建筑师的。

From the architect.

Kapitol以空间、视觉地标为聚集地。它创造了一个可识别的，标志性的位置，为人们聚集，见面，社交和吃的颜色！有机的“岛屿”不仅注入了空间的个性和当代美学，他们作为一个关键的地标周围的每一列，在这里人们见面和聚集。自由的天花板打开视觉平面向外和以上，并提供隐蔽的地方照明和吃饭。(鼓掌)

Kapitol plays on the idea of the spacial, visual landmark as a gathering place. It creates a recognizable, iconic location in the space for people to gather, meet, socialize and eat in color! The organic “islands” not only infuse the space with character and contemporary aesthetic, they serve as a pivotal landmark around each column, where people meet and gather. The freeform ceiling opens the visual plane outwards and above and provide concealed local lighting and  for eating.  

这些岛屿在排列上是离心的，邀请用户在空间中进行互动、交流和社交。这创造了一个生动的动态环境，产生了一种聚集的空间感，并最终将使空间成功。该区域的起伏周长被穿孔以创建服务计数器的可视开口。小吃的位置是“雕刻”在周边创造与强烈的视觉亮点为眼睛在里面。地板以周围墙的线性图案为基础，创造了一个强大的线框，在空间内创造了一种持续的动力和运动感。强大的动态展示墙作为空间的背景，创造了一个视觉焦点，同时将垂直循环隐藏在公共空间中。(鼓掌)

The islands are centrifugal in arrangement, inviting users to interact, communicate and socialize in the space. This creates a lively dynamic setting which generates a sense of place for gathering and will ultimately make the space successful. The undulating perimeter of the area is perforated to create visual openings for service counters. Snack locations are “carved” into the surrounding perimeter creating with strong visual highlights for the eye inside. The floor plays off the linear patterns of the perimeter wall creating a strong wireframe that creates a sense of continuous dynamism and motion within the space.A strong dynamic presentation wall serves as a backdrop to the space creating a visual focal point while concealing vertical circulation from the communal space.  

 © Lee Gyeon Bae

(年)李桂英(LeeGyeon Bae)

一个软的和最小的有机现金计数器将吸引人们对展示的产品的关注，而不是背后的金融交易。这些掉落在“斑点”添加字符和颜色的空间。它们不仅具有战略地位，可以捕获和分配客户的智能流通流程，而且还在空间内提供了一个可识别的地标位置，使每个人都能很容易地购买和选择。(鼓掌)

A soft and minimal organic cash counter will attract attention to the product on display and not the financial transaction behind. These dropped in “blobs” add character and color to the space. Not only are they strategically placed to capture and distribute intelligent circulation flow of the customer, but they also offer a recognizable landmark location within the space that makes purchasing and selecting easy for everyone.  

 © Lee Gyeon Bae

(年)李桂英(LeeGyeon Bae)

正如GianFranco Zaccai曾经说过的，“设计主要集中在视觉和触觉上，但我们现在是这样的。”动感、感觉感、全方位体验：未来将由体验的狂欢构成。数字时代创造了一种新的超敏感，一种与我们的感官更奇异的联系，以及刺激、信息、生活、爱和幸福的万花筒。设计永远会发现新的语言，并标志着我们在地球上的时代，这里的这些‘科技’作品讲述了我们生活的这个时刻，并谈到了一个将塑造人类的新运动。(鼓掌)

As Gianfranco Zaccai once said, “Design has primarily focused on the visual and the tactile, but we are now.” The kinesthetic, the sensorium, the omniexperiential: the future will be made up of an orgy of experiences. The digital age has created a new hypersensitivity, a more exotic connection with our senses, and a kaleidoscope of stimuli, of information, of living, loving, and well-being. Design will always find new languages and mark our time on the planet and these ‘Techorganic’ works here speaks about this moment in which we live, and speaks about a new movement that will shape humanity.  

 © Lee Gyeon Bae

(年)李桂英(LeeGyeon Bae)

我更喜欢某种不稳定的柔软，舒缓的人类形式，使用新技术，我称之为技术有机对象。别忘了我们有时太重视设计了。设计开发是严肃的，但消费者应该感受到游戏的乐趣，以提升他们的生活，使他们更快乐。幽默是我们人类生活中最重要的部分-我认为一切都应该是聪明、美丽和整体设计的-这意味着它是实验性的和生态化的，但在任何事物中，我都注入了一些人类的幽默精神-因为它让我们称之为生活的东西变得明目张胆。(鼓掌)

I prefer a certain amorphous softness, soothing human forms, using new technologies, which I call technorganic objects. Don’t’ forget we take design too seriously sometimes. Design development is serious but the consumer should sense a playfulness to elevate their lives, to make them happier. Humor is the underlying most important part of our human condition – I think everything should be smart and beautiful and holistically designed – meaning it is experimental and ecological, but in everything I inject some human spirit of humor – because it lightens up this overtly-serous thing we call LIFE.  

技术有机世界的真正精神是有机与技术和人体工程学交汇在一起-商业、有机和人类工效学都汇聚在一起，形成了一个感性、美丽、诗意、浩瀚和人类的工业世界。流动的语义美，触动和启发我的生活。(鼓掌)

The true spirit of the Technorganic world is where organics meets technology and Orgonomics – where commerce, organics, and ergonomics all converge to shape an industrial world that is sensual, beautiful, poetic, voluminous, and so human. Flowing semantic beauty that touches and inspires my life.  

 © Lee Gyeon Bae

(年)李桂英(LeeGyeon Bae)

Kapitol-Technotic“K”在这些概念上加以利用，并在周界墙壁上引入了坚固的木纹图案。地板图案有两种色调，有细微的变化。桌子和座位的重音是为了突出空间中的颜色。石灰，橙子，粉红，蓝色与木纹一起形成技术有机调色板。

Kapitol - Technorganic “K”apitolizes on these concepts and introduces strong wood grain patterns along the perimeter wall. Flooring patterns are two toned with subtle variation. Tables and seating are accented to highlight color in the space. Lime, Orange, Pink and Blue come together with Wood Grain to form the Technorganic Palette.