架构师提供的文本描述。原型-UNARTE项目响应了大学扩大讲习班/自修室和艺术画廊的需要。

Text description provided by the architects. The project Architype-UNARTE responds to the need of the university to expand workshops / study rooms and an art gallery.

 © Patrick López Jaimes

(Patrick López Jaimes)

方法是，项目的设计应以原型概念为基础，其结果将是一个反映联合国反恐怖主义方案对艺术和教育的承诺的模式。设计过程还得出结论，应纳入社区无障碍、可持续性和融入社区的原则，以建立“UNARTE模式”。

The approach was that the project should be designed from the concept of a prototype, where the result would be a model that reflects the commitment of UNARTE with art and education. The design process also concluded that principles of accessibility, sustainability and integration to the community be included to establish the “UNARTE model”.

 © Patrick López Jaimes

(Patrick López Jaimes)

这座大楼位于过去的校园停车场。该项目的方法是将建筑方案堆叠在一座小型建筑中，尽可能减少其足迹，并将面积让给Cerro de la Paz的原始地形。超过一半的土地恢复了当地植被，促进了野生动植物的出现，并增加了雨水渗入地面的能力。为了保护绿地和创造开放空间，我们提出了一种从建筑中出现的“折纸”形式的结构，用来为校园的通道设置框架。当它触及透水区域时，它会在场地的另一端展开成一个高架广场。这个手势产生一个台阶形状的斜元素。

The building is located in what used to be the campus parking lot. The approach to the project was to stack the architectural program in a compact building reducing its footprint as much as possible, with the idea of surrendering area to the original topography of Cerro de la Paz. Over half the site was restored with native vegetation promoting the emergence of wild flora/fauna and increasing the capacity of rainwater infiltration to the ground. To preserve that green area and to generate open space, we proposed a structure in the form of “origami” that emerges from the building to frame the access from the campus. As it touches the pervious area, it unfolds into an elevated plaza at the other end of the site. This gesture generates an oblique element in the shape of a step.

 © Patrick López Jaimes

(Patrick López Jaimes)

立面上的一个连续的乐队包围了大楼的周边，设置了该地区的居住规模与联合国抵抗军的内部之间的过渡。它的形状是为了保护建筑物不受阳光直射，它起到调节漫射自然光的作用。在外部，这个结构被显示为一个中立的元素，它“漂浮”在现有墙壁的正面之上。当它转向内部的时候，它会折叠起来，给出特征，并标记出从街道进入建筑物的通道。

A continuous band on the facade embraces the perimeter of the building, setting the transition between the residential scale of the area and the interior of UNARTE. Its shape is designed to protect the building from direct sunlight and it acts as a regulator of diffuse natural light. Outside, this structure is displayed as a neutral element which “floats” over the facade of the existing wall. As it turns to the interior, it folds to give character and mark the access to the building from the street.

 © Patrick López Jaimes

(Patrick López Jaimes)

内部外观由重复使用的混凝土面板组成，其主要功能是为社区提供“空白画布”。它目前用于放映表演和电影系列。

The internal facade consists of reused concrete panels, whose main function is to supply a “blank canvas” to the community. It is currently used for screening performances and film series.

 © Patrick López Jaimes

(Patrick López Jaimes)

在里面，概念是重现车间的气氛，那里有亲密、隐私和刺激元素的存在。舒适度和修改空间特征的能力是一个指令，提供了多样化的学术服务。该项目解决了这一问题，将建筑物与相邻的墙壁隔开一米，允许自然光进入，通过机动阻尼器控制其光圈，以创造不同的氛围。这双立面允许自然通风车间，手动控制空气的速度(烟囱效应)。该项目利用这一服务空间，由艺术家Raymundo Sesma/Campo Exdido设计现有壁画，将艺术带到空间的内部。

Inside, the concept was to recreate the atmosphere of a workshop, where intimacy, privacy, and the presence of stimulating elements are present. Comfort and an ability to modify the spatial characteristics was a directive given the diverse academic offerings. The project addresses this by separating the building from the adjoining wall one meter, allowing the entry of natural light, controlling its aperture by motorized dampers to create different atmospheres. This double facade allows natural ventilation for the workshops, manually controlling the speed of the air (chimney effect). The project uses this service space to frame the existing mural by artist Raymundo Sesma / Campo Expandido, bringing art to the interior of the space.

 © Patrick López Jaimes

(Patrick López Jaimes)

在艺术画廊，要求是创造一个中立的空间。自然光通过“锯齿”进入空间，用半透明的织物模糊它，创造一个干净、明亮和柔软的氛围。这可以保持展览的视觉质量，而不受阳光直射的负面影响。

In the art gallery, the requirement was to create a neutral space. Natural light enters the space through a “sawtooth”, blurring it with a translucent fabric that creates a clean, bright, and soft atmosphere. This can maintain the visual quality of an exhibition, without the negative effects of direct sunlight.