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 © Peter Clarke

彼得·克拉克

架构师提供的文本描述。它启发了一个专门的粉丝网站，一代又一代的化装服装和无数YouTube致敬视频，现在是一座建筑。没错，埃伦贝格·弗雷泽(Elenberg Fraser)在圣基尔达巴克利街(Barkly Street，St Kilda)新建的四层住宅项目露娜，是以莱娅公主臭名昭著的“舞女”金色比基尼为基础的，“星球大战”第六集：绝地归来。露娜的曲线形状与莱娅通常穿的白色长袍的悬垂线条相呼应，而闪闪发光的金制玻璃和金属网材质则与金色胸罩的颜色和质地完美匹配。

Text description provided by the architects. It has inspired a dedicated fan web-site, generations of fancy-dress costumes and countless YouTube tribute videos, and now a building. That’s right, Luna, Elenberg Fraser’s new four storey residential project on Barkly Street, St Kilda, is based on Princess Leia’s infamous ‘dancing girl’ gold bikini, featured in Star Wars, Episode VI: Return of the Jedi. While Luna’s curvaceous form echoes thedraping lines of Leia’s usual white robes, the shimmering gold glass and metal mesh materials are matched perfectly with the colours and textures of the gold brassiere.

 © Peter Clarke

彼得·克拉克

卡勒姆说，“建筑的科学就是感知科学”。金属皮肤看上去几乎是无形的，徘徊在现实与幻想之间-这是对内在与外在自我之间的张力的一种评论。我们暴露了多少我们自己：什么是内向的，什么是外向的？

Callum says that “the science of the building is the science of perception”. The metallic skin seems almost intangible, hovering between reality and fantasy – a comment on the tension between the interior and exterior self. How much of ourselves do we reveal; what is introverted and what is extraverted?

 © Peter Clarke

彼得·克拉克

这个古怪的场景给了观众们对他们尖锐的问题的答案：莱娅在她的长袍下隐藏着什么？露娜是解决公寓生活中一直存在的难题的答案-你如何保持隐私，保持你的灯亮，并且仍然享受这片风景？和莱娅一样，她克服了被奴役的愤慨和屈辱，成为赫特人贾巴的舞女，凭借内心的力量-露娜不仅仅是一张漂亮的脸。

The kinky scene gave audiences the answer to their poignant question: what is Leia hiding under her robes? Luna was the answer to the ongoing conundrum of apartment life – how do you retain privacy, keep your lights on and still enjoy the view? And like Leia, who overcame the indignation and humiliation of being enslaved as Jabba the Hutt’s dancing girl through her inner strength – Luna is not just a pretty face.

为了解决隐私、光线和能见度的问题，我们设计了一个可操作的百叶窗系统，它围绕着整个建筑，保护内部，并安装一系列的灯光，让居民不仅可以看到什么，而且可以看到什么。打开里面的灯，把公寓的内部反射到窗户上，外面的人就可以看到了，然而，保持外面的灯在室内照明，使窗户变成透明的，外面的人被玻璃上的光线反射而无法看见。

To address privacy, light and visibility issues, we designed an operable shutter system, which surrounds the entire building, protecting the interior and housing a series of lights, which offer residents ultimate control over not only what they see, but what others can see of them! Switching the inside lights on reflects the interior of the apartment onto the windows, and people outside can see in, however leaving the outside lights on illuminates the interior, turning the windows transparent, and people outside are prevented from seeing in by the reflection of the lights on the glass.

 © Peter Clarke

彼得·克拉克

不管你是亲窥癖还是反色情狂，在露娜，你可以放心，人们只会看到你让他们做什么！

Whether you’re pro-voyeurism or antiexhibitionism, at Luna, you can rest assured that people will only be able to see what you let them!

 © Peter Clarke

彼得·克拉克

除了曲线美的造型、革命性的照明系统以及肉身和青铜门面，露娜也是埃伦贝格·弗雷泽(Elenberg Fraser)完成的首个多住宅公寓寻路和路标项目。一个红色的西斯·莱瑟(Sith Lightsaber)站着守卫，就像露娜前门的哨兵一样，红灯直射到零售商场，指引你到上面的公寓。大厅和整个底层都使用了白光LED灯板；我们创建了一个点-破折号系统来识别这些公寓。

Besides the curvy form, revolutionary lighting system and flesh and bronze façade, Luna is also Elenberg Fraser’s first completed wayfinding and signage project for multi-residential apartments. A red Sith Lightsaber stands guard like a sentinel at Luna’s front entrance, and the red light carries through to the retail arcade directing you to the apartments above. White LED light battens are used in the lobby and throughout the ground floor; we created a dot-dash numbering system to identify the apartments.

 Floor Plan

Architects Elenberg Fraser

Location 173/177 Barkly St, St Kilda VIC 3182, Australia

Category Apartments

Council Port Phillip cit y coun cil

Area 7000.0 m2

Photographs Peter Clarke

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