架构师提供的文本描述。迪伦东部城镇公墓承担了公园的角色。在此之前，没有任何地方可供前往墓地的游客栖身，也没有举行大型或小型葬礼的地方。新的公墓和咖啡厅是一个空间，人们可以在那里见面，当事情是不寻常的。他们可以一起悲伤，交换记忆，寻求庇护，他们将在一个多方面的天花板景观下找到它们。

Text description provided by the architects. Site and Commission The town cemetery in the Eastern part of Düren has taken on the role of a public park. Before, there was nowhere for visitors to the cemetery to shelter nor for large or small funeral ceremonies to take place. The new cemetery and café pavilion is a space where people can encounter each other when things are out of the ordinary. They can grieve together, exchange memories and look for refuge, which they will find under a multifaceted ceiling landscape.

 © Brigida Gonzalez

c Brigida Gonzalez

多样性在统一
展馆的建筑展开了一个中立的，不起眼的，方形的地面计划。为了容纳展馆的服务设施，已经插入了三个封闭的空间；它们构造了空间，并将地面规划划分为三个区域，而又不把它们彼此隔开。这三个区域都能接待游客，每个区域都有典型的屋顶形状和不同的房间高度，它们结合在一起形成了一个大空间。酒桶拱顶、单螺距屋顶和游客区的帐篷屋顶共同构成了一个多方面、连续的天花板景观，为游客提供避难所，并将游客区连接起来形成一个流动的统一空间；它还为周围的公园提供了丰富多样的景观。这些屋顶形状所创造的景观轮廓可以在立面上阅读，它将建筑物的各个外部高度连接在一起。

Diversity in Unity
The architecture of the pavilion unfolds out of a neutral, nondescript, square ground plan. Three closed volumes have been inserted to accommodate the service facilities of the pavilion; they structure the space and divide the ground plan into three areas, without blocking them off from one another. Each of the three areas, which all receive visitors, is characterised by archetypical roof shapes and varying room heights, combining to form one large space. The barrel vault, the mono-pitch roof and the tented roof of the visitor areas together form a manifold, continuous ceiling landscape, which offers refuge and connects the visitor areas to form a flowing unified space; it also provides richly diverse views into the surrounding park. The landscape profile created by these roof shapes can be read on the façade; it connects the individual exterior elevations of the building with one another.

结构和材质
的简单材料应用，给这个展馆的清晰度和独特性。阿尔卑斯山的白云石被洒在钢筋混凝土楼板上，当它被浇灌时，使展馆的地板在被砂磨后产生了一种活泼的、水磨石般的感觉。预先制作的木材元素形成墙壁和天花板景观，给内部空间一个统一的，整体的外观。巨大的屋顶体积，包括展馆和容纳通风管道，已经形成了一个木材框架。屋顶的外墙是由Kerto面板形成的，这些面板还带有大尺寸的玻璃窗格；这些玻璃具有高度的反光，可以给哀悼者提供必要的亲密关系。白天，展馆与周围的绿色植物交织在一起，透过玻璃外墙的倒影而延伸。这种效果在夜间被逆转，当外墙变得透明，内部空间主宰着建筑物的外观。

Structure and Materiality
The simple materials applied, give this pavilion clarity and uniqueness. Dolomite stone from the Alps was sprinkled into the reinforced concrete floor slab while it was being poured to give the floor of the pavilion a lively, terrazzo-like feeling after it was sanded. Pre-produced timber elements form the walls and the ceiling landscape, giving the interior spaces a homogenous, monolithic appearance. The large roof volume, which covers the pavilion and accommodates the ventilation pipes, has been shaped using a timber framework. The façade of the roof is formed by Kerto panels, which also bear large- format panes of glass; these are highly reflective to give the mourners the necessary intimacy. During the day, the pavilion interlaces with the surrounding greenery, which is extended by its reflection in the glass façade. This effect is reversed at night when the façade becomes transparent and the interior space dominates the appearance of the building.

 © Brigida Gonzalez

c Brigida Gonzalez

展馆的色彩方案是以庄严的梧桐树的颜色为基础的，这是墓地公园的特征；这表现在银釉的木材表面、氧化的铝窗和绿色的玻璃上。

The colour scheme of the pavilion is based on the colour of the dignified plane trees, which characterise the cemetery park; this finds expression in silver-glazed timber surfaces, oxidised aluminium windows, and greenish-coloured glazing.

 © Brigida Gonzalez

c Brigida Gonzalez