Las Palmas House Carlos Molina

2013-06-23 01:00

 © Carlos Tobón

卡洛斯·托博恩

位于麦德林以东的这座房子打算把安蒂奥基亚山脉的景观设计成一个框架。

Located to the east of Medellin, this house intends to frame the view of the Antioquia mountain landscape.

在绿色景观中，房子从地面上升起，延伸到第一层的混凝土体积中，在第二层水平滑动，上面覆盖着黑色布埃纳文图拉石板。外立面的设计语言是通过在浴室的窗户、暴露的钢梁和玻璃上使用木制百叶窗来补充的。这种水平运动的体积创造消失点，针对不同的角度景观。

Within the green landscape, the house rises from the ground and extends into a concrete volume in the first level, that slides horizontally over a second volume clad in Black Buenaventura stone veneer. The design language of the facades is complemented by the use of wooden blinds covering the windows of the bathrooms, exposed steel girders and glass. This horizontal movement of the volumes creates vanishing points aimed at different angles of the landscape.

 Planta Primer Piso

Planta Primer Piso

正门位于房屋不同体积的汇合处。入口是通过一个斜坡，漂浮在一个反射池，进入房子。这座大厅由一座木棚遮阳，是通向新景观的一种初步步骤，由一个双高的社会空间组成，内有起居室、烟囱、餐厅和一个完全开放的厨房，该区域是通过花园上方的悬臂式甲板与外部相连和开放的。

The main entrance is located at the confluence of the different volumes of the house. The entrance is through a ramp that floats over a reflecting pool which enters the house. The hall, sheltered from the sun by a wooden pergola, is a kind of preliminary step leading onto a new landscape, consisting of a double height social space housing the living room, the chimney, the dining room and a fully open kitchen, in an area that is connected and open to the exterior through a cantilevered deck over the garden.

 © Carlos Tobón

卡洛斯·托博恩

在里面，玻璃楼梯突出显示，整合在二楼的房间，在一个更亲密的区域，从外面遮蔽。这两层之间的视觉关系是通过双高度起居室容积建立的，它由一座玻璃桥交叉而过，桥上覆盖着一座玻璃桥，将卧室与家庭室和主卧室阳台连接起来，外部露台投射在景观上。这种围绕着虚空的空间动力使得不同层次的内部和外部之间的关系变得非常灵活。

Inside, the glass staircase is highlighted, integrating the rooms located on the second floor in a more intimate area sheltered from the outside. The visual relationship between the two levels is established through the double height living room volume, which is crossed by a glass bridge covered with a pergola that connects the bedrooms with the family room and the main bedroom balcony with the exterior terrace projected onto the landscape. This spatial dynamic that surrounds the void makes the relationship between the interior and the exterior with the different levels very versatile.