架构师提供的文本描述。这所房子位于一个小的封闭社区内。在这种情况下，远离城市动态，我们感到有必要质疑房子与周围环境的关系。我们的回答非常受上下文和客户愿望的影响，它是创造一种架构，探索其大众的视觉沉重，是内向的，更封闭的街道和开放现有的后院。我们没有城市生活发生在街道的正前方，所以我们觉得我们不需要通过透明度或大开口直接与街道沟通。

Text description provided by the architects. This house is located inside a small gated community. In this context, taken away from the city and far from its urban dynamics we felt the necessity to question the way in which the house would relate to its surroundings. Our answer was very influenced by the context and by the client´s desire and it was to  create an architecture that explores the visual heaviness of its masses and is introverted, more closed towards the street and open to the existing backyard. We didn´t have an urban life happening in the street right in front, so we felt we didn´t need to communicate the house with the street directly through transparency or big openings. 

 © Haruo Mikami

c.HaruoMikami

我们所做的工作是通过传统的窗户，把房子和街道之间通常的通讯方式换成通过建筑物的体积形成的窗户。因此，我们在房子和公共空间之间的界面上转换了房子的凹进体积之间的空间。除了后面的花园外，没有大的开口，我们决定通过将它们与程序的不同功能联系起来，使房子的体积组成充满生气。卧室里有一系列面向早晨阳光的空间。它们是线性分组的，因此它反映了家庭生活的结合。

The operation we did was to replace the usual communication of the house with the street through traditional windows with one that is made through the volumes that form the building. Therefore we transformed the spaces created between the recessed volumes of the house in the interface between the house and the public space. Without big openings besides the ones towards the back garden we decided to animate the composition of the house volumes by associating them to the different functions of the program. The bedrooms are contained in a sequence of spaces facing the morning sun. They are linearly grouped so it would reflect the union of the family life. 

 Floor Plan

大开口和滑动玻璃门面对着房子后面现有的森林。在内部，卧室、客厅和服务之间没有门。这些地区之间的过渡是通过内部冬季花园的自然光暗示的。两个奇异的元素站在构图的顶端。它们是三角形的开口，向天空打开起居室，作为雕塑和艺术的空间。从街道上看，他们是房子的窗户。在晚上，他们被点燃，并暗示发生在里面的生活。白天，它们以没有内容的形式出现，反射天空。

Big openings and sliding glass doors face the existing forest behind the house. Internally there is no doors between the bedrooms, living room and services. The transition between these areas is insinuated through the natural light from internal winter gardens. Two singular elements stand aside at the top of the composition. They are triangular openings that open the living room to the sky, serving as spaces for sculptures and art. Seen from the street they are the windows of the house. At night they are lit up and insinuate the life happening inside. During the day they appear as forms with no content, reflecting the sky.