Casa Lorenzo Juan M. Otxotorena

2013-07-12 01:00
架构师提供的文本描述。这幅几乎是长方形的地块大约有15米宽,29米长,在其最长的轴线上是东北-东南方向。它的上半部分与一条通路并排,它的底部与另一条有上升斜坡的部分相连,在第一段中用距骨来定义;其他部分毗邻类似的地块。它属于一系列严密建造的房屋,两者之间的空间很小:它是一系列连续的、相邻的地块的一部分,这些地块作为一个整体,是离潘普洛纳市很近的卡斯蒂略·德戈拉伊兹住宅区的建筑开发项目之一。
Text description provided by the architects. The plot of an almost rectangular shape has an approximate size of 15 meters wide by 29 meters long, with a Northeast-Southeast orientation in its longest axis. Its upper part runs alongside an access road, and its bottom part with another on which there is a rising slope, defined in the first section by means of a talus; the other parts adjoin similar plots. It belongs to a series of closely built houses, with very little space between them: it is part of a series of consecutive, adjacent plots of similar characteristics which, as a group, are one of the building developments of the Castillo de Gorraiz housing estate very near to the city of Pamplona.
 © Pedro Pegenaute
佩德罗·佩佩诺特
这个节目是一个相当传统的家庭住宅。该项目符合非常有限的可用平面图的尺寸,使用周边建筑物的强制性设置。它还采用了非常传统的家庭住宅方案的布局标准:白天的面积在底层,一旦与进入外部和进入花园有关;从逻辑上讲,这是与起居室相连的,通过相应的有盖门廊与之沟通;夜间区域(卧室)位于顶层。
The programme is that of a quite conventional family house. The project meets the dimensions of the very limited available floor plan, using mandatory setting back of the buildings on the perimeter. It also uses layout criteria that follows a very conventional family home scheme: the day area is on the ground floor, once related with the access to the exterior and access to the garden; this is, logically, linked to the living area, communicated with it by the corresponding covered porch; and the night area (bedrooms) is located on the top floor.
 © Pedro Pegenaute
佩德罗·佩佩诺特
在任何情况下,设计都取决于基本情况:一方面,地块的条件,其中我们应该强调它在尺寸和最大建筑方面非常稀少,该地区的重要地形,从上街的行人通道的位置和从下街的车辆出入口,边坡的方向与通道、方向和景观的一致性;另一方面,要求建筑物必须在整块土地的周长内进行一系列的强制倒置,以及解决大部分屋面(具体来说,占屋面总面积的60%),斜坡为35%的规定。
The design decisively depends in any case on essential circumstances: on the one hand, the conditions of the plot, amongst which we should highlight its very scarce availability in dimensions and maximum building, the important topography of the area, the location of the pedestrian access from the top street and the vehicle access from the lower street, and the coincidence of the direction of the slope with that of the access, the orientation and the views; and on the other, the requirement of a series of mandatory setting back of the buildings on the entire perimeter of the plot and the requirement to resolve a substantial part of the roofing (specifically, 60% of its total surface) with an slope of 35%.
 © Pedro Pegenaute
佩德罗·佩佩诺特
鉴于此,设计尝试,以满足设计的主要目标,房子的特权景观提供尽可能多的位置。这将它定位在前线,正好与南方相吻合。它试图更多地封闭在两侧,以防止占主导地位的观点和交叉的看法与邻近的建筑物。在任何时候,它都寻求利用将光线纳入内部的可能性、向外部过渡的调节以及随后的渗透性和透明度的影响。
In view of this the design attempts, to meet the main objective of designing the house on the privileged views provided by its location as much as ever possible. This positions it to the front, coinciding with the South. It attempts to be more closed in on the sides, in order to prevent dominant views and crossed views with the neighboring buildings. At all times it seeks the exploitation of the possibilities of including light to the inside, the modulation of the transition to the outside and the subsequent effects of permeability and transparency.
 © Pedro Pegenaute
佩德罗·佩佩诺特
在形象化的范围内,房子被设计成一个大的面对混凝土的盒子,以一定的方式雕刻出正面的景色。面板混凝土成为包括屋面在内的体积构造和表达中的主要材料,其整体图像的组成效率主要体现在铝板、玻璃等材料的极端表达精度和质量,以及其激进和响亮的尺寸的塑性效应。
In the figurative scope, the house is designed as a large box of facing concrete to emphatically and in a certain way sculpturally framing the views to the front in a quite certain manner. The facing concrete becomes the predominant material in the construction and expression of the volume, including the roofing; the compositional efficiency of the image as a group is given over to the extreme expressive precision and quality of the materials as delicate as aluminum panels and glass and the plastic effect of its radical and resounding size.
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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