Courtyard House in Peach Garden Takeru Shoji Architects

2013-09-24 01:00

 © Murai Isamu

(Murai Isamu)

架构师提供的文本描述。这是一个三口之家的私人住宅，建在日本新泻郊区一个非常独特的景观上。它位于桃园的拐角处，中间是一个历史悠久的农庄腹地，沿着中谷溪河，还有一条交通繁忙的公路，穿过整个新泻县。

Text description provided by the architects. This is a private residence for a family of three built on a very particular landscape in the suburban Niigata, Japan. It is on a corner of peach garden in between a historical hinterland of farm villages along the Nakanokuchi River and a heavy traffic highway passing through the whole Niigata prefecture in front.

 © Murai Isamu

(Murai Isamu)

背景形成强烈，但在某种程度上不那么尊重，并列与傲慢的广告牌和商店沿公路和微妙的环境的农场村，是由日本当地仓库，称为“库拉”和房子周围绿树成荫的篱笆。或者更敏感的搭配，缓慢的生活，桃树的季节性花果，高速汽车及其在公路上的声音，所有这些环境方面，往往被欣赏到彼此之间的距离，都是不连贯的位置。

The context forms strong, but in a way less respectful, juxtapositions with arrogant billboards and stores along the highway and delicate environment of the farm village, that is composed of Japanese vernacular warehouses called "Kura" and houses surrounded with greenery of the hedge. Or more sensitive juxtapositions with slow life together with seasonal flowers and fruits of the peach tree and high-speed cars and its sound on the highway. All these environmental aspects, that are often appreciated to take a distance from each other, are incoherently situated in

 © Murai Isamu

(Murai Isamu)

Yobitsugi作为一种设计方法，我们今天通过接受不连贯，仔细观察这些方面并对其做出精确的反应，来批判性地面对郊区景观的问题，因此设计过程自然地集中于编辑生活中与零散环境相关的所有部分的空间形态。这种设计方法与日本传统中我们所说的“Yobitsugi”非常相似，即从破碎的陶器碎片中重建茶肠，表达生动生活的美。

Yobitsugi as a design method We have been critically confronted an issue of the suburban landscape today by accepting the incoherency, carefully observing these aspects and precisely reacting to it, consequently design process was naturally focused on editing the spatial configuration of all part of life in relation to the fragmented environment. This design approach became extremely similar to what we call "Yobitsugi" in Japanese tradition, which is reconstitution of tea bowel from fragments of broken pottery and expresses the beauty of lively

 © Murai Isamu

(Murai Isamu)

庭院作为一种统一的工具，庭院类型学，尤其是在这里，是一种统一破碎环境的工具。在底层，三个主要空间独立容纳茶室、步入式壁橱和单独的房间，创建了一个与外界有适当距离和关系的庭院。

Courtyard as an apparatus for unification The courtyard typology particularly here works as an apparatus unifying the fragmented environment. On the ground floor, three main volumes independently accommodating tearoom, walk-in closet and individual room create a courtyard with appropriate distance and relation to the outside.

 © Murai Isamu

(Murai Isamu)

入口、通往茶室的通道、主卧室和书房空间规划在主三卷之间，并在一楼盖上了大量的空间。这些中间空间被认为是内环境还是外部环境，这是相当模棱两可的，然而，在大雪地区，它实际上使它们的生活在舒适中成为可能。

Entrance, passage to the tea room, master bedroom and study space are planned in between main three volumes and covered with a large volume put on the first floor. It is quite ambiguous that these intermediate spaces are conceived as whether inner or outer environment, nevertheless, it actually makes their life in comfort possible in the region of heavy snowfall.

庭院类型学和中间空间的模糊性使桃园中的生活与公路和桃园有着无缝的联系，但同时又与路边不良环境有一定的分离。

The courtyard typology and the ambiguity of intermediate spaces obtain life in the peach garden a seamless connection to the highway and to the peach garden, but at the same time certain separation from undesirable environment of the roadside.

 © Murai Isamu

(Murai Isamu)

作为通信的物质基础，外墙的重要性在这里尤为重要，因为它具有显著的社区意识，与当地社区和房屋之间的互动相吻合。外立面覆盖着碳化的日本雪松板，称为“雅基木”，在日本被广泛用作外部材料，特别是因为它具有高质量的防火和防腐性能。Yakisugi墙并不像我们乍一看会感觉到的那么随意。Yakisugi板按80 mm、105 mm、150 mm和210 mm四种宽度有规律、系统地排列，并固定在12 mm、24 mm和36 mm的板条上。

Yakisugi as a materiality for communication The materiality of exterior wall is particularly important here because it has a significant communal sense coincided with interaction between a local community and the house. The facade is covered with carbonized Japanese cedar boards called "Yakisugi", which used to be widely employed for the exterior material in Japan especially because of its high quality fireproof and preservation. Yakisugi wall is not so random as we might feel at first glance. Yakisugi boards are regularly and systematically arranged with four types in widths of 80mm, 105mm, 150mm and 210mm, and fixed with battens which also have three types in thickness of 12mm, 24mm and 36mm.

 © Murai Isamu

(Murai Isamu)

夜之木墙不均匀的纹理在白天创造了不断变化的阴影缝隙，在冬季，白色雪和黑色的山间形成了美丽的图案和鲜明的对比。如今，学生们正在从雅基木墙的差异中找到乐趣，并在往返于附近小学的路上，数一数巴托的数量。

Uneven texture of Yakisugi wall creates ever changing shadow gaps in the day time, and beautiful patterns and striking contrasts between white snow and black Yakisugi in winter. Today schoolchildren are finding pleasure in the difference of Yakisugi wall and counting the number of battens during commuting to elementary school nearby.

 © Murai Isamu

(Murai Isamu)

桃园之家旨在通过与环境的对话，成为一种可能的沟通、活动和最终的生活方式。生命的变异和重新发现中的生动活泼，是通过将不连贯的局部环境重组成一个空间整体，并像“yobitsugi”那样回归到环境中而产生的。

House in Peach Garden is aimed at being a possible form of communication, activity and eventually life through the dialogue with the environment. Liveliness in the mutation and rediscovery of life would be emerged from reconstituting incoherent local environment as a spatial ensemble, and returning it to the environment just like "Yobitsugi"