Casa La Cañada Ricardo Torrejón
2013-10-21 00:00
架构师提供的文本描述。在安第斯山脉开始之前,这栋房子位于圣地亚哥东部最后一片平坦的城区,占地1,060平方米。
Text description provided by the architects. This house is set on a 1,060 sqm site in the last flat urban area of eastern Santiago before the Andes begin.
该地块宽15米,长67米,现有一座有成熟40年树龄的花园。
The plot is 15m wide by 67m length with an existing garden with mature 40 year old trees.
原来的房子建于70年代,并没有特别利用花园的优势。尽管近20年来无人居住,但这座后院幸运地保存完好,感觉就像一个被遗忘的公园。
The original house, built back in the 70's, took no particular advantage of the garden. Despite being uninhabited for almost 20 years the backyard was luckily well preserved and felt like a forgotten park.
我们决定从无到有地建造一座房子,而不是重新装修。与花园的关系,特别是与现存树木的关系,应该是最重要的。
Instead of remodeling, we decided to build a house from scratch. The relationship to the garden, particularly to the existing trees, should be in the foreground.
我们认为建筑不应该与自然竞争,相反,它应该加强它的存在,色彩和灯光。在建筑上,我们必须在材料和颜色上保持中立和沉默,这样才能让自然发挥作用。
We thought that architecture should not compete with nature; on the contrary, it should enhance its presence, colors and lights. Architecturally we had to remain neutral and silent in both material and color in order to let nature play its part.
这所房子是一个坚固的整体混凝土砌块,是通过雕刻而不是窗户和开口打开的。
The house is a solid monolithic concrete block opened up through carvings instead of windows and openings.
从外部看,每一个雕刻本身都变成了一个地方,有的只是一个人,另一些则更合适。
Externally, each carving becomes a place itself, some fitting just a single person, others more.
在内部,他们是一种玻璃棱镜,让光线进入和自然通风,并允许正面和对角线的看法,以及内部透视之间的相邻房间。
Internally, they are a sort of glazed prisms letting light in and natural ventilation and allowing frontal and diagonal views as well as an internal see-through between contiguous rooms.
这种雕刻操作最直接的结果是花园在屋子里随处可见。即使在房子对面的房间里,也有可能看到它。
The most direct result of this carving operation is that the garden is present everywhere in the house. Even in rooms on the opposite side of the house it is possible to have a glimpse of it.
Architects Ricardo Torrejón
Photographs Cristóbal Palma
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