东京当代艺术馆为儿童举办了一个名为“鬼、内裤和明星”的夏季展览，我们为此设计了一座“鬼屋”。

The Museum of Contemporary Art Tokyo presented a summer exhibition for children entitled "GHOSTS, UNDERPANTS and STARS" for which we designed a "Haunted house".

 © Fuminari Yoshitsugu

(3)Fuminari Yoshitsugu

这个展览的概念邀请年轻参观者考虑博物馆规则的悖论，比如“不要跑”、“不要触碰”或“保持安静”，允许博物馆里通常禁止的行为。

The concept of this exhibition invites young visitors to consider the paradox of the rules of the museum, such as 'Don't Run', 'Don't Touch' or 'Keep Quiet' by allowing behavior normally forbidden in museums.

 © Fuminari Yoshitsugu

(3)Fuminari Yoshitsugu

从不同的角度来看，那些看似无穷无尽的走廊和肖像上的凝视似乎随处可见，这些特征为博物馆创造了一种令人毛骨悚然的氛围提供了元素。于是，我们开始把一个有这样特色的展览空间变成一个鬼鬼祟祟的肖像馆。起初，墙上的画看起来很普通，但奇怪的事情开始发生，眼睛注视着你，画面中的面孔突然发生变化。实际上，隐藏在墙后的是一个后台的房间，从那里可以释放出各种各样的滑稽动作来吸引毫无戒心的游客。博物馆观众-以前在这种滑稽行为的接收端的人也可以进入秘密房间，反过来在画的另一边变成骗子，从而逆转角色。我们的目标是创造一个“鬼屋”，它不仅能吓到游客，还能让他们更积极地参与进来，同时激发他们的想象力。

From a different perspective, the seemingly endless hallways and portraits with gazes that appear to follow one around are characteristics that provide museums the elements to create an eerie atmosphere. Thus, we set out to turn an exhibition space with such characteristics into a spooky hall of portraits. At first, the paintings on the walls appear perfectly ordinary, but strange things begin to occur as eyes gaze at you and faces in the picture suddenly change. Hidden behind the walls is in fact a backstage room from where all sorts of antics are unleashed on unsuspecting visitors. Museum-goers previously on the receiving end of such antics can also enter the secret room and reverse the roles by becoming in turn tricksters on the other side of the paintings. We aimed to create a "Haunted play house" that can not only spook visitors, but also engage them more actively while stimulating their imagination.

 © Fuminari Yoshitsugu

(3)Fuminari Yoshitsugu

游客在前往下一个展厅的途中离开“鬼屋”时，会在桥的一侧贴上特制的眼球贴纸，并将其改名为“有眼睛的桥”。当我们踏上这座桥时，人们认为是静态的眼球，似乎跟随着我们，仿佛在召唤着“鬼屋”的超现实世界；一个展览空间，在那里你可以感受到潜在的存在。

Visitors exiting the "Haunted play house" on their way to the next exhibition hall are greeted by specially printed eyeball stickers affixed on one side of a bridge appropriately renamed the "Bridge with eyes." As we set out onto the bridge, the eyeballs, which one assumes to be static, appear to follow us as if beckoning the surreal world of the "Haunted play house"; an exhibition space where one can feel the underlying presence.

 © Fuminari Yoshitsugu

(3)Fuminari Yoshitsugu