© Tim Hursley

蒂姆·赫斯利

架构师提供的文本描述。路易斯安那州立博物馆和体育名人堂位于历史悠久的路易斯安那州纳奇托奇，合并了两个截然不同的藏品，这两个藏品以前都住在一个大学体育馆和一个19世纪的法院，这提高了两个人的游客体验。设置在路易斯安那州购买在峡谷湖河岸的最古老的定居点，设计中介体育与历史之间的对话，过去和未来，容器和包含。

Text description provided by the architects. The Louisiana State Museum and Sports Hall of Fame in historic Natchitoches, Louisiana merges two contrasting collections formerly housed in a university coliseum and a nineteenth century courthouse, elevating the visitor experience for both. Set in the oldest settlement in the Louisiana Purchase on the banks of the Cane River Lake, the design mediates the dialogue between sports and history, past and future, container and contained.

 First Floor Plan

一层平面图

我们的探索集中在三个问题上。我们的设计如何探索客户简介同时展示体育和历史？它对历史建筑结构有何反应？它如何与上下文建立连接？

Our exploration focuses on three questions. How does our design explore the client brief to exhibit sports and history simultaneously? How does it respond to the historic building fabric? How does it make a connection to context?

我们的决议是，首先，把体育理解为文化历史的一个组成部分，而不是一个独立的主题。虽然体育和地区历史可能吸引不同的观众，但展览和配置探索两者之间的相互联系。空间在视觉和物理上流动在一起，被配置为适应最先进的展览，教育和支持功能.然而，参观者可以单独或同时体验这两种叙事。

Our resolution is, first, to interpret athletics as a component of cultural history rather than as independent themes. While sports and regional history may appeal to different audiences, the exhibits and configuration explore interconnections between the two. The spaces flow visually and physically together, configured to accommodate state-of-the-art exhibits, education and support functions. Visitors however can experience both narratives either separately or simultaneously.

第二，历史上的仿制品被放在一边，以支持一种针对网站的设计语言。内部组织是现有城市蜿蜒循环的延伸，而设计则是历史商业核心和相邻居住区的规模和特征的中介。“简单”的外表，覆盖着褶皱的铜板，暗指附近种植园的百叶窗和隔板，与内部弯曲的内部形成对比和补充。百叶窗的皮肤控制光线，视图和通风，动画的正面，并采用以前通过建筑装饰的表面清晰度。流动的内部出现在入口处，吸引游客离开步行旅游和进入令人印象深刻的展览空间内。

Second, historical pastiche is set aside in favor of a design language in response to the site. The internal organization is an extension of the existing meandering urban circulation, while the design mediates the scale and character of the historic commercial core and adjacent residential neighborhood. The "simple" exterior, clad with pleated copper panels, alluding to the shutters and clapboards of nearby plantations, contrasts with and complements the curvaceous interior within. The louvered skin controls light, views and ventilation, animates the facade, and employs surface articulation previously achieved by architectural ornamentation. The flowing interior emerges at the entrance, enticing visitors to leave the walking tour and into the evocative exhibit spaces within.

 © Tim Hursley

蒂姆·赫斯利

第三，设计反映了河流地貌激发了动态内部形态的古代河流的雕刻。动态门厅由1100颗铸石面板雕刻而成，可无缝集成所有系统，并从上方对自然光进行清洗。凉爽的白色石头参考了17世纪沉积物所利用的历史马毛发、地球和西班牙苔藓，流动的表面进入画廊，用作薄膜和显示器的"屏幕"。在上层的顶点，路径到达了一个阳台，俯瞰着城市广场，被铜百叶窗遮挡，并将内部连接到公共领域。

Third the design reflects the carving of the ancient river whose fluvial geomorphology inspired the dynamic interior form. The dynamic foyer is sculpted out of 1,100 cast stone panels, seamlessly integrating all systems and washed with natural light from above. The cool white stone references bousillage, the historic horse hair, earth and Spanish moss utilized by 17th Century settlers.The flowing surfaces reach into the galleries, serving as "screens" for film and display. At the climax of the upper level, the path arrives at a veranda overlooking the city square, sheltered by copper louvers, further connecting the interior to the public realm.

 © Tim Hursley

蒂姆·赫斯利

 © Tim Hursley

蒂姆·赫斯利

Architects Trahan Architects

Location 500 Front St, Natchitoches, LA 71457, USA

Category Museum

President / Design Principal Victor F. “Trey” Trahan, III FAIA

Project Architect Brad McWhirter AIA

Design Team Ed Gaskin AIA, Mark Hash, Michael McCune AIA

Project Team Sean David, Blake Fisher, Erik Herrmann, David Merlin, Benjamin Rath, Judson Terry

Area 28000.0 m2

Project Year 2013

Photographs Tim Hursley

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