建筑师的。

From the architect.

格雷街的BCEC是布里斯班会议展览中心(1996年)的主要扩建项目，但也是由于当时政府的资金分散到其他公共项目而于1996年停止的原建筑概念的完成。

BCEC on Grey Street is a major expansion of the Brisbane Convention and Exhibition Centre (1996), but also a completion of the concept of the original building which was discontinued in 1996 due to a then dispersal of Government funds to other public projects.

 © Angus Martin Photography

(安格斯·马丁摄影)

时间的延迟大大适应了整个设施，使其要素能够满足改变后的会议需求，向更小、更精巧和更独立的场馆发展，将观众席、会议和展览空间结合在一起。

The time delay has significantly befitted the overall facility in enabling its elements to meet the changed demands for conventions toward smaller, more boutique and more self-contained venues combining auditoria, meeting and exhibition spaces within discrete parcels.

该设计虽然是由相同的建筑师，并不模仿原来的，但，反映了变化的功能需求，以新的形式和表达。这句话还回应了一个大约200米长，只有30米宽的网站，在立面和相应的屋顶景观中创造了我们所说的“从句”和“标点符号”的“建筑句子”。通过这种方式，格雷街的一个原本贫困的部分得以活跃起来，将历史悠久的火车站与南岸的商业和酒店中心连接起来。

The design albeit by the same architects, does not mimic the original but, reflects the changed functional demands in a new form and expression. This expression also responds to a site some 200 metres long and only 30 metres wide, creating what we refer to as an ‘architectural sentence’ of ‘clauses’ and ‘punctuations’ in both elevation and corresponding roofscape. In this way a previously impoverished portion of Grey Street is enlivened, the building connecting the historical rail station it overlooks with the commercial and hotel heart of South Bank.

 © Florian Groehn Photography

弗洛里安·格罗恩摄影

概念框架-主要的哲学愿望是反映一个比1990年代盛行的新时代的惯例形式，并通过使用“建筑句子”的概念来激活南方银行主灰街中被疏远的部分。第一个愿望意味着与我们以前所做的最初的BCEC建筑语言形成对比，并创造出一种新的语言，在这种语言中，功能部分在街道上得到强烈的表达，并以透明的方式被看到。

Conceptual Framework The primary philosophical aspirations were to reflect a new age of convention formats than those which prevailed in the 1990s, and to animate an alienated portion of South Bank’s main Grey Street by enlivenment using the concept of an ‘architectural sentence’. The first aspiration meant contrasting with the original BCEC architectural language which our practice had formerly done, and creating a new language in which the functional parts are strongly expressed to the street, and transparently seen to within.

第二个愿望需要动画一个非常长和狭窄的地点(200米x30米)，一系列起伏的屋顶鳞片和一系列的高度发音，可与文学或音乐中的一段诗句相媲美。在与部分-剧院、门厅、会议空间、功能梯田-相对应的语言的主要变化中，还有更多的表达，例如视觉渗透到剧院，从而从它们的外部看到。

The second aspiration entailed animating an unusually long and narrow site (200m x 30m) with a sequence of undulating roof scales and a series of elevational articulations, comparable to both a sentence in literature or stanza in music. Within the major shifts in language corresponding with part-theatres, foyers, meeting spaces, function terraces – are further articulations, such as visual penetrations to the theatres enabling external outlook from them.

 © Angus Martin Photography

(安格斯·马丁摄影)

格雷街的公共与文化福利中心(BCEC)帮助“拯救”了一条被降级但至关重要的灰色街，它将该市的文化中心与南岸的城市中心连接起来。它通过无障碍和透明大大加强了街道的公共安全(正如邻近的QPAC所证明的那样)。

Public and Cultural Benefits BCEC on Grey Street has helped ‘rescue’ a downgraded yet critical piece of Grey Street that links the city’s cultural centre with the urban heart of South Bank. It has significantly enhanced public safety of the street (as is testified by neighbouring QPAC) through its accessibility and transparency.

它在南岸铁路上开辟了一条新的公共通道，将南岸与西区连接起来，并在贯穿原建筑停车场的直通式走廊的铁路下方开辟了一条新的公共通道。最重要的是，它促进了布里斯班举办任何其他澳大利亚城市所没有的各类综合性会议和演出的能力，从而使BCEC综合体在商业和参观方面仍然是澳大利亚迄今为止最成功的会议中心。

It has created a new public access path over the South Bank railway, linking South Bank to West End, and below the railway in a through-corridor which penetrates the original building’s carpark. Most significantly, it has facilitated Brisbane’s ability to stage types of integrated conventions and performances unavailable in any other Australian city, enabling BCEC complex to remain by far Australia’s most successful convention centre commercially and in terms of visitation.

 © Angus Martin Photography

(安格斯·马丁摄影)

建筑形式与语境的关系

Relationship of Built Form to Context The strong philosophical approach and architectural resolution of contextual relationship is captured in the above descriptions, including to the street, to the original building it is grafted with, and to the end where it opens out towards.

