Warsaw Villa Kulczyński Architect + PL09

2013-09-02 01:00
架构师提供的文本描述。华沙别墅区之一的住宅是为客户追求与自然的统一而设计的。它本应成为客户的城市避难所,也是他们最亲近的家庭的聚集地。这些客户-马里奥拉和托马兹-都是活跃的、以职业为导向的商人。他们需要为自己、12岁的女儿和他们的两个成年儿子和他们的家人提供庇护,他们将是常客。所需的功能包括:配有健身室和水疗中心的娱乐单元、带有高级家庭影院的家庭影院、举办私人钢琴演奏会的地方和一个图书馆,并为他们的艺术收藏提供展览空间。客户的特殊要求是住宅的设计要符合风水理念。
Text description provided by the architects. The residence in one of Warsaw’s Villa districts was conceived out of clients’ pursuit of unity with nature. It was supposed to become an urban refuge for the clients as well as a gathering place for their closest family. The clients - Mariola and Tomasz - are active, career-oriented businessmen. They needed an asylum for themselves, their twelve-year-old daughter and their two adult sons with their families, who would be frequent visitors of the residence. The required functionalities included: recreational unit with fitness-room and spa, home theatre with advanced home cinema, a place to throw private piano recitals and a library combined with an exhibition space for their art collection. The clients’ extraordinary requirement was for the residence to be designed in accordance with feng-shui philosophy.
 © Jan Karol Gołębiewski
c.Jan Karol GołęBiewski
住宅所在的地块,是从主干道上凹下来的,绿色植物十分茂盛,其中一个角落有一个池塘。根据风水“图,房子的所有功能都要分布在地块的几何中心周围,与每个住户成员特定的风水参数相一致。此外,根据这些原则,地块的具体部分将被排除在开发之外,这直接影响到建筑物的形状。作为一种效果,房子的计划就像染色体一样,在西方和东方有两个清晰的功能流。这些流动渗透到建筑物的中心部分,形成了一个中央大厅,使人们可以很容易地进入房子的所有功能,分布在两层之间。这种配置将循环面积减少到必要的最小。
The plot on which the residence was to be situated, was recessed from the main road, rich in exquisite greenery, and with a pond in one of its corners. According to feng-shui “bagua” diagram, all the functions of the house were to be distributed around the geometric centre of the plot, in line with certain feng-shui parameters specific for each of the household members. Furthermore, according to these principles, specific parts of the plot were to be excluded from the development, which had a direct impact on the shape of the building. As an effect, the plan of the house resembled a chromosome with two clear functional flows on the West and the East. These flows permeate each other in the central part of the building creating a central hall, which allows for an easy access to all of the house’s functions, distributed between two floors. This configuration reduces circulation area to the necessary minimum.
 © Jan Karol Gołębiewski
c.Jan Karol GołęBiewski
一个X形的,零碎的平面把地块划分成四个庭院状的部分,不同的功能和空间布局。房子的翅膀被塑造,以适应功能,以及保护现有的绿色植物。结果,树木离立面非常近,加上屋顶到天花板、全景窗和特殊的形式布置,营造了内部和外部之间流畅过渡的印象,并模糊了它们之间的界限。房子最大的房间,起居室和娱乐区都在两边开放,在主入口庭院-池塘区和后面的庭院-之间创造了视觉联系。他们的空间延伸到相邻的梯田。
An X-shaped, fragmented plan divides the plot area into four courtyard-like parts of different functions and spatial arrangements. The wings of the house are shaped to fit the functions as well as preserve the existing greenery. As a result the trees were left growing very close to the facades which in combination with roof-to-ceiling, panoramic windows and a specific special arrangement of forms creates an impression of fluent transitions between interiors and an exterior and blurs the borders between them. The largest rooms of the house, the living room and the entertainment area are opening on two sides creating a visual link between the main entrance courtyard the pond area and the back courtyard. Their space is extended to the adjacent terraces.
 © Jan Karol Gołębiewski
c.Jan Karol GołęBiewski
该建筑的中心部分及其在平面图中的优越作用是通过光滑的墙线、弯曲的玻璃墙、垂直隔板的增厚节奏和由大厅部分的切向屋顶坡度混合而形成的双曲屋顶表面来实现的。这种传统屋顶的变化,允许突出建筑物的几何和功能中心,同时满足地方规划条例中规定的35-45°坡度山墙屋顶的要求。为了克服支撑墙之间的大跨度以及屋顶的复杂几何形状所带来的困难,采用了一套独特的、曲线的、层压板的木桁架来覆盖房屋的中心部分。
The central part of the building and its superior role in the plan is emphasized on the elevations by means of smooth wall lines, bent glass walls, a thickened rhythm of vertical divisions and a double curved roof surface resultant from the blend of tangent roof slopes over the hall part. This variation of the traditional roof, allowed to highlight the geometrical and functional heart of the building at the same time fulfilling the restrictions included in the local planning regulations which imposed the requirement of a gable roof with 35-45° slopes. In order to overcome the difficulties deriving from the large span between the supporting walls as well as the complex geometry of the roof, a set of 24 unique, curvilinear, laminated wood trusses were used to cover the central part of the house.
 First Floor Plan
一层平面图
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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