房子里的房子，半隐蔽的角落，阴影和回忆，善良和温柔，尺度和比例，这一切都是在这房子里感觉到的。当一个人来访时，就会发现更多。木材和更多的木材的各种类型，颜色，气味，和纹理，这是一个木匠谁喜欢他的职业的家，他是木匠与我一起工作了20年。

Houses within a house, half hidden corners, shadows and recollection, kindness and tenderness, measure and proportion, all of this is sensed in this house. When one visits, even more is discovered. Wood and more wood of all types, colors, scents, and textures, this is the home for a carpenter who enjoys his profession, he is the carpenter working with me for two decades.

 © Eugeni PONS

欧根尼·彭斯(Eugeni Pons)

胸膜过渡空间考虑并为一对夫妇建造一所房子，意味着知道他们的隐私，这些居民受到了恐吓。他们已经明白了痛苦和牺牲意味着参与这个生活项目。房子是从内到外设计的，这是多年的询问、草图、模型、会议、良好的沟通和与业主的理解的结果和回报。每一个角落，每一条线，代表一种思想，代表一种行动。房子里充满了日常的活动，有时是明显的，有时不是。

Pleural transition spaces. Thinking and building a house for a couple, means knowing their privacy, these inhabitants have been intimidated. They have understood the suffering and sacrifice that means getting involved in this life project. The house is designed from the inside out, and this is the result and reward of years of inquiries, sketches, models, meetings, good communication, and understanding with the owners. Every corner, every line drawn, represents a thought, represents an action. The house is full of daily actions, sometimes evident and sometimes not.

 Cortesía de Josep Llobet

Cortesía de Josep Llobet

一个半埋的计划(设施，车库和工作室)，和两个计划形成和限制日常行动。这所房子把花园的一部分给了公共空间，没有对街道的物理围护。房屋的材料(混凝土、木材和粘土)是在未经掩蔽或处理的情况下，在其完全粗糙的情况下使用和暴露的。这给了房子一个舒适的，几乎是修道院的紧缩。

A half-buried plan (facilities, garage and studio), and two plans shape and constrain the daily actions. The house gives a part of its garden to the public space, without a physical enclosure to the street. The materials of the house (concrete, wood and clay) are used throughout and exposed, without masking or treatment, in their pure rawness. This gives the house a comfortable, almost monastic austerity.