾类文化中心建筑团队秘鲁Ca ada Omagogeascoa、Xabier Arranz Diez、Alejandro Iturbe Legasa、Julen Quevedo Corral、Jon Andoni Iparraguirre Apraiz、Ubay Calle Garcia合作者Borja García、Igor Gonzalez、Rodrigo Cearra、Joseba Salite、Ander Barandian、Imanol Goenaga项目年2013年
Architects BAT (Bilbao Architecture Team) Location Taichung, Taiwan Category Cultural Center Architecture Team Peru Cañada Omagogeascoa, Xabier Arranz Diez, Alejandro Iturbe Legasa, Julen Quevedo Corral, Jon Andoni Iparraguirre Apraiz, Ubay Calle Garcia Collaborators Borja García, Igor Gonzalez, Rodrigo Cearra, Joseba Salbide, Ander Barandiaran, Imanol Goenaga Project Year 2013
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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