架构师提供的文本描述。这所房子坐落在一座高尔夫球场中，建在一个质量可疑的建筑环境中。建筑的体积痕迹被强加于周围这个空洞的特征，只对远处的风景做出反应。这样，避免了这个投机的地方，房子关闭了潜在的近，因为关系保持一些相当有限的条件，能见度和可达性。底层占用的限制指向了所要求的程序在两个层次上的位置，使得地面上的几何图形接近正方形。我们采取行动，这种无害的平行，通过刺激盲目的周边条件，与外部遥远的景观和可能性使用的情节。

Text description provided by the architects. This house is set among a golf course on a dubious quality built environment. The volumetric trace of the building is imposed to this empty character of the surroundings and reacts only to the far away views of the distant landscape. In this way, avoiding this speculative place the house closes off to potential near by relationships maintaining some quite restricted conditions of visibility and accessibility. The limitations of ground floor occupancy directs to the location of the requested program in two levels allowing a geometric figure on the ground close to a square. We act on this innocuous parallelepiped by exciting the blind perimeter with conditions related to the external distant landscape and the possibilities of using the plot.

 © Miguel de Guzmán

米格尔·德古兹曼

在这个方向上，我们认识到这些物体在景观中的价值，把有趣的视觉画面带到房子里，并根据每个层次的内部程序来确定它们的相对位置：从客厅、从楼上的卧室和室外露台到山景、从旧城市到河边，或者从厨房的草地。这些关系影响的体积与大量减法，成为一个有盖车库和主要通道相关的后街，客厅和厨房梯田与花园有关。在上层，只有向天空开放的两个封闭的露台和所有者收藏的仙人掌花园才能保证隐私，而另一个面向南方的露台则通过多个屏蔽可移动的开口将远处的不同对象之间的关系转化为一体。通过放置大的釉面元素将这些物体放置在远处的意愿实现了新转换的几何图形的一部分。把这些事故的所有顶点联系起来，一个三维的几何图形出现，将所有的房屋内部属性作为一个网来放置所有的建筑精度。

 In that direction, we recognize those objects in the landscape worth of bringing interesting visual frames inside the house and define their relative position according to the inner programs in each level: the mountain views from the living room, the old city and the river from the upper sleeping room and exterior terrace or the grass plot from the kitchen. These relationships affect the volume with mass subtractions that become a covered garage and the main access related to the back street and the living room and kitchen terraces related to the garden. In the upper level privacy is guaranteed by two enclosed terraces open only towards the sky and planted with cactus gardens from the owner collection while another terrace facing south translate the relations with different objects in the far distance through multiple screening movable openings. The will to frame this objects in the distance by placing big glazed elements performs part of the new transformed geometry. Relating all the vertex of these accidents a three dimensional geometry appear guiding all the house internal properties as a net where to rest all the building precision.

 © Roland Halbe

罗兰·哈贝

在客户以极端现代生活方式要求的定制程序上，主要用途布局是连续进行的，没有任何门，但保留了每个内部空间的特征和功能。通过这种方式，分离是通过一个类似蛇的层流单元来完成的，该单元遵循全局几何定义了每个程序围绕一个中心双高度区域所建的周长。这个弯曲的元素房子在楼梯内，传达了所有的流动和装置，同时为房子提供了两个神奇的特性：一道发光的聚碳酸酯墙改变颜色，光线平行于反光反射墙，使室内空间倍增。双高度起居室周边是穿孔的全景孔，不同的尺寸，开放或玻璃，要求不同的视觉和发光关系与周围的节目。

On a tailor made program demanded by clients with an extreme contemporary way of living the main uses layout is done in continuity without any doors but keeping the character and functionality of each internal space. In this way, the separation is done by means of a snake like laminar element that following the global geometry defines the built perimeters of each program around a central double height area. This crooked element houses inside the staircase and conveys all flows and installations while providing two magic properties for the house: an iridescent polycarbonate wall changing colours with the light running parallel to a reflecting mirroring wall that multiplies the interior spaces. The double height living room perimeter is perforated with panoramic holes of diverse dimensions, open or glazed, that oblige different visual and luminous relationships with the programs around.

 © Miguel de Guzmán

米格尔·德古兹曼

这套三维视觉关系遵循全球几何学，符合内在景观，吸收和翻译远处景观的效果。它的意图是，所有的内部用途是直接接触到任何类型的外部空间，最大利益的品质，近和远的景观。从这个意义上讲，通过将这些环境与内部程序相关联的行动，构建的无声封套是有条件的和转化的。因此，在西方，星空显然是随机出现的，但由于整体几何学和其多面性的外观，星洞的形状在客人区域内带来了日落的颜色变化，同时保持了对周围可疑建筑的控制性看法。

This set of three dimensional visual relationships following the global geometry conform an inner landscape absorbing and translating the effect of the distant landscape. It is intended that all internal uses are in direct contact with any kind of exterior space with a maximal profit of the qualities of the near and far landscape. In that sense the built silent envelope is qualified and transformed by means of actions relating these surroundings with the interior programs. And so, starry holes appear in the West apparently random but shaped with the global geometry and with their faceted appearance bring inside the guest areas the colour variations of the sunset while maintaining controlled views of the doubtful buildings around.

 © Miguel de Guzmán

米格尔·德古兹曼

在南方，一个巨大的扩大金属网立面保护餐厅和寝室区域不受夏季阳光和高尔夫球的直接危害，同时通过用户可以定位的可移动框架保持与景观的可变关系。在东方，一张全球几何的具体影像可以让邻居不愿透露姓名，疏散部分屋顶水和北方的绿色大理石，用看不见的线条切割，向我们发出一个公众信息：豪华建筑的时代可能已经过去了。

To the south, a large expanded metal mesh façade protects the dining and sleeping room areas from direct summer sunlight and golf balls hazards while maintaining a variable relation to the landscape by means of movable frames that can be orientated by the user. To the east a concrete radiography of the global geometry serves to keep anonymity with the neighbour and evacuate part of the roof water and to the north pieces of green marble, cut out with invisible lines, send a public message remaining us that the time for luxurious buildings has probably passed away.

 Floor Plan