架构师提供的文本描述。导言

Text description provided by the architects. INTRODUCTION

2013年7月13日星期六，“德布罗伦的瓦兰德”向公众敞开了大门。这种创新的店铺理念建立在15世纪的Broerenkerk。在商店的设计中，教堂增加了三层楼和一个商店内部。有了这一新功能，兹沃勒市保留了这一独特的文化遗产遗址。

On Saturday the 13th of july 2013 ‘Waanders In de Broeren’ opened his doors for the general public. This innovative shop concept is established in the 15th century Broerenkerk. In the shop design three floors and a shopinterior are added to the church. With this new function the city of Zwolle maintains this unique cultural heritage site .

 © Hans Westerink

汉斯·韦斯特林克

BK.建筑学-乔斯汉堡包和惠特凯泽尔-为这个项目的设计，并伴随着整个建筑过程。

BK. Architecten – Jos Burger and Wouter Keijzer - made the designs for this project and accompanied the total building proces.

 ©  Joop van Putten

.Joop van Putten

EXPLANATION

这个教堂商店的建筑理念是基于两个，有时是相互冲突的元素。当我们第一次进入这座教堂时，我们立即感受到了这座建筑的历史价值。空间，高度，长轴，高拱门，巨大的彩色玻璃窗，天花板的绘画和管风琴：这座15世纪的建筑在兹沃勒市赢得了一席之地。在德布罗伦的瓦兰德项目中，我们被要求在这个多米尼加教堂增加大约700平方米的购物层。我们的第一个目标是保持这种第一次历史性的感觉，即使所有那些要求额外的地板表。因此，我们希望教会的所有新增成员都保持清醒，对教会来说，是谦逊的。因此，增加的3层是放置在教堂的侧翼之间，原来的柱子，外面的中央船。这些楼层的建筑与教堂没有连接，因此，在未来的建筑中，可以在不拆除建筑物的情况下拆除建筑。

The architectural concept of this shop in church is based on two, sometimes conflicting, elements. The first time we entered this church we immediately felt the historical value of this building. The space, the height, the long axis, the high arches, enormous stained glass windows, the ceiling paintings and the pipe organ: this 15th century building really earned his place in the city of Zwolle. For the Waanders in de Broeren project we were asked to add about 700 square meter shopping floor to this dominican church. Our first goal was to keep that first time historical feeling alive even with all those asked extra floor meters. So we wanted all the additions made to the church to be sober, in respect to the church, modest. Therefore the 3 added floors are placed in the side wing of the church between the original pillars, outside the central ship. The construction of these floors isn't connected to the church, so therefore in the future the build in floors could be removed without demolishing the building.

 © Hans Westerink

汉斯·韦斯特林克

保持中心轴自由，你仍然能感觉到教堂的大小。在轴的两侧都有主要的捕眼器-带有器官和现代彩色玻璃窗(由挪威艺术家Kjell Nupen设计)将刺激顾客俯瞰Broerenkerk的整个长度。我们使用的材料都是非常纯净和清醒的。我们只使用3种颜色的木材和白色的粉刷工作。因此，商店的主色调将来自教堂的暖色，当然也来自书籍和其他产品的颜色。

With keeping the central axis free you still can feel the size of the church. Having main eye-catchers on both sides of the axis -with the organ and a modern stained glass window (designed by Norwegian artist Kjell Nupen) will stimulate customers to overlook the entire length of the Broerenkerk. The materials we used for our additions are all very pure and sober. We only used wood in 3 colours and white painted plastering work. So the main colour palet in the store will come from the warm tints of the church and off course the colours of the books and other products.

 ©  Joop van Putten

.Joop van Putten

另一方面，该商店的主要目标是销售产品。因此，我们的主要设计目标必须是创造一个最优的商店概念，有逻辑的路线和有吸引力的产品展示。在多级商店中，最重要的事情之一是让顾客在你的顶层。一旦你有你的客户在那里，他们将不得不回去，随着下降，他们将通过你的所有楼层，并看到所有的产品，你正在销售。考虑到这一点，我们创造了一个吸引人的中央楼梯。在这些楼梯上，你一次只上升半层，爬上楼梯，你就绕着一个11米长的书架走来走去。所以你并不是真的想爬楼梯，这更像是一种在翻修后的教堂拱门下直接结束的体验。书柜是主要建筑的一部分。

On the other hand the main goal of the shop off course is selling products. So our main designing goal had to be creating an optimal store concept, with logical routings and attractive product presentation. In a multilevel store one of the most important things is to get customers on your top floor. Once you have your customers there they will have to get back down and with going down they will have to pass all of your floors and see all of the products you're selling. With this in mind we created an attractive central staircase. On these stairs you rise only half a level a time and by climbing the stairs you walk around an 11m bookcase. So you don't really feel like climbing a stair, it's more an experience that ends straight under the renovated church arches. The bookcases are part of the main construction.

 © Hans Westerink

汉斯·韦斯特林克

我们这个项目的客户，瓦兰德先生，在我们的第一次谈话中告诉我们，一位名叫DOM Hans van der Laan的荷兰建筑师。这位建筑师是个和尚，为几个寺院做了设计。这些设计中的家具通常是用木头做的，而且总是非常清醒和细致。对于教堂里的家具，我们在他的作品中找到了灵感，我们试图将他的设计方式转化为适合零售目标的设计。

Our client in this project, mister Waanders, told us in our first conversation about a Dutch architect called Dom Hans van der Laan. This architect was a monk and made designs for several monasteries. The furniture in these designs is often made of wood and always very sober and well detailed. For the furniture here in the church we found inspiration in his work and we tried to translate his way of designing to designs well fitted for retail objectives.

 Second Floor Plan

二层平面图