架构师提供的文本描述。2011年5月，大自然摧毁了洛尔卡，从他们祖父母那里继承下来的房子被摧毁，他们的居民恢复残存的东西，他们被保存下来，是他们的记忆，是他们的历史。一块斑块和果树。从东南到西南的佩尼亚鲁比山。钥匙：地点，居民和他们的记忆与她的东西，他们的家具，他们的木工，他们的物品。

Text description provided by the architects. May 2011, nature devastates Lorca, the house inherited from their grandparents destroyed, their inhabitants recover the pieces of what has remained, they are kept, are their memories, are their history. Plot of patches and fruit trees. From southeast to southwest the mountain of Peñarrubia. Keys: The place, inhabitants and their memories linked to her stuff, their furniture, their woodworks, their objects.

 © David Frutos Ruiz

(C)戴维·弗鲁托斯·鲁伊斯

在与以前的家不同的地方，从山前出现的砂岩，房子是一个地方的又一个元素，一个固定的景观-石头，树木，耕地-房子是从地面而来的，干旱的，融合成已经存在的绿色。附加的街区，增加单位，附加建筑，集合和隔离空间，它的亲密和会议。

In a different location from the former home, from sandstone emerges in front of the mountain, the house is one more element in a place, a settled landscape - stones, trees , ploughed land - the house comes up from the ground, arid , to merge into the green that already exists. Attached blocks, addition of units, additive architecture, gathers and segregate spaces, it´s intimacy and meeting.

 © David Frutos Ruiz

(C)戴维·弗鲁托斯·鲁伊斯

面对通路，房子是密封的。你走进地块，沿着这条路走到尽头，走到山上，里面的体积被打破了，房子对阳光开放，对风景开放。

Facing the access path the house is hermetic. You walk into the plot and walk along the road that goes to the end, to the mountain, the volumes are broken inwards, the house opens to sun, to landscape.

 © David Frutos Ruiz

(C)戴维·弗鲁托斯·鲁伊斯

你可以从门廊进入，没有走廊，没有房子，朋友，没有礼节，大门被留在围栏里，每个人都可以从床上进出，居民之间的行动自由，不受留下的东西，汽车，噪音，这周.，。是为了断开连接。从门廊的绿荫到高贵的家庭生活空间、会议生活、家庭聚会的意愿、客厅桌子和餐桌上方的天窗，都是对家庭生活的致敬。

You access through the porch, there is no hall, a it is a house for the family, the friends, there is no protocol, the main entrance was left behind in the fencing, each individual can get in and out from his bed, freedom of movement among its inhabitants, protected from what stays behind, the cars, the noise, the week ..., it´s to disconnect. From the green shade of the porch to spaces that ennoble family life, the life of meeting, the willingness of having a family get together, the skylights are high above the living room´s table and the dining room´s table, it´s a tribute to home life.

 © David Frutos Ruiz

(C)戴维·弗鲁托斯·鲁伊斯

大自然通过缝隙进入过滤、框架和驯服-马略坎百叶窗、窗户、内百叶窗(他的老房子的那些)-光和声音过滤器；景观进入时没有压倒性的限制，因为在内部，居住者想要与其历史生活在一起，如果鸿沟太大，自然会吞噬他们的小东西。每个房间都有它在风景中的位置，当你睡觉的时候，当你读书的时候，当你遇到某个人的时候。房子试图与土地和居民的记忆生活在一起，谨慎地在他们之间，试图使感情流动，触摸到居民的感觉，对访客，给人类的问题一个答案。一种讲这个地方的语言出现了，它属于居住者，构成他的记忆。

The nature enters filtered, framed and tamed through gaps, - Majorcan shutter, window, inner shutter ( those of his old house ) - light and sound filters; the landscape enters limited without overwhelming because on the inside the inhabitant wants to live with its history,  if the gap is too large nature would devour their little things. Each room has its place in the landscape, when you sleep, when you read, when you meet somebody. The house tries to live together with the land and with the memory of the inhabitants, discreet between them both, trying to make feelings flow, sensations that touch to the inhabitant, to the visitor, give an answer to human matters. A language that speaks of the place arises, it belongs to the inhabitant, frames his memory.

 Floor Plan