架构师提供的文本描述。这个概念指的是拉里萨平原的农业景观，这让人想起了一个五颜六色的正交拼图。建筑体积的简朴形状，以及周围花园的设计规程-这是在不同植物种类的几何区域组织起来的-构成了这种记忆的表达。

Text description provided by the architects. The concept refers to the agricultural landscape of the Larisa’s plain which reminds of a multicoloured orthogonal puzzle. Both the austere shape of the building volume, as well as the design discipline of the surrounding garden – which is organised in geometrical areas of different plant species - constitute the expression of this memory.

 © Charalambos Loizides

黄竹(Charalembs Loizides)

该结构为“L”形，位于地块的一角，为游泳池和花园提供重要的空间，使其朝着有利的方向发展。木制隔墙把周围的景观分成不同的区域-建筑内部结构的延伸。从公共空间向住宅的移动构成了一系列的连续披露，如反射池或带有季节性花朵的中庭，这些花“遮住”了正门，将道路变成了一条“神圣”的路线。

The structure is “L” shaped and positioned at the corner of the plot, so as to allow vital space for the swimming pool and the garden towards the favourable orientation. Wooden partitions plough the surrounding landscape into individual zones – extensions of the interior structure of the building. The movement from the public space towards the residence constitutes a sequence of successive disclosures, like the reflecting pool or the atrium with the seasonal flowers which “conceals” the main entrance, transforming the path of approach into a “sacred” route.

建筑物和周围景观的设计是以过渡时期的重叠运动为基础的，以景观作为永久的背景。在外壳上使用的原材料-混凝土和木材-放大了建筑和自然之间的共生关系，而垂直和水平开口的节奏鼓励了与自然光的对话，同时提供了理想的隐私条件。

The design of the building and the surrounding landscape is based on overlapping movements of transitions with the landscape as a permanent backdrop. The raw materials used on the shell – exposed concrete and wood – amplify the symbiotic affinity between building and nature whilst the rhythm of the vertical and horizontal openings encourages the dialogue with the natural light, providing in parallel conditions of desirable privacy.

 First Floor Plan

一层平面图