Courtesy of AVA

艾娃

通过一个大型程序，我们决定拆除旧建筑，并整合一座新建筑。我们的建筑慢慢地开始达到预期的形状。我们的客房项目开发已经通过与博物馆小区周边街道的整合而开始。我们决定把门厅放在两个建筑群之间，在它们之间建立一个空间连接。

With a large program, we decide to remove the old building and integrate a new one. Our building slowly starts to get in the desired shape. Our room program development begins already through integration with  surrounding streets of the Museum Quarter. We decided to place the Foyer between the two building masses creating a spatial connection between them.

 Courtesy of AVA

艾娃

博物馆不应该仅仅是吸引游客的地方。通过把门厅往下推，我们创建了一个坡道，把人们引到楼顶。因此，雷根斯堡人民有可能以一种新的、令人兴奋的方式体验他们的城市。主展区通过将展区分成两部分进行调整。第一个是“拜利斯切希梅尔”(巴伐利亚天空)，提供更好的大教堂和多瑙河景观。第二种是满足房间程序的要求，并提供一个送货的地方。由于其迷人的位置，博物馆将成为沿着多瑙河行走的游客的一个新的兴趣点。对于雷根斯堡市民来说，这座建筑成了城市的一个互动部分。探索和发现这座城市得到了一个全新的维度，甚至在博物馆的屋顶上也是如此。

Museums shouldn‘t only serve as an attraction for tourists. By pushing the Foyer down, we create a ramp which leads the people to the roof of the building. Thereby a possibility is made for the people of Regensburg to experience their city in a new and exciting way. The main exhibition area is adapted by dividing it in two sections which are pulled up. First one, the ‘BayerischeHimmel’ (Bavarian Sky), to provide better view of the Cathedral and Danube. The second one is to fulfill the room program requirements and provide a place for deliveries. Thanks to its attractive location, the Museum would become a new point of interest for the tourtists walking along the Danube river. For the citizens of Regensburg, the building becomes a interactive part of the city. Exploring and discovering the city gets a whole new dimension which continues even on the Museum rooftop.

 Courtesy of AVA

艾娃

它的坡道和斜坡，屋顶为各种活动提供了一个地方，从电影投影到剧院。你能想象看到一场以大教堂和“Salzstadl”为背景的戏剧在楼顶上演吗？梦幻般的场景。“巴伐利亚天空”是每一次访问的高潮。它保证了Salzstadl以及Steinne桥和大教堂的最佳景观。

With its ramps and slopes the roof provides a place for various events ranging form cinema projections to theater. Can you imagine watching a play happening on the roof of the building with the Cathedral and the ‘Salzstadl’ as background? A dream-like scene. The ‘Bavarian Sky’ presents a climax of each visit. It guarantees the best view of the Salzstadl as well as the Steinerne Bridge and the Cathedral.

 Courtesy of AVA

艾娃

该结构以钢桁架系统为基础，使其能够在不变形的情况下发挥作用。建筑是按照法律和标准进行的，创新在外部继续进行。门面由计算机控制，充当多功能屏幕，提供娱乐和信息。正面屏蔽可以是暂时的，但也可以根据发生在城市或建筑物的事件进行调整。但即使没有屏蔽的外观，它也提供了一个令人愉快的吸引力。这可能是一个很好的惊喜，游客沿着河边发现多媒体外观的博物馆。

The construction is based on a steel truss system which enables the form to function without deformation. The construction is made according to the laws and standards. The creativity continues in the exterior. The facade is controlled by a computer and serves as a multifunctional screen providing entertainment and information. The facade screening could be temporary but can also be adjusted according to the events happening in the city or building. But even without screening the façade, it provides a pleasant attraction. It could be a nice surprise for the tourists walking along the riverside to discover the multimedia facade of the museum.

 site plan. Image Courtesy of AVA

现场计划。AVA的形象礼貌

可能性是无限的从与本次展览的互动到为雷根斯堡市民提供日常信息，各种组合是可能的。

The possibilities are endless. Various combinations are possible, from interaction with the current exhibition to providing day-to-day information for the citizens of Regensburg.

 floor plan 01. Image Courtesy of AVA

01平面图。AVA的形象礼貌

正面是太阳的反射面，因为博物馆不需要任何直接的阳光。只有两个高架端是“开放的”，他们使用遮阳系统来减少直射光。展览空间以自然通风为特色。利用烟囱效应，热风向上吹出大楼。冷却天花板用于调节室温和保持空气新鲜。此外，盆作为空气加湿器。

The facade serves as a reflective surface for the sun, as museums don‘t need any direct sunlight. Only the two elevated ends are ‘open’ and they use  sun shading system to reduce direct light. The exhibition space distinguishes themselves with natural ventilation. Using the chimney effect the hot air goes upwards and exits the building. A cooled ceiling is used for regulating the room temperature and keeping the air fresh. Also, basins serve as air humidifiers.