© Philippe Ruault

菲利普·鲁奥

股票市场的本质是投机：它是基于资本，而不是物质。深圳证券交易所被认为是虚拟股票市场的实体：它是一座有浮动基础的建筑，代表着股票市场-而不仅仅是实体上的容纳。通常情况下，建筑物的底座锚定一个结构，并将其着重连接到地面。在深圳证券交易所(深圳证交所)，基地似乎被推动市场的投机情绪所提，却悄悄爬上塔楼，成为一个高台，无视几千年来一直延续至今的现代建筑惯例：一座坚实的建筑矗立在坚实的基础上。

The essence of the stock market is speculation: it is based on capital, not material. The Shenzhen Stock Exchange is conceived as a physical materialization of the virtual stock market: it is a building with a floating base, representing the stock market – more than physically accommodating it. Typically, the base of a building anchors a structure and connects it emphatically to the ground. In the case of Shenzhen Stock Exchange, the base, as if lifted by the same speculative euphoria that drives the market, has crept up the tower to become a raised podium, defying an architectural convention that has survived millennia into modernity: a solid building standing on a solid base.

SZSE的高台是一个三层的悬挑平台，浮在地面上36米，是最大的写字楼板块之一，每层15，000平方米的面积和一个无障碍的景观屋顶。该平台包括所有的证券交易所功能，包括上市大厅和所有证券交易所部门。上升的领奖台大大增加了上证综指在其高位的敞口。当夜晚闪耀时，它“播放”了香港金融市场的虚拟活动，而它的悬臂部分则是深圳的景色和框架。高台也解放了地面，为通常安全的私人建筑创造了广阔的公共空间。

SZSE’s raised podium is a three-storey cantilevered platform floating 36m above the ground, one of the largest office floor plates, with an area of 15,000 m2 per floor and an accessible landscaped roof. The raised podium contains all the Stock Exchange functions, including the listing hall and all stock exchange departments. The raised podium vastly increases SZSE’s exposure in its elevated position. When glowing at night, it “broadcasts” the virtual activities of the city’s financial market, while its cantilevers crop and frame views of Shenzhen. The raised podium also liberates the ground level and creates a generous public space for what could have been what is typically a secure, private building.

 Lifted Podium Diagram

升降平台图

高耸的平台和塔是一体的结构，塔和中庭柱提供垂直和横向支持的悬臂结构。凸起的平台由一个坚固的三维全深度钢转换桁架组成.

The raised podium and the tower are combined as one structure, with the tower and atrium columns providing vertical and lateral support for the cantilevering structure. The raised podium is framed by a robust three-dimensional array of full-depth steel transfer trusses.

 © Philippe Ruault

菲利普·鲁奥

这座塔的两旁有两个中庭空隙，它们直接将地面与建筑物内的公共空间连接起来。SZSE员工从东方进入，租户从西方进入。SZSE的行政办公室就在凸起的讲台上，使得最上层的楼层可以作为租赁办公室和餐饮俱乐部出租。

The tower is flanked by two atria – voids that connect the ground directly with the public spaces inside the building. SZSE staff enter from the East and tenants from the West. SZSE executive offices are located just above the raised podium, leaving the uppermost floors leasable as rental offices and a dining club.

 © Philippe Ruault

菲利普·鲁奥

塔的一般方型顺从地与周围的同质塔混在一起，但SZSE的立面不同。建筑物的外墙用图案玻璃包裹着坚固的外骨骼网格结构。玻璃包层的纹理揭示了建筑技术的背后，同时也使它变得神秘和美丽。中性的颜色和半透明的外观随着天气条件的变化而变化，创造出一种神秘的水晶效果：在明媚的阳光下闪闪发光，在阴天静音，黄昏时发光，晚上发光。立面是一种“深面”，有凹槽开口，被动地减少了进入建筑物的太阳能热量，改善了自然日照，并降低了能源消耗。SZSE被设计成为中国首批三星级绿色建筑之一.

The generic square form of the tower obediently blends in with the surrounding homogenous towers, but the façade of SZSE is different. The building’s façade wraps the robust exoskeletal grid structure supporting the building in patterned glass. The texture of the glass cladding reveals the construction technology behind while simultaneously rendering it mysterious and beautiful. The neutral colour and translucency of the façade change with weather conditions, creating a mysterious crystalline effect: sparkling during bright sunshine, mute on an overcast day, radiant at dusk, and glowing at night. The façade is a “deep façade”, with recessed openings that passively reduce the amount of solar heat gain entering the building, improve natural day light, and reduce energy consumption. SZSE is designed to be one of the first 3-star green rated buildings in China.

 © Philippe Ruault

菲利普·鲁奥

46层(2.54亿)的深圳证券交易所是一个具有公民意义的金融中心。位于莲花山与滨河大道之间南北轴线交汇处的一个新公共广场，以及深圳主干道深南路东西向的交汇处，这座城市并不是一个孤立的建筑，而是一座可以在多个尺度和层次上做出反应的建筑。有时出现大量的，在其他亲密和个人，SZSE不断产生新的关系在城市范围内，希望作为一种新形式的建筑和都市主义的动力。

The 46-storey (254m) Shenzhen Stock Exchange is a Financial Center with civic meaning. Located in a new public square at the meeting point of the north-south axis between Mount Lianhua and Binhe Boulevard, and the east-west axis of Shennan Road, Shenzhen’s main artery, it engages the city not as an isolated object, but as a building to be reacted to at multiple scales and levels. At times appearing massive and at others intimate and personal, SZSE constantly generates new relationships within the urban context, hopefully as an impetus to new forms of architecture and urbanism.