Courtesy of Knowspace

知识空间

架构师提供的文本描述。两位著名的中国画家决定搬到北京郊区去艺术家宋庄村，以便在宁静的乡村和许多艺术家的邻里生活和工作。演播室的设计与中国传统的院落式不同-与其说是它的表现或建筑原则，不如说是它的空间表现方面，即遮蔽(结构和外形内的屏蔽室外空间)，内向(所有的开口都向内，而不是向街道敞开)，。隐私程度(通过庭院的继承来分级隐私)，方向(主要居住空间与南方向)。这些被研究并转化成一个架构原型，它协调了3种不同的并置：内部和外部，工作和生活，个人和集体。

Text description provided by the architects. Two renowned Chinese painters decide to move to the outskirts of Beijing to the artist village Songzhuang in order to live and work in the quiet countryside and in the neighborhood of many fellow artists. The design for the studio houses departs from the traditional Chinese Courtyard House Type – not so much in terms of its representation or construction principles, but more in terms of aspects of its spatial performance, namely shelter (shielded outdoor space within the structure and figure), introversion (all openings open towards the inside, not towards the street), degrees of privacy (gradated levels of privacy through the succession of courtyards), orientation (main living spaces with south orientation). These are examined and translated into an architectural Prototype that reconciled 3 different juxtapositions: the inside and the outside, the working and the living, the individual and the collective.

 Courtesy of Knowspace

知识空间

建筑物的适应性图形及其特定的空间配置创造了不同的庭院/室外空间。围墙的外部遮挡了建筑的外部世界，而内部的空间则打开了庭院。该设计任务的特点是两个不同的程序，即工作和生活，通过原型执行的程序分配将这两个不同的程序清晰地分开，使两者之间的复杂关系在庭院空间中得以实现。后者提供了在时间和空间上相互联系和分离的选择。由于一个给定的情节必须适应两个不同业主的需要，个体表达与集体共享空间体验的共存问题对设计起着决定性的作用。适应性原型的操作形象一方面迎合了隐私和个性的并置，另一方面通过提供从私人到共享和公共的不同户外空间的等级，提供了集体性和公共性。

The adaptive figures of the buildings and their specific spatial configurations create differentiated courtyards/ outdoor spaces. The walled exterior shields the building from the outside world, while on the interior the spaces open up into the courtyards. The design task is characterized by 2 different programs, namely working and living, that are reconciled in one plot by means of The programmatic distribution executed by the prototype clearly separates these 2 different programs, yet it allows for complex relationships between both to happen through the courtyard spaces. The latter provide the choice of mutual linkage and separation both in temporal as well as spatial terms. As the one given plot has to accommodate the needs of 2 different owners, the question of coexistence between the individual expression and the collective shared spatial experience play a decisive role for the design. The operative figure of the adaptive prototype caters to this juxtaposition of privacy and individuality on the one hand, and collectivity and publicity on the other, by providing a gradation of differentiated outdoor spaces, that range from private to shared and public ones.

 Ground Floor Plan