Courtesy of SPEECH Architectural Office

演讲建筑办公室

国家Tretyakov美术馆是一座象征俄罗斯文化的博物馆，由其创建者设想为一个开放的机构，可供公众使用，“对许多人都有用，而且对每个人都是愉快的”。Tretyakov下午确立了与时俱进、顺应社会需要的理念，今天的国家特雷雅科夫美术馆正在努力成为一个“新型博物馆”，一个建立多种交流联系的互动空间，将博物馆传统保守主义和发展活力的要素结合起来。

The State Tretyakov Gallery is a museum that symbolizes Russian culture, conceived by its founder as an open institution accessible to the public, which “is useful for many and enjoyable for everyone.” Following the philosophy established by P. M. Tretyakov of keeping pace with society, changing along with it and responding to its needs and demands, the State Tretyakov Gallery today is striving to become a “museum of a new type,” an interactive space where multiple communication links are established in order to unite the elements of the museum’s traditional conservatism and dynamism of development.

 Courtesy of SPEECH Architectural Office

演讲建筑办公室

博物馆区以不同的风格融合了几座不同时代的建筑：由艺术家V.M.Vasnetsov以浪漫的俄罗斯风格设计的带有立面的Tretyakov画廊的主建筑；Shchusev建筑、仓库和工程建筑与17世纪到19世纪的几座住宅有着相同的外观风格(红色的墙壁、白色的装饰、窗户上的建筑、釉面瓷砖)。Tretyakov画廊的新建筑完成了博物馆区的建立，很自然地融入了建筑群的结构。

The Museum Quarter amalgamates several buildings of different epochs in different styles: the main building of the Tretyakov Gallery with façades designed by the artist V. M. Vasnetsov in a romantic Russian style; the Shchusev buildings, the depository and the engineering building, which façade styles share the same Russian motifs (red walls, white decor, architraves on windows, glazed tiles), and several residential houses of the 17th to 19th centuries. The new building of the Tretyakov Gallery completes the establishment of the Museum Quarter, fitting naturally into the structure of the complex.

 Courtesy of SPEECH Architectural Office

演讲建筑办公室

材料和色彩方案强调了在不同的历史时期建造的Tretyakov画廊建筑的建筑连续性：红色墙与白色建筑和装饰元素的结合。根据V.M.Vasnetsov最初引进的建筑物外观的俄罗斯风格，并代表着对俄罗斯传统建筑的重新诠释，新建筑的外墙是用表面图案的凹凸不平的红砖和用建筑混凝土制成的白色窗框构成的，完成了浮雕的桌子和柱子。建筑物的圆角的砖装饰软化了建筑物的总体轮廓，这是非常适合的情节。

The material and color scheme emphasize the architectural continuity of the Tretyakov Gallery buildings constructed in various historical epochs: a combination of red walls with white architraves and ornamental elements. Based on the Russian style of the façades of the buildings initially introduced by V. M. Vasnetsov and representing a reinterpretation of traditional Russian architecture, the facades of the new buildings are made of distressed red bricks with a surface pattern and the white elements of window architraves made of architectural concrete that complete the relief tables and columns. The round corners of the building’s brick ornaments soften the general outline of the building, which fits snugly within the plot.

 elevation 01

elevation 01

画廊展出的杰作碎片在外玻璃上逐渐褪色。而一动不动的单色画与游人五彩缤纷的流动结合在一起，使画面充满了生命，创造了建筑内外相互渗透的效果。

Fragments of the masterpieces exhibited in the gallery are featured on the outer glazing with gradual fading. And the immobile monochrome paintings come together with the movement of the colorful stream of the visitors, which fills the pictures with life and creates the effect of mutual penetration of the building’s interior and exterior.

 elevation 02

elevation 02

正门位于主要行人路的交叉口，形如画框，四周有玻璃，逐渐合并成天窗，遍布整幢大厦，连接今日和历史，然后变成行人天桥。进入门厅后，参观者巧妙地成为特雷雅科夫画廊主要杰作的创造者：一幅不断变化的纪念游客的图片，它展示了当今的真实形象，并不断更新。

The main entrance, located at the crossing of the main footpaths, has the form of a picture frame surrounded by glazing which gradually merges into a skylight spreading throughout the building and connecting the present day with history before turning into a pedestrian bridge. Upon entering the foyer, visitors subtly become creators of the main masterpiece of Tretyakov gallery: a constantly changing picture in honor of the visitor, which shows the actual image of the present day and remains constantly up-to-date.

外墙继续以墙壁上的图片为主题。每个“画框”的外观是一个特殊的雕刻设计，并有一个独特的形式和模式。由于周围空间的尺寸不同，框架有不同的尺寸。从宽阔的路堤到狭小的Maly Tolmachevsky Pereulok，街道和建筑的规模逐渐变小，决定了加长立面的结构，从大而混乱的“框架窗”过渡到刚性结构，体现了建筑环境的规模。

The façades continue the main theme, that of pictures on the wall. Each “picture frame” of the façade is special as a carved architrave and has a unique form and pattern. The frames have different sizes due to size differences in the surrounding space. From the broad embankment to the narrower Maly Tolmachevsky Pereulok, the scale of the streets and buildings gradually gets smaller and determines the structure of the extended façade with its transition from large chaotically placed “frame windows” to a rigid structure, embodying the scale of the construction environment.

面对Lavrushinsky Pereulok的正面是部分的暗示，为观众准备迎接主入口处“活生生的画面”的主要事件。框架的较小尺寸对应于建筑环境的规模，同时在建筑物的背景下保持其独特的特性。

The façade facing Lavrushinsky Pereulok is a partial allusion, preparing the viewers for the main event of the “living picture” at the main entrance. The smaller size of the frames corresponds to the scale of the construction environment while maintaining their unique character against the background of the building.

建筑师演讲建筑办公室地点俄罗斯莫斯科类别画廊项目建筑师Marina Digileva作者：Sergei Tchoban，Igor Chlenov 3D Graphics Nadezhda Zobina，Aleksey Zakharov Project，2013

Architects SPEECH Architectural Office Location Moscow, Russia Category Gallery Project Architect Marina Digileva Authors: Sergei Tchoban, Igor Chlenov 3D Graphics Nadezhda Zlobina, Aleksey Zakharov Project Year 2013