建筑师的。

From the architect.

该项目由一个游戏结构和一系列小住所和元素组成，它们相互协调，为努萨一个新住宅社区的公园和街道提供了重要的便利条件。所有的房子都是由选定的昆士兰和其他著名的澳大利亚建筑师设计的。

The project consists of a play structure and a series of small shelters and elements which coordinate to provide significant amenity to the parklands and streets of a new residential community in Noosa. All of the houses were designed by selected Queensland and other Australian architects of note.

 © Christopher Frederick Jones

克里斯托弗·弗雷德里克·琼斯

极乐世界游乐场是2008年11月在昆士兰现代艺术馆举办的“现代昆士兰建筑”展览的两个项目之一。这是对昆士兰阳光下的孩子们的庆祝，旨在(与客户购买现成塑料结构的初衷相反)也成为社区娱乐的场所。它是一个由混凝土和木材元素组成的线性序列，形成了独特的公园边缘，发挥着光的影子作用，作为一种原始的安装艺术。

The Elysium Playground was one of two projects selected to represent the exhibition ‘Placemakers-Contemporary Queensland Architecture’ held at the Queensland Gallery of Modern Art in November 2008. It is a celebration of children under the Queensland sun, designed (in contrast to the client’s original intention to merely purchase off-the-shelf plastic structures) to also act as a place of community recreation. It is a linear sequence of concrete and timber elements forming a distinctive park edge, playing shadow with light, acting as a piece of raw installation art.

其他的元素-烧烤庇护所，解释墙壁和家具，是游乐场语言的延伸，一起把不同的住宅建筑连接成一个可识别的社区。

The other elements – BBQ shelters, interpretive walls and furniture, are extensions of the playground language, together tying the disparate residential architectures into a recognisable community.

 © Christopher Frederick Jones

克里斯托弗·弗雷德里克·琼斯

概念框架客户在操场上的初衷是购买一个专有的原色法国系统。我们认为，一套相互关联的手工游戏元素将为儿童带来更多有趣的挑战，任何人都可以在这里休息或聊天，这是极乐世界社区特有的一种装置。从这一孕育开始，所有其他公园元素都属于一致的物质词汇的想法出现了。

Conceptual Framework The client’s original intention for the playground was to buy a proprietary primary-coloured French system. We contended that a suite of interconnected hand-made play elements would accomplish much more – intriguing challenges for children, a place where anyone could come to rest or chat, an installation particular to and identifying Elysium’s community. From this gestation, the idea of all other park elements belonging to a consistent vocabulary of materiality emerged.

 © Christopher Frederick Jones

克里斯托弗·弗雷德里克·琼斯

公共和文化方面的好处，游乐场结构已经成为极乐世界社区的代名词，也是任何人都可以享受的。从文化的角度来看，它还庆祝在建筑尽头的一个土著人中间，最后一个元素-一个具体的小房子-充当俯瞰着侏儒遗址的“鸟巢”。

Public and Cultural Benefits The playground structure has become synonymous with the Elysium community while also accessible to anyone to enjoy. From a cultural perspective, it also celebrates an Aboriginal Midden at the end of the structure, for which the last element – a concrete cubbyhouse – acts as a viewing ‘nest’ overlooking the midden site.

建筑形式与语境、游乐场和公园结构的关系形成了一个统一的元素集合，凝聚了整个社区，是各具特色的独立住宅建筑风格的千差万别。使用原材料-土色混凝土、木材和铜-使这些元素能够在自然环境中形成协同部分，在整个社区中编织。

Relationship of Built Form to Context The playground and park structures form a unified collection of elements which cohese the community and it’s vastly varying styles of detached residential architecture. The use of raw materials - earth coloured concrete, timber and copper – enable the elements to form a synergistic part of the natural environment which weaves through the community.

 © Christopher Frederick Jones

克里斯托弗·弗雷德里克·琼斯

游戏解决方案-操场结构是与一位操场顾问协商制定的，作为一系列的元素，这些元素既能激发儿童的思维，又能不同程度地挑战他们的身体能力。每个部分也被设计成一个“建筑/景观”空间，其理念是邀请孩子们思考建筑和景观元素的作用。

Program Resolution The playground structure was developed in consultation with a playground consultant as a sequence of elements which both stimulate children’s minds and challenge their physical abilities to different degrees. Each part was designed also as an ‘architectural / landscape’ space with the idea of inviting children to contemplate the role of built and landscape elements.

该项目是在咨询协调有限公司的操场顾问克莱夫·多德的指导下设计的。

Allied Disciplines The project was designed in consultation with the playground consultant Clive Dodd from Consulting Co-Ordination Pty Ltd.

成本/价值结果-我们从未发现操场的实际成本，但知道它低于原计划的专有系统所需的预算-对社区及其子女的价值要大得多。使用相同的材料和方法对其他结构产生成本效益的一个系统。

Cost/Value Outcome We never found out the actual playground cost but know that it was less than the budget required for the proprietary system originally intended – with much more value to the community and its children. Utilising the same materials and methods for the other structures generated cost efficiencies of the one system.

 © Christopher Frederick Jones

克里斯托弗·弗雷德里克·琼斯

对客户和用户的响应需要来自双方的极好的响应，再加上Placemaker展览策展人对这种创造性的小型建筑的认可得到了适当的庆祝，完全使客户感到高兴。

Response to Client and User Needs Wonderful responses from both, plus the acknowledgement of the Placemakers exhibition curators of such inventive small architecture being duly celebrated, completely delighted the client.

 © Christopher Frederick Jones

克里斯托弗·弗雷德里克·琼斯

可持续性-“极乐世界”中所有元素的概念是创造一系列游乐场、庇护所和解释部分，使之与自然森林协调一致，并培养社区对自然森林的敏感性。尤其是说服客户不要从法国购买进口的专用塑料和钢游乐场结构，而是用天然材料建造一个定制的游乐场设施。其中，一种主要材料是用作混凝土模板的粗锯再生松木和用于木材设备的再生硬木。

Sustainability The concept for all elements in Elysium Noosa was to create a series of playground, shelter and interpretive pieces that harmonised with and fostered community sensitivity towards the site’s natural forests. In particular is the convincing of the client not to purchase imported proprietary plastic and steel playground structures from France and instead construct a custom-designed playground installation from natural materials. Of these, a primary material is rough-sawn recycled pine used for the concrete formwork and recycled hardwood for the timber apparatus. 

 © Christopher Frederick Jones

克里斯托弗·弗雷德里克·琼斯

建筑经济是通过重新使用操场混凝土的一个模板，如烧烤和其他公园掩体，以及挡土墙来实现的。加强该项目可持续性承诺的另一个特殊之处是保护一位重要的土著侏儒，在游乐场结构尽头的望亭庆祝这一活动。所有元素的原材料和天然材料的设计，使他们能够优雅地老化和天气，最低限度的维护。

Construction economy was generated by the re-use of the one formwork for the playground concrete as for the BBQ and other park shelters, and retaining walls. A further particularity reinforcing the project’s sustainability commitment was the conservation of an important aboriginal midden, which is celebrated by the lookout pavilion at the end of the playground structure. The raw and natural materials of all elements are designed to enable them to age and weather gracefully with minimal maintenance.