架构师提供的文本描述。业主想要外面的空白墙。接着谈话继续到固定的屏幕上。中央庭院照明和空气。这些都为他们总结了一个理想家园的有形方面，一个与世隔绝的保护性圈地。

Text description provided by the architects. The owner wanted external blank walls. Then talk continued to fixed screens. Centre courtyard for light and air. These summed up for them, the tangible facets of an ideal home, a protective enclosure of solitude.

 © Albert Lim

林俊仁

在一种社会文化中，内向有一种消极的内涵，因为社交和外向是最重要的。但是，对某些人来说，退却对那些靠自我反省和沉思而茁壮成长的人来说是充满活力的；生活是在内在找到的。

Introversion has a negative connotation in a culture where being social and outgoing are prized above all else. But what is withdrawal to some is energizing for those who thrive on self-reflection and contemplation; life is found within.

 © Albert Lim

林俊仁

这种坚韧和力量在视觉上得到了体现，那棵百年老佛兰木就在里面，集中在一个被水包围的长满草的大庭院里。这棵树被从荷兰公路上拯救出来，准备进行新的开发，因此获得了新的生机。

That fortitude and strength is visually given expression by a hundred year old frangipani tree literally found within, centred in a large grassed courtyard surrounded with water.  The tree was given a new lease of life having been rescued from a Holland Road site slated for new development.

 © Albert Lim

林俊仁

对所有者来说是真的“要求，大部分地区的立面都完全封闭，而在其他地区则用固定的木材筛选来掩盖。”意图将结果内化在三个侧面的建筑立面的纯度上；没有庭院、开口、房屋的背面，而是有节奏的木材屏幕和聚亚瑟斯的郁郁葱葱的墙之间的一条小石路。视觉上，美学不仅排除了身体上和心理上的排斥，而且沿着第一层外围的木材屏幕允许微风梳理，刷新隐蔽的走廊和生活空间。中央法院鼓励这样做，既起到了光的作用，又起到了很好的作用。随着环境的变化，微风的变化，房屋呼吸。只有在第二层主卧室和法院之间才能打开木材屏幕的唯一区域。马达默默地把屏幕折叠起来，把球场与卧室连接起来。

True to the owners’ requirements, the facade is entirely sealed off in most areas, and veiled by fixed timber screening in others. The purity of intention to internalise results in a purity of architectural elevation on three sides; there is no yard, opening, back of house, but a pebbled path between a rhythmic timber screen and a lush wall of polyalthias. Visually, the aesthetics exclude both physically and psychologically, but the timber screens along the periphery of the 1st storey allow breezes to comb through, refreshing the sheltered corridors and living spaces. The central court encourages this, acting as both a light and air well. Throughout the day as the environment changes, the breezes shift, the house breathes. The only area where the timber screens can be opened is between the second storey master bedroom and the court. Motors silently fold the screens away, linking the court to the bedroom.

 © Albert Lim

林俊仁

中央空气和光线井是通过一天的经验和享受房子的关键，因为光转移，不同的墙壁，通道，字面上可以看到不同的光线，或阴影。百年纪念树醒来，晒太阳，休息；周围的空间分享这种体验。审美交集的加剧，或许是因为没有外界的干扰；即使是外部的世界，也是因为天空是由宫廷构成的，构成了空间构成的一部分。天空的元素减少，围绕在下面的草岛周围的水，所有的轴中心都是由匍匐的树为主人展示生活可以和应该是什么；重新专注于最基本的，是纯净的，简单的，和被庆祝的。

The central air and light well is key to the experience and enjoyment of the house through the day as the light shifts, different walls, passages, are literally seen in a different light, or shade or shadow. The centennial tree awakes, basks, and rests; and the surrounding spaces share that experience. The aesthetic encounter is intensified perhaps because there are no distractions from the world outside; Even the world outside is acquired as the sky above is framed by the court and forms part of the spatial composition. The elemental reduction of sky above, water surrounding an island of grass below, all axially centred by the stolid tree distils for the owners what life can and should be; a re-focus on the basics being pure, simple, and celebrated.

 First Floor Plan

一层平面图