© Marc Lins

C.Marc Lins

架构师提供的文本描述。在一个树木茂密的峡谷的边缘，在天主教姐妹社区雄伟的木屋下，这座小塔楼从陡峭的山坡上耸立起来。它外表醒目而谦逊，从沿着森林边缘的一条狭窄小径上的一个小洞中延伸出来。山坡上唯一的变化是车道，地形已经保持原状。

Text description provided by the architects. At the edge of a wooded ravine, beneath the imposing wooden house of the Catholic Community of Sisters, the small tower building rises from the steep hillside. Striking and modest in appearance, it stretches up out of a small hollow situated on a narrow path along the edge of the forest. The only change made to the hillside is the driveway and the terrain has been left in its original form.

 © Marc Lins

C.Marc Lins

这座建筑很好地体现了材料的均匀使用，在这种情况下，小心地修剪粗糙的混凝土，在草地绿色和冬季白色的映衬下，这座建筑融入了景观，就像一个谷仓。它灰灰色的颜色与沉重的橡木前门形成了轻微的对比，无烟煤色的扶手与周围森林的枝条混合在一起。就像被打在墙上一样，大小不一的方形窗户散开在墙壁上，只有在墙角才能充分发挥作用。

Fitting into the landscape as if it were a barn, the building, which is a fine example of the homogeneous use of materials, in this case, carefully hewn rough concrete, stands out against the meadow green and winter white. Its ashy-gray colour only contrasts slightly with the heavy oak front doors and the anthracite-coloured handrails blend in with the branches of the surrounding forest. As if they were punched into the walls, the square windows of different sizes are spread out across the walls, and their full effect is only achieved at the corners.

 © Marc Lins

C.Marc Lins

客户要求的外表面集成是一种技巧。在入门层，通过一个飞行a级，结构缩小到两个支撑角柱，这不仅为客人提供了独特的机会看到整个建筑物，同时享受全景的周围景观，一直保护着不受元素，而且也给入口一种意义的感觉。在柱子内部，一个螺旋楼梯把楼上的起居室和下层的另外两个私人区域连接起来，卧室和放松区就像一个谜一样相互交织在一起。从语义上讲，塔的这一姿态在你的脑海中创造了强化结构和抽象计算机图形的原型，使塔在同一时间显得熟悉和陌生。

The integration of the outer surfaces requested by the client is a kind of artifice. At the entry level, which is accessible via a flight a steps, the structure narrows down to two supporting corner columns, which not only provides guests with the unique opportunity to look through the building while at the same time enjoying a panorama view of the surrounding landscape, the whole time protected from the elements, but also lends the entrance a sense of significance. Inside the column, a spiral staircase connects the living area on the upper level with the two more private areas on the lower level, where the bedrooms and relaxation areas are interlocked like a puzzle. Semantically speaking, this gesture of the tower creates archetypes of fortified structures and abstract computer figures in your mind’s eye, making the tower seem familiar and strange at one and the same time.

 © Marc Lins

C.Marc Lins

在里面，双壁混凝土壳的洞口由宽而光滑的实心橡木窗框改造成框架山水画，不会占用太多的墙壁空间。这些窗框引导客人注意突出的山链，缓缓的山坡和茂密的森林树林。除了生混凝土表面和未经处理的橡木地板，门和固定装置，黑色金属表面补充和谐，严格的材料组合。客户和建筑师并没有建造一个脆弱的度假屋，而是一个隐退的地方，将持续几代人，尽管任何即将发生的气候和景观变化。

Inside, the openings punched into the double-walled concrete shell are transformed into framed landscape paintings by wide, matte solid oak window frames that do not take up much wall space. These framed windows direct the guest’s attention to the prominent mountain chain, the gentle slopes and the dense forest grove. Besides the raw concrete surfaces and the untreated oak floors, doors and fixtures, the black metal surfaces complement the harmonious, austere combination of materials. The client and architects haven’t built a flimsy holiday house, but instead a place of retreat that will remain standing for generations, despite any forthcoming changes of climate and landscape.

 Floor Plan

Architects Marte.Marte Architects

Location Laterns, Austria

Category Houses

Area 485.4 m2

Project Year 2011

Photographs Marc Lins