架构师提供的文本描述。在黑池的房子，威海克站在一个黑色的独角石在一个人口稠密的本土景观。简短的是设计一所房子，就在家的树冠上。建筑解决方案创造了一个塔，垂直响应地形，并允许编舞连接景观。

Text description provided by the architects. The house at Blackpool, Waiheke stands as a black monolith in a densely populated native landscape. The brief was to design a house that was at home in the tree canopy. The architectural solution created a tower that vertically responded to the topography and allowed choreographed connections to the landscape.

 © Samuel Hartnett

塞缪尔·哈特尼特

进入陡峭的地点是从上面和你下降通过茂密的乡土树木，沿着一条蜿蜒的小径，在那里你会看到一个入口的门廊切割成简朴的形式。南墙被认为是一堵防御性的墙，把建筑物固定在工地上，并在里面设置一个分层的空间。入口压缩您的抵达，然后是一种扩展感提供的内部双高度空间以外。

Entry to the steep site is from above and you descend through dense native trees, along a winding path where you are presented with an entry porch cut into the austere form. The southern wall is conceived as a defensive wall anchoring the building into the site, and setting up a layering of the space within. The entry compresses you on arrival, followed by a sense of expansion offered by the interior double height space beyond.

 © Samuel Hartnett

塞缪尔·哈特尼特

这座塔是一对夫妇住的一间卧室的房子，建造费用很低。该房子由4个内部分裂层和2个甲板，允许不同的连接景观，厨房和餐饮在一个水平和生活900毫米以下。二楼有一个卧室和浴室，楼梯上有一个夹层图书馆。底层足迹为47m2，横跨二楼和夹层的面积为34m2。

The tower is a one bedroom house for a couple, and was completed on a very modest budget. The house consists of 4 interior split levels and 2 decks that allow for varying connections to the landscape, with kitchen and dining on one level and living 900 mm below. The second floor has a bedroom and bathroom with a mezzanine library on the stair landing. Ground floor footprint is 47m2 with 34m2 across the second floor and mezzanine.

 © Samuel Hartnett

塞缪尔·哈特尼特

凿的屋顶形式，移动的地板和甲板遵循土地的轮廓。起伏的西北面响应于树冠的包围，通过谈判内部和外部条件之间的联系。餐厅向东望着一层甲板，然后回到客厅的双高空间。

The chiselled roof form, shifting floor plates and deck follow the contours of the land. The undulating north-west face responds to the enclosure of the tree canopy, negotiating the connection between interior and exterior conditions. The dining room looks across to a deck to the east and back into the double height volume of the living room.

 © Samuel Hartnett

塞缪尔·哈特尼特

为了在景观中实现一种奇异和连续的形式，选择了用于外部皮肤的黑色金属覆层和用于孔洞的铝细木工。回收的托塔拉地板被用于地板与松木，有一个干净的完成晚餐天花板和空墙。空荡荡的天花板上有深色的梅兰蒂布和黑色的拉面。

To achieve a singular and continuous form in the landscape, black metal cladding for the exterior skin and aluminium joinery for the apertures was chosen. Recycled totara floor was used for the flooring with pine with a clearcote finish for dinning ceiling and void walls. The void ceiling has dark stained Meranti ply and black rafters.

 © Samuel Hartnett

塞缪尔·哈特尼特

内部被看作是一个波切的内部体积切割，产生一系列的表面条件，表明程序在房子内。卷突出了站点的垂直性，并允许不同的空间部分；从亲密到广阔。图书馆从空间上升到密密麻麻的阁楼，成为程序结构的垂直外露，其尽头是天花板上的萝卜。不规则和起伏的北面响应于树冠的包围。

The interior is seen as a poche’ cutting of the internal volume generating a series of surface conditions which articulate the program within the house. The volumes accentuates the verticality of the site, and allows differing spatial parti; from intimate to vast. The library rises up through the space to the intimate mezzanine becoming a vertical- expose’ of programmed structure which terminates at the ceiling rafters. The irregular and undulating north face responds to the enclosure of the tree canopy.

 Floor Plan