架构师提供的文本描述。我们想把内线提升到项目的“理性”类别。为了做到这一点，除了构图顺序的决定外，我们还强行通过这个空间进入房屋，限定它并以这种方式产生活动和关系，并在我们看来证明这条街道的设计是合理的。

Text description provided by the architects. We want to raise the inner lane to the category of “reason” of the project. In order to do this, besides the compositional order decisions, we force the access to the houses through this space, qualifying it and generating in this way activity and relation and justifying in our opinion the design of this street.

 © Cesar San Millán

(C)塞萨尔·圣穆兰

关于这个空间的处理，我们试图提供一个尽可能“绿色”的形象，作为一个儿童游戏空间，远离建筑物外部交通的复杂情况。然而，它也有一段缓慢的交通和另一段停车，所有的低强度，因为这条线不服务于其余的多边形，而是一个专用的入口大厅。通往地下室的斜坡位于地块的尽头。这个空间的定义是由行人路和车库的紧急出口完成的。

Regarding the treatment of this space, we attempt to provide an image as “green” as possible, as a children’s play space  far from the complications of traffic that runs along the outside of the buildings. However, it also has a band of slow traffic and another band of parking, all in low intensity, because this lane does not serve the rest of polygon, but an exclusive access to the entrance halls. The ramp to the basement is located at the end of the plot. The definition of this space is completed by  pedestrian paths and emergency exits from the garages. 

 © Cesar San Millán

(C)塞萨尔·圣穆兰

我们根据清醒的原则设计了外墙，其基础是在阳极氧化铝板的非常均匀的表面上画出一种单一的中空，强调表面的穿孔及其质量和结构的复杂性。这种组合在弯曲和直的块中重复，并且总是伴随着相同的材料围绕和定义四座建筑的整个外部周长。

We designed the exterior facades following a principle of sobriety, based on a single type of hollow drawn on a very uniform surface of anodized aluminium sheet metal that emphasizes the perforation of the facade and its quality and construction complexity. The composition is repeated in both curved and straight blocks and is always accompanied by the same material which surrounds and defines the entire exterior perimeter of the four buildings.

 © Cesar San Millán

(C)塞萨尔·圣穆兰

内街想要与众不同。在这里，弯道的感觉非常接近，我们想通过一些小的建设性的噱头来强调这一点：对于低的一层，地板稍微有些错开，这样立面就变成了一系列强调街道形状的曲线。隐匿的空间视觉引导我们寻找一种“非构图”，它的空穴随机放置，内衬着彩色酚醛板，在正面表面引入振动，强烈地表征城市空间，远离有序的构图。

The inner street wants to be different. Here the perception of curved path is very close and we want to  emphasize it through small constructive gimmicks: a floor is  slightly staggered regarding the low one, so that the facade becomes a succession of curved lines emphasizing the shape of the street. The absconded vision of the space leads us to look for one “not composition” with hollows randomly placed and lined quoins with colored phenolic panels that introduce a vibration on the surface of the facade and strongly characterize the urban space, far away from orderly compositions.

这个项目的论点在于这两个综合世界之间的差异。

The project’s argument turns in the difference between these two compositive worlds. 

 Ground Floor Plan