架构师提供的文本描述。该项目位于安徽省，位于中国五大神山之一。为了确定这座建筑与周围自然之间的新关系，该项目以典型的中国画为灵感。在这类绘画中，建筑与自然不是两个分离的系统，它们是一个完整的整体，建筑不是构图的主要焦点。它在某种程度上再现了自然形态，遵循了景观的一般运动，在这种特定的情况下，我们发展了这种消失的哲学。策略是把建筑物视为现有地形的延续，以减低他对土地的影响。建筑物是弯曲的，遵循自然的运动，并定义为一组不同的面孔，使其大小最小化。

Text description provided by the architects. The project is located in Anhui province, in one of the 5 sacred Taoist mountain of China. To define the new relation between this building and the surrounding nature, the project has been inspired by the typical Chinese painting. In this kind of painting, the building and the nature are not 2 separated system stick together, they are represented as an integrated whole where the architecture is not the main focusing point of the composition. It reproduces in a way the natural form and follows the general movement of the landscape. For this specific situation we develop this philosophy of vanishing. The strategy is to consider the building as the continuity of the existing topography so as to reduce his impact on the land. The building is bended by following the natural movement and defines as set of different faces that minimizes its size.