架构师提供的文本描述。古代海关大楼的修复、翻新和改建项目包括恢复遗址并将其改造为当代博物馆。纪念博物馆位于阿根廷最密集的历史地区之一。这项工作的中心目标是对整个建筑物进行物质和象征性的恢复。为保护庭院而提出的釉面封面，往往将“覆盖和保护”实际考古遗址的需要与保持一个露天空间的典型亮度(即前庭院)的必要性，以及为墨西哥艺术家戴维·阿尔法罗·西奎罗斯(David Alfaro Siqueiros)的壁画“塑料练习”等其他文化产品的展览创造适当条件的需要相调和。一个软褶皱的玻璃屋顶解决了公众通道，建立了一个特殊的连续性与城市。

Text description provided by the architects. The project of restoration, refurbishment and conversion of the ancient Customs building includes the recovery of the site and its transformation into a contemporary museum. The Bicentenary Museum is situated in one of Argentina’s most dense historical areas. The central objective of the work consisted in the material and symbolic recovery of the building in its whole. The glazed cover proposed to protect the yard tends to reconcile the need to “cover and protect” the actual archeological site, with the necessity of keeping the typical brightness of an open space - the former yard - and with the need to create suitable conditions for the exhibition of other cultural goods, in particular the Mural painting “Plastic Exercise”, by the Mexican artist David Alfaro Siqueiros. A soft fold of the glazed roof resolves the public access, establishing a particular continuity with the city.

 Courtesy of B4FS

B4FS提供

这项工作将与前邮报的200周年文化中心的环境相结合。

This work will be integrated with the surroundings of the Bicentenary Cultural Center - In the former Post & Telegraphs Palace- creating a major “cultural corridor” between the river- front and the recently refurnished district of Puerto Madero. A linear park will bring out the Seat of the National Government and will provide new life to one of the most significant historic and political sites, thus successfully translating the Nation´s heritage into the future.

 Floor Plan