架构师提供的文本描述。Labics刚刚完成了在意大利博洛尼亚的一个新的混合用途综合体-MAST www.mat.org。MAST基金会是一个以艺术、技术和创新为重点的文化和慈善机构，支持发展创造力和创业精神，并与其他机构合作，以支持经济和社会增长。由一家以创新为基础的工业解决方案公司-伊莎贝拉·塞拉诺利(IsabellaSeragnoli)的总裁伊莎贝拉·塞拉格诺利(IsabelaSeragnoli)设想的，它是一种向社会开放的向外部游客提供的活动以及为公司雇员提供的服务，都是基于技术、艺术和创新的相同理念。这座建筑是2006年举行的限制性设计竞赛的结果。获奖建筑公司Labics(由Maria Claudia Clemente和Francesco Isidori领导)被任命开发该项目。

Text description provided by the architects. Labics has just completed MAST www.mast.org, a new mixed-use complex in Bologna, Italy. MAST Foundation is a cultural and philanthropic institution that focuses on art, technology and innovation and favours the development of creativity and entrepreneurship also cooperating withother institutions, in order to support economic and social growth. Conceived by the president of COESIA -an innovation-based industrial solutions company- Isabella Seragnoli , MAST is a private initative open to the community that improves both staff welfare and the company’s public image . The activities offered to external visitors, as well as the services dedicated to company employees, share the same philosophy based on technology, art and innovation. The building is the result of a restricted design competition held in 2006. The winning architectural firm studio Labics (leaded by Maria Claudia Clemente and Francesco Isidori) was appointed to develop the project.

 © Christian Richters

克里斯蒂安·里氏

作为边界的建筑。

Building as a border.

比赛简介要求在公司校园内开发一系列建筑，提供员工设施-托儿所、食堂、学院、员工俱乐部和健康中心-以及公共空间，如培训中心、礼堂等。还有一家公司的博物馆。这次比赛的计划由Labics解释，他们的目标是把不同的功能集中在一个单一的综合体中，赋予建筑更大的力量和身份，从而勾勒出公共和私人之间的一个界面。最终的结果是一座复合建筑，一种专注于艺术、创新和技术的微型城市，从外部看上去是紧凑的体积。从底层开始，桅杆有一个公司食堂、一个展览厅、一个服务室、一个健身房和一个有自己花园的大托儿所。第一层有一个展览空间和一个自助餐厅，而顶层则有一些教室、宽敞的门厅和一个可容纳400人的礼堂。因此，地下三层停车场可供公司工作人员及游客使用.

The competition brief asked to develop a series of buildings across the company campus, providing staff facilities – creche, canteen, academy, staff club and wellness centre – as well as public spaces such as a training centre, auditorium, and a company museum. The program of the competition has been interpreted by Labics who aimed at bringing together different functions in a single complex and giving the building greater strength and identity, so as to delineate an interface  between public and private.The final result is a composite building, a sort of micro-city dedicated to arts, innovation and technology appearing as compact volume from the outside, yet articulated in pathways and functions on the inside. Starting from the ground floor,  MAST hosts a company canteen, an exhibition hall, service rooms, a gym and a large nursery with its own garden. First level has an exhibition space and a cafeteria, whereas the top floor is partly occupied by a number of classrooms, a spacious foyer and an auditorium which can accommodate 400 people. Therefore, an underground three-level parking for company staff as well as visitors.

 © Christian Richters

克里斯蒂安·里氏

建筑和小路之间。

Between building and path.

为了满足复杂多样的功能规划要求，该大楼的设计研究了用户通过各种内部空间的可能动态。一条连续的路径贯穿整个建筑，将所有活动连接在一起，将他们与城市连接起来，并将建筑群变成一个向社区开放的热闹的地方。两个主要的步行坡道从建筑物的核心延伸到主要通道。从那里你可以到达一楼的展览空间，然后继续走向大厅和礼堂，这是建筑群的神经中枢之一。通过整个高度空间，你可以去自助餐厅和公司食堂。综合体表达了某种混杂的身份，不能与主办的某一活动识别，但同时，它能够代表所有这些活动。

To fulfill the elaborate and diverse functional programme requests, the building was designed studying the possible dynamics of users flows through various inner spaces. A continuous path runs through the entire building and links together all the activities , connecting them with the city and turning the complex into an lively place open to the community. Two major pedestrian ramps extend from the core of the building to the main access, from where you can reach the exhibition space on the first floor and then continue toward the foyer and the auditorium, one of the nerve centre of the complex. Passing through the full height space, you cango down to the cafeteria and the company canteen. The complex expresses a somewhat hybrid identity, which cannot be identified with one of the activities hosted, but at the same time, it is able to represent them all.

 © Christian Richters

克里斯蒂安·里氏

在公共和私人之间。

Between public and private.

这座建筑不同于周围四分五裂的城市结构，因为它处理的是它的背景，介于公司校园现有建筑的坚固性和附近里诺河公园的开放空间之间。因此，它有两条“战线”：一条与现有公司大楼有关的私人直线；另一条是面向城市和公园的公共战线。这个入口由长坡道组成，直指公园，邀请公众进入建筑物的中心。

The building differs from the surrounding fragmented urban fabric in that it addresses its context, mediating between the solidity of the existing buildings on the company campus and the open spaces of the nearby River Reno park. It therefore has two ‘fronts’: a private, linear one which relates to the existing company buildings, and a second, public front that opens toward the city and park. This entrance consists of long ramps which directly address the park, inviting the public into the heart of the building.

 © Christian Richters

克里斯蒂安·里氏

桅杆是一座轻型、半透明、多变的建筑。双层皮玻璃信封覆盖整个外墙，由两层组成：透明幕墙和用像素化摄影设计印刷的玻璃层屏幕；夜间，建筑物变成一个明亮的种子槽物体。

MAST appears as a light, translucent and changeable building. The double skin-glass envelope covers the entire facade and it is composed of two layers: a transparent curtain wall and a glazed layer screenprinted with a pixelated photographic design; at night, the building becomes a bright seetrough object.

 © Christian Richters

克里斯蒂安·里氏

景观设计由建筑师保罗·彼得龙(Paolo Pejrone)设计，正门处有马克·迪苏韦罗(Mark Di Suvero)的红色雕塑“老灰梁”。

The landscape project  is designed by architect Paolo Pejrone. At the main entrance, the monumental red sculpture ‘Old Grey Beam’ by Mark di Suvero.

 First Floor Plan

一层平面图