架构师提供的文本描述。在南方设计一个项目的想法让我们想象出科洛纳仓库的巨大屋顶。它们由生锈的锌制成，它们的强大存在与遥远的地理环境建立了对话，能够在我们的建筑遗产的历史和崎岖的地形之间保持一种形象。因此，这种关系建立了一个独特的遗产景观。

Text description provided by the architects. The idea of designing a project in the south lead us to imagine the great roofs of the Colona warehouses. Made of rusted zinc, their strong presence builds a dialogue with the distant geography, with the ability to hold an image between the historic of our architectural heritage, and the beauty of a rugged terrain. Thus, this relationship sets a characteristic heritage landscape.

 Cortesía de Tomás García de la Huerta

Cortesía de Tomás García de la Huerta

从这些结构的概念或能力来看，我们认为这是第一点(几乎有点仓促)，它可以从远处体现这一责任，避免明显的家庭、酒店或仓库的构造。我们更接近于当代的观念-一个明显的横向艺术品。一个足够长的黑色屋顶，建议与遥远的地理对话，一个新的轮廓，作为一个支柱，将支持三个火山的形象。

From the idea or capacity of these structures to make evident a new landscape, we considered as a first point (almost a bit rushed), a project that could embody this responsibility from afar, avoiding an obvious conformation of home, hotel, or warehouse. We got closer to the contemporary idea of a clearly horizontal artifact. A black roof long enough to suggest a dialogue with the distant geography, a new profile, which as a plinth, would support the image of three volcanoes.

 © Tomás García de la Huerta

c.Tomás García de la Huerta

这个地块有两个明显的特点：第一，一个可以进入300米长25米宽的场地的游乐园。第二，一个陡峭的斜坡向东下降，地块向南延伸约80米。主要景观是东部：潘吉普里湖和三个火山：比利亚里察、奎特鲁皮兰和拉宁。

The plot has two clear qualities: first, an esplanade by which to access the site 300 meters long by 25 meters wide. Second, a steep slope descending to the east, where the plot broadens to the south for about 80 meters. The predominant views are to the east: Panguipulli Lake and three volcanoes: Villarica, Quetrupillán, and Lanín.

我们被要求设计一家有七个房间的酒店，其中包括一家公共餐厅，总面积700平方米.

We are asked to design a seven-room hotel including a public restaurant, 700 square meters total.

 © Tomás García de la Huerta

c.Tomás García de la Huerta

我们决定离开300米的公园，作为一个公园，停车场和通道。我们将建筑物定位在坡顶以下4米处，水平布置，以建筑物的长度占据地块的宽度。

We decide to leave the 300 meter esplanade as a park, parking area and access. We locate the building 4 meters below the top of the slope, laid out horizontally, occupying the width of the plot with the length of the building.

把建筑物放在斜坡上，首先，我们可以从入口俯瞰一个长的、水平的、预先漆成黑色的锌屋顶，这是由于它与土地的关系，它隐藏了后面的正面。因此，整个建筑物的形态没有显示。屋顶表面可能是奇怪的，因为它把风景作为主角。第二，它允许我们进入地下建筑，寻找内部的受控展示。

Placing the building on the slope allowed us, first, to overlook a long horizontal pre-painted black zinc roof from the access, which due to its relationship with the land, hides the back facade. Thus, the entire morphology of the building is not displayed. A roof surface is perhaps strange because it sets the landscape as protagonist. Second, it allowed us to enter the building underground, in search of a controlled display of the interiors.

 © Tomás García de la Huerta

c.Tomás García de la Huerta

一旦进入，一个强有力的进入姿态(我们会认为这是夸张的)，打破了那个寻找拉宁火山最远视野的人的宁静。在里面，我们想展示一个垂直的，分层的景观，以及一个双高度的餐厅空间。

Once inside, a strong access gesture (which we would consider exaggerated), breaks the tranquility of the figure looking for the farthest view of Lanín volcano. Inside, we wanted to display a vertical, hierarchical view of the landscape, and also a double height space for the dining hall.

在公共区域，建筑物是由金属柱支撑的，高架在斜坡上。

In the public areas, the building is supported on metal columns, elevated over the slope.

 © Tomás García de la Huerta

c.Tomás García de la Huerta

卧室的面积被理解为一个相当长的循环，它从公共到私人，寻找西方的观点，在建筑物和地面的斜坡之间，与景观有着更密切的关系。循环结束在一个带有壁炉和游泳池的露台上，在那里可以看到朝楚申科火山的开阔视野。

The bedroom area is understood as a rather long circulation, which goes from the public to the private, seeking views to the west, between the building and the slope of the ground, in a more intimate relationship with the landscape. The circulation ends at a terrace with a fireplace and a pool, where the views open towards the Choshuenco volcano.

该地点的卧室旋转寻找与湖和比利亚里卡火山的垂直关系，同时为每个房间产生一个小大厅，将大门隐藏在公共区域之外。

The rotation of the bedrooms on the site looks for a perpendicular relationship with the lake and Villarica volcano, at the same time generating a small hall for each room, hiding the doors from view from the public area.

 Elevations

最后，将卧室的音量悬挂在倾斜的地形上，可以在卧室和视图中保持隐私。从私人的核心看，建筑物在斜坡上的阳台状况是清楚的。

Finally, suspending the bedroom volume over the sloping terrain allows for privacy in the bedrooms and the views. The balcony condition of the building over the slope is clear from the private core.

 © Tomás García de la Huerta

c.Tomás García de la Huerta