© Fernando Guerra | FG+SG

费尔南多·格拉

架构师提供的文本描述。临时安迪沃霍尔博物馆是一个商业空间内的文化空间。展览旨在主办4月11日至7月11日在里斯本科伦坡购物中心举办的“安迪·沃霍尔-艾克斯·普赛尔艺术品与工厂”展览，共有32件美国艺术家的原创作品。

Text description provided by the architects. The Temporary Andy Warhol Museum is a cultural space within a commercial space. It was designed to host the exhibition 'Andy Warhol - Icons | Psaier Artworks and the Factory', which was opened between April 11 and July 11, in Colombo Shopping Mall, in Lisbon, and included a total of 32 original works by the American artist.

博物馆的空间避免了有中立的白色展览空间的想法，并通过创造一个强有力的视觉环境，利用艺术家的想象，与展出的艺术品有关。博物馆通过使用金属油漆罐所产生的不寻常的物质性，重新创造了一个既流行又工业的环境。该说明文结构，设置在中心广场的购物中心，特色是一个抽象的外观，是非常吸引人的，并假设一个形象特征与流行艺术的明确链接。

The museological space avoids the idea of having neutral white exhibition spaces and relates to the exhibited artworks through the creation of a strong visual context that uses the artist's imaginary.  The museum recreates an environment that is both pop and industrial, through an unusual materiality resulting from the use of metal paint cans. The expository structure, set in the central plaza of the mall, features an abstract exterior that is extremely appealing and assumes an iconographic character with clear links to the Pop Art.

 © Fernando Guerra | FG+SG

费尔南多·格拉

室内设计成一个封闭的内省空间，完全由连续的墙壁定义，受益于塑料屏风的透明覆盖。这套封面具有双重功能，允许光线从外部进入，并确保两个对峙空间(博物馆/购物中心)之间的视觉关系。这个解决方案吸引了游客的好奇心，要求参观那些在商业空间的更高的画廊里游荡的人。

The interior was designed as an enclosed introspective space, entirely defined by continuous walls, benefiting from a transparent cover in plastic screen. This cover has the dual function of allowing light to enter from the exterior and assuring the visual relationship between the two confronting spaces (museum / shopping mall). This solution captures the curiosity of visitors, calling for a visit to all those wandering in the higher galleries of the commercial space.

 © Fernando Guerra | FG+SG

费尔南多·格拉

四间主题有序的展厅层出不穷，形成了一条挑战购物中心主广场有机对称和合理性的新途径。这座小型博物馆的两个入口，每个入口都位于战略要地，以最大限度地吸引人们的注意力和流动。

A fluid succession of four exhibition rooms, thematically organized, results in a new pathway that challenges the organic symmetry and rationality of the shopping mall main square. The two entrances to this small museum, one in each extremity, are located at strategic points in order to maximize the attention and flow of the people walking around its perimeter.

 © Fernando Guerra | FG+SG

费尔南多·格拉

就像安迪沃霍尔的艺术品，博物馆反映了消费社会，但从字面上说，通过原始铝片的圆柱形易拉罐。安迪·沃霍尔作品中的其他部分也是创造建筑空间的基础-重复(丝屏)或升华日常物品的想法，无论其最初的形式或功能如何，并将它们转化为集体想象中的有形图标。

Like the Andy Warhol’s artwork the museum reflects the consumer society, but in a literal way, through the raw aluminum sheet of cylindrical cans. Other strands, which were patent in the work of Andy Warhol, were also fundamental in the creation of the architectural space - the repetition (silkscreened) or the idea of sublimating everyday objects, regardless of their original form or function, and transform them into tangible icons of the collective imaginary.

 © Fernando Guerra | FG+SG

费尔南多·格拉

作为一种构造元素，金属涂料可以是决定整个项目的度量标准的模块元素，定义尺寸和绘制允许进入空间的空隙-门。

Used as a constructive element, the metallic paint can is the modular element which determines the metric of entire project, defining dimensions and drawing the voids - doors - that allow the entrance in the space.

 © Fernando Guerra | FG+SG

费尔南多·格拉

建筑物的结构稳定性是通过在前三排罐中填上砂土基础来解决的，这保证了墙的稳定性，并为公众更容易接触到的罐提供了更大的强度。

The structural stability of the building was solved by filling the first three rows of cans with sand - foundations -, guaranteeing the stability of the walls and giving greater strength to the cans which are more accessible to the public.

 © Fernando Guerra | FG+SG

费尔南多·格拉

在接待了100，000多名游客后，安迪·沃霍尔临时博物馆致力于促进艺术的传播和推广，这些艺术是免费的，所有游客都可以使用。

Having received more than 100,000 visitors, the Temporary Andy Warhol Museum sought to contribute to the dissemination and promotion of art, free and accessible to all visitors.

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