架构师提供的文本描述。在某种程度上，这一谦逊但具有里程碑意义的作品似乎是一种简单的对立形式-建筑的实质作用-但却以一种暂时的、非决定性的方式出现。它是一个重复的原型图形，两柱支撑一条梁相互垂直，以确定一个交叉形状的平面。展馆在截面、高度和跨度上的尺寸是为了揭示现有展馆隐藏的不对称。

Text description provided by the architects. This somehow modest yet monumental piece appears as a simple form of opposition - that substantial role of Architecture - but in a temporal and non-conclusive manner. It is a duplicated archetypical figure of two columns supporting a beam that are articulated perpendicular to each other so as to define a cross shaped plan. The dimension in section, height and span is meant to unveil the hidden asymmetry of the existing pavilion.

 © Diana Quintela

戴安娜·奎尔塔

通过对整个内部的引力点所表现出的位移(从字面上看，这是一个悬挂在水镜上的花岗岩大胆体)，柱与墙之间的间隙为东西对角线侧翼确定了一个新的和具体的特征。松材只有三维空间：一个是结构框架，另一个是包层，第三个是连接另外两个的。

By a manifested displacement of the very gravitational point of the whole interior (literally materialized by a pending granite bolder that is suspended on top of the water mirror), the gap between column and wall defines a new and specific character for the east-west diagonal flanks. There are only three dimensions for the pine lumber: one for the structural frames, another one for the cladding and the third one to join the other two.