架构师提供的文本描述。在一个每两个人中就有一个年龄在15至25岁之间的国家，很难找到一个包括所有人的项目，有太多的差异：地理、经济、社会和文化。但有两件事几乎涉及到所有人：创造力和互联网。TagDF是一项一年一度的活动，它充当了数千名年轻人与詹姆斯·卡梅隆(James Cameron)、埃诺(Brain Eno)、史蒂夫·沃兹尼亚克(Steve Wozniak)、莫比(Moby)、阿方索·夸隆(Alfonso Cuaron)、AntiVJ、IRule等人之间的桥梁，

Text description provided by the architects. In a country where one in two people are aged between 15 and 25 years old, it is difficult to find a project that includes everyone, there are too many differences: geographic, economic, social, and cultural. But there are two things that involve almost everyone: creativity and internet. TAG df is a annual event, that acts as a bridge between thousands of young people, and personalities like James Cameron, Brain Eno, Steve Wozniak, Moby, Alfonso Cuaron, AntiVJ, Iregular, amongst others who have shaped the thinking in technology and digital media.

 Courtesy of AT 103

AT 103提供

这是一个为期两天的活动，位于赛马场内，假装是一个自主和独立的空间，每天有6000多名游客，多项活动，如讲座、讲习班、音乐会、游戏比赛和艺术装置。

This is a two day event, located in the infield of a race track, that pretends to be an autonomous and independent space, with more than six thousand visitors per day and multiple activities such as: lectures, workshops, music concerts, gaming tournaments and art installation.

作为建筑师，我们的工作是制定一项特殊的战略，在节日的背景下，以及赞助商、快餐区、咖啡、服务、会议和车间领域，阐述这些数字作品。

Our job as architects was to generate a special strategy to articulate these digital pieces within the context of a festival, along with sponsors, fast food areas, coffee, services, conference and workshop areas.

 Absence of Echoes - Baillat Cardell & Fils - Iregular. Image © Jose Manuel Espinola

没有回声-Baillat Cardell

建筑可以是这些策略的创造者，走出它的舒适区，创造出新的体验和旅程，超越建筑师的经典作品，将其理解为短暂的空间，在那里，建筑体验更多地与效果的体验相结合，而不是特定空间的体验。

Architecture can be the generator of these strategies, going out of its comfort zone creating new experiences and journeys beyond the classic work of the architect, understanding these as ephemeral spaces, where architectural experience goes more with the experience of effects than the experience of specific spaces.

 Absence of Echoes - Baillat Cardell & Fils - Iregular. Image © Sarai Chazaro

没有回声-Baillat Cardell

在这个项目中使用的一些物品是传统帐篷、运输托盘、集装箱、砾石、光线和阴影。

Some items that were used in this project are traditional tents, transport pallets, containers, gravel, light and shadow.

数码片

DIGITAL PIECES

控制非常规控制

Control no Control by Iregular

 © Jose Manuel Espinola

乔斯·曼努埃尔·埃斯皮诺拉

交互式安装。一种视觉探索，通过触摸、探索、创造和破坏几何图形和声音，为人们提供多重控制。

Interactive installation. A visual exploration that gives people multiple controls by touching them, exploring, creating and destroying geometric shapes and sounds.

Baillat Cardell的无回声

Absence of Echoes by Baillat Cardell & Fils and Iregular 

 © Jose Manuel Espinola

乔斯·曼努埃尔·埃斯皮诺拉

为了通过技术进行交流，我们假设我们与一个真实的人交谈。这个交互式的安装邀请人们在隧道里说些什么，所有这些都是用LED面板建造的，同时还可以听别人几分钟前录制的声音。这种体验是一种通过图形视觉来反映运动和声音。

To communicate through technology, we assume that we spoke to a real person. This interactive installation invites people to say something inside a tunnel all build with LED panels and at the same time to listen to someone’s voice recorded minutes before. The experience is a reflection through graphic visualizations with movement and sounds.

Nerd光/Coolab激光隧道

Laser tunnel by Nerd Light / Cocolab

 Laser tunnel - Nerd Light - Cocolab. Image © Jose Manuel Espinola

激光隧道-奈德灯-科科拉布。图像(何塞·曼努埃尔·埃斯皮诺拉)

保罗·蒙蒂尔(Paolo Montiel)的灯光安装

Light installation by Paolo Montiel

Antivj的“空间Ana”

Space Ana by Antivj

概念与创造：Olivier Ratsi

Concept and Creation: Olivier Ratsi

音乐：Thomas Vaquié

Music: Thomas Vaquié

视觉内容：Simon Geilfus，Romain Tardy

Visual Content: Simon Geilfus, Romain Tardy

Management & Production: Nicolas Boritch

空间Ana是和正在进行的视听表演项目从奥利弗拉特西的WYSI*而不是*WYG(你看到的是你得到的)项目。

Space Ana is and ongoing project of audiovisual performances drawn from Oliver Ratsi’s WYSI*not*WYG (what you see is what you get) project. 

从宏观的角度在建筑物上进行投影和现场表演，空间Ana的表演提出了另一种通过一组同步的视觉变化来看待建筑的方法。这个想法是为观众提供一个新的体验领域，一种考虑时间和空间的不同方式。

Projected and staged in situ on buildings on a macroscopic scale, Space Ana performances suggest another way to look at architecture through a set of synchronized visual alterations. The idea is to provide the audience with a new field of experience, a different way of considering time and space. 

声音通感-伊兰·斯塔尔波斯基的数字创作实验室

Sound Synesthesia – Ilan Staropolsky by Digital Creation Labs

 Sinestesia del sonido - Ilan Staropolsky por Digital Creation Labs. Image © Zony Maya

Sinestesia del sonido-Ilan Staropolsky por数字创造实验室。图像(Zony Maya)

旨在探索给音乐赋予实质性的可能性的提议，这样你就可以看到并感知从音乐中发出的形式。将声音美学与视觉美学联系在节奏和谐之中。

Proposal that seeks to explore the possibility of giving materiality to music, so you can look and perceive forms emanating from it. Also connects the sound aesthetic with visual aesthetics within rhythm and harmony.