架构师提供的文本描述。该建筑计划包括一个纪念馆、一个文化中心、一个露天剧场和一个室外雕塑项目。该遗址对自然环境作出反应，并利用自然环境创造空间和视觉循环。武装部队纪念馆(Cenotaph)是广场的主要元素。一座金属结构覆盖着10英寸钢，里面镶嵌着白色大理石内饰，上面刻有与有组织犯罪作斗争的所有牺牲军人的名字。仙人掌座落在一面水镜上，向一个开放的生态位上升，在那里，瀑布将与圣塔的休息基地相接。

Text description provided by the architects. The architectural plan incorporates a Memorial, a cultural centre, an open air theatre and an outdoor sculpture project. The site responds to its natural surroundings and uses them to create both spatial and visual circulations. The Armed Forces Memorial (cenotaph) is the main element of the square. A metallic structure covered in COR-TEN steel bears white marble interiors, engraved with the names of all the military personnel who lost their lives fighting against the organized crime. The cenotaph settles on a mirror of water that elevates towards an open niche, where a waterfall will meet the cenotaph's resting base.

 © Fernando Cordero

费尔南多·科德罗

建设的另一个要素是武装部队文化中心。这座大楼的主要目的是通过多媒体装置传授和宣传武装部队的有机结构。这些设施还包括对武装部队历史和主要成就的总结，以及对其技术和军备的直观目录。

Another element of the construction is the Armed Forces Cultural Center. This building's main purpose is to teach and inform through multimedia installations the Armed Forces' organic structure. These installations also comprehend a summary of the Armed Forces' history and main achievements, as well as a visual catalogue of their technology and armament.

 © Fernando Cordero

费尔南多·科德罗

在同一区域内，还增加了一个互动设施，表达了已故军事人员与建筑和雕塑项目的设计原则之间的关系。露天剧场可容纳200人，从提高花园和广场的距骨中出现；它划定了坎波马尔特(武装部队的主要交汇点)的入口，并被战略性地建造在一个巨大的既有树木的树冠之下。

Within the same area, an additional interactive installation expresses the relationship between the late military personnel and the design principles of the architecture and sculptural projects. The open air theatre can accommodates 200 people and emerges from a talus that elevates both the garden and square; it delimits the entrance of Campo Marte (the armed forces main meeting point), and has been strategically built underneath a vast canopy of preexisting trees.

 © Fernando Cordero

费尔南多·科德罗

32块白色的大理石单石投射在花园里，散落在花园里.每一个单石形成不规则的固体，在重量和体积上都是等量的，其几何学是从空心石内部体积的细分中产生的。独角兽最初被设想为国家领土分散在广场的景观上，尊重我们国家的政治划分和分区。最后，他们代表着墨西哥的每一个省，在同一时期创作的当代诗歌片段被记录在纪念碑上，作者是相应联邦实体的土著人。

Thirty-two white marble monoliths were projected and scattered throughout the gardens. Each one of the monoliths form irregular solids that measure equally in weight and volume, whose geometry emerges from the subdivision of the cenotaph's internal volume. The monoliths were originally conceived as if the national territory was scattered across the square's landscape, respecting our nation's political division and zoning. Finally, standing in representation of each Mexican province, they bear a fragment of contemporary poetry created during the same period in which deaths were recorded on the Memorial; written by authors native to the corresponding federated entity.

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