上世纪50年代，所谓的“国际风格”在特拉维夫得到了高度发展。它的发展得益于德国包豪斯研究所(Bauhaus Institute)的建筑师们，他们后来回到以色列继续他们的工作。其中一位领导“国际风格”的建筑师是杜夫·卡米(Dov Carmi)。他设计了许多，通常是大型建筑，他最克制的项目之一是特拉维夫市中心的一座城市别墅，他于1951年设计了这座别墅。

In the 1950s what was known as the "International Style" was highly developed in Tel Aviv.  It developed thanks to architects who studied at the Bauhaus Institute in Germany and who then returned to Israel to continue their work.  One of the architects who led the "International Style" was Dov Carmi.  He designed many, usually large, projects.  One of his more restrained projects was an urban villa in the center of Tel Aviv which 

 © Amit Geron

阿米特·杰龙(Amit Geron)

在他的设计中，卡米表达了他对“自由设计”的地方诠释，在这种解释中，光和影、视图和运动创造了一系列连续的空间，而没有创造出一个大的、单一的、开放的空间。

In his design, Carmi expressed his local interpretation of "Free Design" in which there is a  continuous series of spaces created by light and shadow, view and movement without creating one large, single and open s

 © Amit Geron

阿米特·杰龙(Amit Geron)

我的办公室对建筑结构进行了大规模的改造，包括改变外部外观和内部划分。其主要理念是保持原有设计的精神，同时对现有结构进行当代独立的解释，并使其适应当代的技术、材料和知识。

My office executed a massive reconstruction of the structure which included changing the  of the exterior facade and the division of the interior.  The main idea was to preserve the spirit of the original design  whilst implementing a contemporary, independent interpretation of the existing structure and its adaptation to contemporary technologies, materials and knowledge.

 © Amit Geron

阿米特·杰龙(Amit Geron)

在这个项目中，我们非常小心地在一个相对受限的区域内创造了一种定义的、亲密的和连续的空间的体验，而这不影响对整个结构的整体理解。

During the project, we took great care to create an experience of defined, intimate and continuous spaces in a relatively restricted area; and this without detracting from the overall understanding of the entire structure.

 © Amit Geron

阿米特·杰龙(Amit Geron)

房子简约，光和材料，创造戏剧和活力。独特的材料范围被保存在整个项目。

The house is simple and minimalistic with the light and the materials creating drama and vitality.  The unique range of materials was preserved throughout the project.

 © Amit Geron

阿米特·杰龙(Amit Geron)

这座建筑的外墙被漆成白色，所选择的轮廓是漆成黑色的甲板，类似于包豪斯风格。地板采用非白色混凝土。这些单色色调为我们决定保留的原始材料提供了背景。

The building's external facades were painted white and the profiles chosen are decks painted black, similar to the Bauhaus style.  The floor is of off-white concrete.  These monochromatic hues provide the background for the original materials that we decided to preserve.

 © Amit Geron

阿米特·杰龙(Amit Geron)

分隔入口处空间的中央墙被保留为原始形式，由凿成的、以独特组成的河道砂岩建造。起居室的地板是野生的、天然的土质石灰石和不断变化的剖面。墙和地板象征着建筑的原始状态。四周是现代的、简约的建筑，强调空间和光线。该项目的家具是精心挑选的，以完成在两个世界和两个不同时代之间进行对话的居住城市别墅的总体经验。

The central wall that divides the entry space was preserved in its original form, built from hewed, course sandstone constructed in a unique composition.  The floor of the living room is wild, natural limestone of earth hues and changing sections.  The wall and the floor symbolize the building in its original state.  Around them is modern, minimalistic architecture which emphasis the space and the light. The project's furniture was carefully chosen to complete the overall experience of a living urban villa that conducts a dialogue between two worlds and two separate eras.

 Ground Floor Plan