© Nico Saieh

c.Nico Saieh

架构师提供的文本描述。马塞洛·里奥斯和他的家人的房子来自这位前网球运动员，也是前世界第一。它位于瓦勒埃斯孔迪多，一个环绕在智利圣地亚哥山麓的地方，在一个令人叹为观止的自然环境中，可以欣赏到山丘和高尔夫球场的美景。

Text description provided by the architects. The house for Marcelo Rios and his family comes from the order of this former tennis player, also former World No. 1. It’s located in Valle Escondido, a place enclosed on the foothills of Santiago de Chile within a stunning natural environment and a privileged view to the hills and the golf course.

 © Nico Saieh

c.Nico Saieh

这所房子位于中间层，适合斜坡。此外，它被埋在半埋，以欣赏和看到壮观的自然风景从通道。屋顶，从远处的主题，是一个不断扩大的大露台：一个地方住宿，享受风景，环境和阳光。露台表面的连续屋顶是用天然植被和草设计的，但是马塞洛，就像他每次去温布尔登的时候一样，说“草是给牛用的”，所以我们决定用人造草建造屋顶。人工草被安装在萝卜上，这样就可以产生一个空气床，保护盖子不受直接阳光的照射，防止过热，并影响室内的空调。

The house places at middle levels, adapting to the slope. Also, it’s half-buried in order to appreciate and see the magnificent natural scenery from the access road. The roofs, themes from the distance, were enabled as an expanding large terrace: a place to stay, to enjoy the views, the environment and sunshine. The continuous roofs to the terrace surface were designed with natural vegetation and grass, but Marcelo, like every time he visited Wimbledon says that “The grass is for cows" so we decided to implement a roof with synthetic grass. The artificial grass was installed on rafters, which allowed generating an air bed that protects the cover from direct sunlight, preventing from overheating and affecting the air conditioning inside the house.

 © Nico Saieh

c.Nico Saieh

入口大厅的作用就像一个膝盖，它联系和分配不同的层次，在一个不断合并的空间内产生一个不断合并的空间，寻找到花园，高尔夫球场，遥远的景观和自然光。这座房子的设计有两个相对的面：一个是紧靠街道，墙壁上有内部循环的墙，沐浴在天色照明和庭院中；另一个面则完全面向露台，花园和景色都是用宽阔的屋檐和光束遮挡阳光的。

The entrance hall acts like a kneecap that relates and distributes the different levels generating inside a sum of continuous merged spaces seeking the views to the garden, the golf course, the remote landscape and natural light. The house was designed with two opposite faces: one closed to the street with walls containing internal circulations bathed in zenithal lighting and courtyards, and a second face completely open to the terraces, the garden and views protected from the sunlight with wide eaves and beams.

我们选择只使用一种材料，暴露的混凝土，加入二氧化钛的混凝土，以使它变白。最近，纳米技术研究表明，在混凝土中添加二氧化钛有助于消除汽车产生的有毒气体，就像树木一样。(虽然这不是我们的目标，但我们相信，如果这是真的，那是个好消息)。每一堵墙，打开的，窗户，窗台等，都是用一个12厘米的模块从酚醛片上得到的。

We chose to use just one material, the exposed concrete, adding titanium dioxide to the concrete in order to whiten it. Recently, nanotechnology studies have shown that titanium dioxide added to the concrete helps eliminating toxic gases produced by cars, like trees do.  (Although that was not our aim but whitening the concrete, but we believe that if it’s true, is good news). Every wall, opening, window, window sill, etc, has been faceted with a 12 cm module obtained from the measure of the phenolic sheets.

 © Nico Saieh

c.Nico Saieh

我们称之为“第六立面”的底土的使用，存在于开放、通风和通过庭院照明的房间中，以及基础延伸到露台的房间中。底土上有一间游戏室、一间奖杯室和一间电影院。

The use of the subsoil, what we call the sixth façade, is present in rooms that open, ventilate and illuminate through courtyards and the extension of the foundation to the terrace. The subsoil houses a games room, a trophy room and a cinema.

 © Nico Saieh

c.Nico Saieh

为了增强房子的亮度，整个室内都是白色的。由于白色使光线反射，这是紧张和控制通过庭院和侧天象开口。地板和围板有助于​​白色的想法在内部。为此，使用了120 x 60厘米的骨彩瓷砖。大窗户是铝制的，有助于改善房子的单色白色图像。

The whole interior is white in order to enhance the brightness in the house. As the white color makes the light bounce, this is strained and controlled through courtyards and side zenithal openings. The floor and skirting boards help with the idea of ​​white in the interior. For that, bone color ceramic tiles in format 120 x 60 cm have been used. Large windows are made of aluminium, helping with the monochromatic white image of the house.

 © Nico Saieh

c.Nico Saieh

这座花园被设计成高尔夫球场上的一个高高的平台，在那里可以看到它，但不能暴露在那里。

The garden was designed as a raised platform over the golf course, where it is possible to see it but not to be exposed to it.

 First Floor Plan

一层平面图

Architects Gonzalo Mardones V Arquitectos

Location Lo Barnechea, Chile

Category Houses

Project Year 2013

Photographs Nico Saieh

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