程序解析程序主要解决计划响应的长和横截面问题，而不是相反的问题。治理的制约因素是铁路高架层和现有的BCEC广场层。决定性的“举措”是两个600个座位的剧院重叠堆叠，使所有四个功能级别都能灵活地进入形成“自成一体”会议/展览场所的剧院。

Program Resolution The program primarily resolved the long and cross-section to which the plan responds, rather than the converse. The governing constraints were the elevated railway level and the existing BCEC plaza level. The decisive ‘move’ was the overlapping stacking of the two 600 + 400 seat theatres in such a way as to enable all four functional levels to flexibly access the theatres forming ‘self-contained’ convention/exhibition venues.

联合学科的关键合作是与艺术家布鲁斯·雷诺兹(Bruce Reynolds)合作，他创作了三套作品，对南岸的环境产生了不同的历史和地理解释，一种是多方面的雕塑，一种是艺术凹槽的背景，另一种是“悬崖”墙，人们沿着悬崖攀爬(面向铁路走廊)，穿过一系列中庭空间。

Allied Disciplines The key collaboration was with the artist Bruce Reynolds who created three series of works generating different historical and geographical interpretations of the South Bank context, one a series of faceted sculptures, one a backdrop of art recesses, and one the ‘cliff’ wall along which people climb (fronting the rail corridor) through a sequence of atrium spaces.

 © Angus Martin Photography

(安格斯·马丁摄影)

项目预算为1.4亿美元。用bcc首席执行官的话来说，其价值被表达为：“概念上的简洁，建筑上的戏剧性”(…)开幕式是一个疯狂的活动时期，有超过300个活动预订，仅在一年内就能为昆士兰经济带来9300万美元的收益。“格雷街的BCEC负责整个中心在2012年的记录，这是自1995年开业以来的最高收入。

Cost/Value Outcome The project budget was $140 million. In the words of BCEC’s CEO the value has been expressed as: “Boutique in concept, dramatic in architecture….the opening was a period of frenetic activity with more than 300 event bookings which will deliver $93 million in one year alone to the Queensland economy”. BCEC on Grey Street was responsible for the whole centre recording in 2012 its highest revenue since opening in 1995.

可持续性布里斯班会议展览中心是澳大利亚仅有的两个会议中心之一，获得澳大利亚绿色建筑委员会的5星级绿星(设计)评级。它的设计目的是利用现有布里斯班会议和展览中心的能源能力，而且没有任何额外的冷水工厂。该系统还利用太阳能热水发电，不增加会议中心现有系统的能源需求。空调系统是为占用多家精品空间而量身定做的，这样就可以减少浪费(如果有的话)。

Sustainability Brisbane Convention and Exhibition Centre is one of only two Australian convention centres with a 5 Star Green Star (Design) rating with the Green Building Council of Australia. It was designed to utilise the energy capacity of the existing Brisbane Convention and Exhibition Centre and does not have any additional water chilling plant. The system also utilises solar hot water generation to not increase energy demands on the convention centre’s existing system. The airconditioning system is tailored to occupation of the multiple boutique spaces such that there is minimal, if any, wastage.

 © Florian Groehn Photography

弗洛里安·格罗恩摄影

所有固定和松散的家具都来自可持续和可回收的材料，一个巨大的地下水箱供应中心的非饮用水，多余的用于灌溉。同样明显的是，立面系统的设计采用了一个编织的网格系统，该系统由棱形的太阳叶片组成，以尽量减少东方的曝晒和眩光，西方的太阳曝光率被现有的BCEC和中庭天窗遮挡，为中心的中庭深度提供了过滤过的日光。

All fixed and loose furnishings are sourced from sustainable and recyclable materials, and a vast underground water tank supplies the Centre’s non-potable water, with excess used for irrigation. As is also evident, the façade system is designed with a woven mesh system of angled solar blades shaped to minimise eastern sun exposure and glare, the western solar exposure being blocked by the existing BCEC and atrium skylights providing filtered daylight to the atrium depth of the centre.

 © Angus Martin Photography

(安格斯·马丁摄影)

上面提到了对客户端和用户需求的响应。用户的回应包括第一次大型会议‘2012年抗菌’首席执行官杰夫·库姆斯(Geoff Coombs)在文章中称，格雷街的bcc是“我们经历过的世界上规模最大的会议设施”，以及‘SETE APOSE 2012’首席执行官蕾妮·乔利(Renee Jolly)表示：“中心的布局是完美的…。会议室和礼堂为我们的全体讲座和同时举行的会议提供了方便和灵活的安排“。

Response to Client and User Needs Client response is mentioned above. User responses include from the first major convention ‘Antimicrobials 2012’ CEO Geoff Coombs describing in writing BCEC on Grey Street as “the best conference facility we have experienced for its size in the world”, and the ‘SETE APOSE 2012’ CEO Renee Jolly stating: “The layout of the centre was perfect…the rooms and auditoria were easily accessible and flexible for our program of plenary lectures and concurrent meeting sessions”.