“当建筑简单可读的时候，它就会让人兴奋；灵魂需要东西才能看得清楚。而一种能揭示自身结构的建筑，就像人类揭示自己的体质一样，揭示了它的目标，没有伪装，最重要的是，在我看来，没有技巧(.)，诚实主要是一种技巧.”

"The excitement comes from architecture when it is simple, readable; the spirits need things to be legible. And an architecture that reveals its constitution, just as a human being reveals its constitution, reveals it´s goals, all without camouflage and, above all, without artifice (...) in my opinion, that honesty is primarily technique... "

让·普鲁韦

Jean Prouvé

上述引文总结了这一工作的基本意愿。规划要求相对简单：第二家，卡恰瓜，位于智利海岸，占地5000平方米，视野广阔，视野开阔，有一定的经济资源可利用性，客户具有美感。简单和清晰的正式决议是他们的主要要求，这与我自己的敏感性相匹配。该方案应包括成人和儿童的单独区域。

The above quote summarizes the essential will that gives shape to this Work. The programmatic requirements are relatively simple: second home, Cachagua, in the Chilean coast, a site of 5000 m2 with large domain of the horizon and distant views, some availability of economic resources, and customers with aesthetic sensibility. Simplicity and clarity in the formal resolution were their primary requirements, which matched with my own sensibility. The program should include separate areas for adults and children. 

 Courtesy of Juan Almarza Anwandter

胡安·阿尔马扎·安万特(Juan Almarza Anwandter)

我选择了一个对称的方案，结构围绕两个轴，一个纵向，南北，跨越45 MTS沿线的场地宽度，和一个交叉斜面，由主入口形成。这个轴与房子的公共区域会合，将程序分为成人和儿童所需的两极。

I chose a symmetric scheme, structured around two axes, one  longitudinal, north-south, spanning the width of the site along 45 mts, and one cross-slope, formed by the main entrance. This axis is convergent with the public areas of the house, which divide the program into both poles required for adults and children. 

 Courtesy of Juan Almarza Anwandter

胡安·阿尔马扎·安万特(Juan Almarza Anwandter)

西面延伸到一大片的露台上，构成了一种“时尚跑道”：它的目的是突出身体，它在横向的平面上徘徊和行走，它的轮廓与大海的地平线相映成趣。身体姿势在休闲中展开，在膨胀的场景中展开，现在甲板上休息，现在慢慢地进入游泳池.或者表示地平线上的一个消失点。一只船，一朵云，一只迁徙的鸟。在这个目的中，我欣赏了许多视觉和文学方面的参考资料，特别是米开朗基罗·安东尼奥尼的电影，维斯康蒂的“威尼斯死亡”的最后一幕，以及罗兰·巴特的一些文本…我的内在目的是把建筑理解为一种生活空间，它不仅能容纳日常的日常活动，而且还包含着充满意义、优雅和区别的行为，以冷静和朴实的空间为框架。

The west façade opens onto a large terrace that extends throughout the entire volume, constituting a sort of "fashion runway": the intention is to highlight the body, which wanders and walk along the horizontal plan, silhouetted against the horizon of the sea. The body gestures that unfold in leisure, in scenes of distention, now resting in deckchairs, now slowly entering the pool ...or perhaps indicating a vanishing point on the horizon. A boat, a cloud, a bird that migrates. In this aim are contained many visual and literary references I appreciate, specifically Michelangelo Antonioni´s films, the final scene of "Death in Venice" by Visconti, and some texts of Roland Barthes ...my inner purpose is to understand the architecture as living space that accommodates not only to mere daily actions, but Acts, full of meaning, elegance and distinction, framed by sober and austere spaces.

 First Floor Plan

一层平面图